Dec 01

“A Palpable Hit”: Fight! Fight! Fight!

Photo credit: Timothy John Smith

Photo credit: Timothy John Smith

Presented by The Gunpowder Plot & Cambridge Historical Tours
From the works of William Shakespeare
Directed by Gabriel Kuttner, Daniel Berger-Jones & Sarah Gazdowicz

November 25-December 11, 2016
Durrell Theatre
Cambridge YMCA
820 Massachusetts Avenue
Cambridge Historical Tours on Facebook

Review by Travis Manni

(Cambridge, MA) Everybody knows that the events leading up to any action sequence, while often necessary, can feel boring and overlong. Sometimes you just want to skip to the good stuff and watch everybody fight or use their superpowers to kick some serious ass. While Shakespeare often preferred battles with swords, though one could argue his battles of wit are just as exhilarating, what made his scenes of confrontation so mesmerizing was the use of tension, and The Gunpowder Plot’s production of A Palpable Hit: Shakespeare Fight Night sure knew how to tap into this. Continue reading

Oct 26

The Opposite of Hell Freezing Over: “When January Feels Like Summer”

Photo courtesy of CST Facebook page.

Photo courtesy of CST Facebook page.

Presented by Underground Railway Theater
Written by Cori Thomas
Directed by Benny Sato Ambush

Oct. 20 – Nov. 13, 2016
Central Square Theater
Cambridge, MA
CST on Facebook

Review by Kitty Drexel

(Cambridge, MA) Spoiler alert: No one dies in When January Feels Like Summer. No one even gets beaten up. In fact, everyone gets a happy ending. Thomas’ play is extraordinary because sweet but nosy Indira gets to be happy. Thomas’ POC characters get to live their lives without some white person causing unnecessary trouble. It shouldn’t be unusual that a play about POCs or a trans woman isn’t about the violence inflected on them, but it is. It shouldn’t be revolutionary for a person to go about their business. Yet, here we are.       Continue reading

Oct 24

Naughty Nighttime Jaunts: “The Wrathskellar Tales”

14237673_1197699330251209_1253917380444914164_n-1Produced by Boston BeauTease

October 20 – October 31, 2016
The Wrathskellar
288A Green Street (Lower Level)
Cambridge, MA
Boston BeauTease on Facebook

Review by Danielle Rosvally

(Cambridge, MA) Immersive, site-specific theatre is notoriously difficult to execute.  It is complicated to envision, a nightmare to rehearse, precarious to time, and overwhelming to build.  Audiences familiar with Punchdrunk’s Sleep no More will understand just how many details go into the completion of a successful immersive theatre project.  The Wrathskellar Tales is surprisingly thorough and impressively complete in its scope. Continue reading

Oct 24

Corpsed: “Cirque of the Dead”


Presented by The Boston Circus Guild
Script written by Tim Ellis, Ricky Hawkins, and Jeremy Warren
Circus direction by Michael “Mooch” Mucciolo
Choreography of finale by Ellen Waylonis
Band lead by eHawk
Online Program for More Credits

October 21 – 26, 2016
The Oberon
2 Arrow Street, Cambridge MA
Boston Circus Guild on Facebook

This show is 18+ only, due to graphic / disturbing content. Strobe lights are used in this production.

Review by Danielle Rosvally

(Cambridge, MA) Few things are as fun as a circus show, except perhaps a Halloween-themed circus show with zany scientists, colorful cohorts of demons, a jammin’ band, and a mid-show filked-up sing-a-long.  Cirque of the Dead is back for its third year at Club Oberon and it’s ready to wow you.  This thoroughly entertaining evening has your usual thrills, not terribly many chills, and a few non-lethal spills. Continue reading

Oct 02

Rebel Theatre Without Activism is as Pointless as Sending Thoughts and Prayers After a Tragedy: “The Plough and The Stars”


Presented by A.R.T.*
Abbey Theatre on Tour in association with Cusack Projects Limited
Written by Sean O’Casey
Directed by Sean Holmes
Voice direction by Andrea Ainsworth

Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: gun fire, siren and other loud effects, punk rock

(Cambridge, MA) Ladies and gentlemen, Unions are legal and necessary. Unions are one of the only protections low to middle income wage earners have against power-hungry suits with no regard for struggles that aren’t their own. Please support your local unions to ensure that they remain strong, honest, and transparent. Continue reading

Sep 15

A Dear John letter to modern American politics: “The Return to Morality”

Photo courtesy of TTC Facebook page

Photo courtesy of TTC Facebook page; the cast, looking much happier here than their characters do in the production.

