Feb 27

Vouchers Will Not Save Our Schools: “Exit Strategy”

UPDATED on 2/28/17: Because holy crapping fudge DeVos is either a sincere idiot, or a racist ass (mostly likely, both). https://twitter.com/AdamHSays/status/836416602736312320

Photo by Joel Benjamin. With Robert Bonotto, Victoria George, Johnny Quinones, Jalani Dottin-coye and Matt Fagerberg.

Presented by Zeitgeist Stage Company
Written by Ike Holter
Directed by David Miller

Feb. 17- March 11, 2017
Plaza Theater
Boston Center for the Arts
539 Tremont St in Boston’s South End
Zeitgeist on Facebook

This production is made possible in part by The Bob Jolly Charitable Trust, which was established by the late Boston actor Bob Jolly to support local theater artists.

Review by Kitty Drexel

(Boston, MAExit Strategy opens with a quote for Betsy DeVos’s Senate Hearing on Jan. 17, 2017. DeVos is a rich, white women with no experience in public education and a strong preference for charter schools. She’s in love with vouchers. To her, “accountability” is just a 14 letter word. She is completely oblivious of the hard work public school teachers do every single damn day in order to teach their students. Her ignorance, arrogance and entitlement are the three donkeys of the educational system’s apocalypse. Our kids, especially the underprivileged, deserve better. Her philosophies are the kind that allow schools to crumble apart with children still in them. Continue reading

Oct 14

Earnest and Flawed: BENT

This tragic yet beautiful photo was found on the Zeitgeist Facebook page. No photo credit was found.

This tragic yet beautiful photo was found on the Zeitgeist Facebook page. No photo credit was found.

Presented by Zeitgeist Stage Company
By Martin Sherman
Directed by David Miller

Boston Center for the Arts
September 19th – October 11th, 2014
Zeitgeist on Facebook

Review by Craig Idlebrook

(Boston, MA) Terror comes when you slowly realize that you have run out of ways to escape a horrible situation. It can first comes in drips, and then all at once. Homosexuals in Nazi Germany first lived on the knife’s edge in a non-sanctioned world of winks and nods. In the play Bent, they succumb to terror in one fell swoop, but then realize that perhaps the most terrifying thing of all is when one can’t find the bottom of a nightmare. Then, all that one can do is accept what is happening and find ways to regain shreds of dignity. Continue reading