Presented by Titanic Theatre Company
Written by Jamie Pachino
Directed by Michelle M. Aguillon

September 8-25, 2016
Central Square Theatre
Cambridge, MA
Titanic Theatre on Facebook

Review by Noelani Kamelamela

(Cambridge, MAIt is a presidential election year in these United States.  Ordinary campaigns are already the cesspools of public opinion where good policies raise their hands and get passed over for workable compromises.  Presidential campaigns are therefore a special circle of our own red, white and blue hellscape where we, the people, can gather together and worry about our future as a nation.  It is a Sisyphean task, which means the situation is ripe for comedy.  Titanic Theatre Company’s production of The Return to Morality elicits anxious laughter in this context.   Continue reading

Sep 06

Go On and Shoot a President: ASSASSINS

Photo credit: Chantal Acacio

Photo credit: Chantal Acacio; it’s clobbering time.

Presented by The MIT Musical Theatre Guild
Music and Lyrics by Steven Sondheim
Book by John Weidman
Directed by Matt Putnam
Vocal Direction by David Favela
Music Direction by Marek Subernat

September 2 – 17, 2016
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Musical Theatre Guild on Facebook

Review by Danielle Rosvally

(Cambridge, MA) As an American history buff (can you call yourself a “buff” anymore when you’re technically a professional historian?), I will be the first to admit that Assassins holds a special place in my heart.  Who else but the dynamic Steven Sondheim could take a subject matter like the murder of the president of the United States, and write a poignant, witty, yet ever-so-tenaciously perky musical about it?  The MIT Musical Theatre Guild has put together a fine production of the show, well worth your time despite the beginning-of-semester crunch. Continue reading

Aug 16

Hot as Hell in Philadelphia” “1776”

Photo credit: Eurah Joanna Ko

Photo credit: Eurah Joanna Ko

Presented by The MIT Gilbert and Sullivan Players
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Emma Brown
Vocal Direction by Tom Ostrowski and Johnnie Han
Orchestra Directed by Julie Henion

August 12 – 14
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Gilbert & Sullivan Players on Facebook

Review by Danielle Rosvally

(Cambridge, MA1776 is one of those archaic mainstays of musical theatre that gets some seasonal adoration around the patriotic holidays of summer and spends the rest of the year hiding in its box waiting for people to remember how catchy the good songs are (and forget how atrociously lingering the bad ones get).  It’s also got some technical and social difficulties: the cast is large; dare I say ungainly; and made almost exclusively of men.  Costuming the show is serious business since it’s a period piece (rarely modernized).  And the script… oh the script… the script has not aged well.  Sherman Edwards wrote some poppy songs that still captivate, but Peter Stone’s book is definitely a product of its time.  Once again; the good parts are great.  The bad parts just linger a little too long.  Last, but certainly not least, the show attempts to tackle some very dark eras of American History and doesn’t exactly do it in the best possible way. Continue reading

Aug 08

Not A Leftover: DOG PADDLE (Or, Struggling Inelegantly Against Drowning)

Photo by Andrew Brilliant

Photo by Andrew Brilliant, from Facebook.

Presented by Bridge Repertory Theater
By Retro Finger
Translated by Lily Sykes
Directed by Guy Ben-Aharon

August 4-20, 2016
Studio Theater at Central Square Theater
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

(Cambridge, MADog Paddle (Or, Struggling Inelegantly Against Drowing) is a brisk 55 minutes long. It is brief, packs a wallop, and, to be blunt, is just short enough that one can still run errands or what have you before the day’s exhaustion catches up. Dog Paddle is an opportunity to enjoy cranial, abstract theatre without wearing one out for the rest of life. It’s perfect. Continue reading

Jun 28

Spider Cult’s Tangled Webs of B-Movie Burlesque Pastiche

The Sweethearts via their website www.theslaughterhousesweethearts.com/

The Sweethearts, photo via their website www.theslaughterhousesweethearts.com/

Presented by Jade Sylvan and Fem Bones
Starring the Slaughterhouse Sweethearts
Created by Jade Sylvan (playwright & producer) Fem Bones (creator, director, & choreographer), Catherine Capozzi (composer, guitarist, & band leader)

June 24 at 6:30PM, 10PM
June 26 at 5PM, 8:30PM
The Oberon
Cambridge, MA
Spider Cult: The Musical Facebook Page
Spider Cult: The Musical Soundtrack

By Gillian Daniels

(Cambridge, MA) Spider Cult: The Musical is deep fried pulp, beer-battered in burlesque and costume blood. This is a certain kind of creepy, specifically a Boston kind, certainly my kind. The choreographed fight scenes and blood shed are as enthusiastic as the stripping. While the plot didn’t need to be anything other than be a skeleton on which one could hang a few themed, stylish burlesque routines, Jade Sylvan and Fem Bones gives us violence, pathos, and insight into human relationships—a many-legged beast of a story. Continue reading