Apr 20

Two Reviewers, One Play: ARCADIA

The Cast of ARCADIA. Photo: A.R. Sinclair Photography

The Cast of ARCADIA. Photo: A.R. Sinclair Photography

Presented by Central Square Theater & and the Nora Theatre Company
Written by Tom Stoppard
Directed by Lee Mikeska Gardner

Current-May 15, 2016
Central Square Theater
Central Square, Cambridge, MA
Central Square/Nora Theatre on Facebook

Noe and I attended this performance together. We were impacted differently so we both wrote reviews. One follows after the other below.  Continue reading

Mar 22

“MBTA Musical”: For the T-Hating Bostonian in All of Us

Photo from the 2012 production at Oberon.

Photo from the 2012 production at Oberon.

Presented by ImprovBoston
Music and Lyrics by Melissa Carubia
Directed by John Michael Manship
Musical Direction by Shannon Jacob

February 26-May 20, 2016
Cambridge, MA
ImprovBoston on Facebook

Review by Travis Manni

(Cambridge, MA) When I found out that the MBTA was going to cut Friday and Saturday extended hours, I wept for at least 5.5 seconds. My displeasure quickly morphed into absolute fury with the board members for making such a rash decision that effects hundreds of workers, students, and other Bostonians. I was revved up to come see the performance of ImprovBoston’s T-shaming show, T: An MBTA Musical and it was the perfect slap-in-the-face comeback to Boston’s poor excuse for public transit that I could’ve received. Continue reading

Feb 24

Nice Legs Fellas: THAT 1770’s SHOW

download

Image care of Google

Presented by The Hasty Pudding Club
Written by Daniel S. Milaschewski,, Jacob D. Rienstra, and A.J. Unitas
Music composed by Dylan MarcAurele

Feb. 6 – March 6, 2016
Farkas Hall
12 Holyoke Street
Harvard Square
Cambridge, MA

Review by Kitty Drexel

(Cambridge, MA) HPT168: That 1770’s Show is like a Ru Paul’s Drag Race production of “A Day in the Life on Plimouth Plantation” if the budget were slashed and the performers given a strict diet of cafeteria food. It’s good ole’ drag satire in which Massachusetts institutions are the butt of the jokes. It’s hilarious if that’s your thing. If it’s not: the show’s still funny but you won’t enjoy yourself as much as everyone else. Continue reading

Jan 26

As Exciting as Actual Ice Fishing: “Nice Fish”

Presented by the American Repertory Theatre
Written by Mark Rylance & Louis Jenkins
Drawn from the works of Louis Jenkins
Direction and compositions by Claire van Kampen

January 17 – February 7, 2016
Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

(Cambridge, MANice Fish pairs the poetry of Louis Jenkins and self-aware post post-modern theatre on the frozen waters of a Minnesota lake. It is a small, white cast with one woman (Kayli Carter taking one for the team) about the humdrum comings and goings of ice fishers and their community. We are invited to experience the quiet contemplations of Erik (Jim Lichtscheidl) and Ron (Mark Rylance) on their technology-assisted jaunt into the wilderness. It’s a story of Man versus Nature versus Man’s Nature. In the end, the winner is always Nature.   Continue reading

Jan 25

Elementary at Best: “Bistany’s Mysteries”

bistanywebsitefinal
Presented by Improv Boston
Director: Matt Bistany

January 8 – 22, 2016
ImprovBoston
40 Prospect Street
Cambridge, MA
ImprovBoston on Facebook

Review by Danielle Rosvally

(Cambridge, MA) ImprovBoston does an admirable job of keeping the art of live improvisation well… alive.  I love the constantly rotating repertory onstage at IB, and I’ve almost never been disappointed with the offerings I’ve seen at this venue.  Perhaps best of all: IB makes certain that all levels of improvisers get a chance at the spotlight as they produce student showcases frequently mixed in with their professional troupes.  Nice work, IB.  Nice work. Continue reading

Jan 05

Flappable: TRUE DEFECTIVE

tdectivePresented by ImprovBoston
Directed by Luke Bruneaux
Featuring the talents of Kaitlin Buckley, Sumeet Sarin, Taylor Cotter, Rachel Jane Andelman, Ryan Dalley & Francesca Villa
Kristina Stapelfeld on electric guitar

January 2, 9, & 16, 2016
Saturdays at 11PM
Studio Theater
40 Prospect Street
Cambridge, MA 02139
IB on Facebook

Review by Kitty Drexel

(Cambridge, MA) There is a cognitive dissonance that affects performers when converting material between an audience of peers to an audience of strangers. For whatever reason, the gags found most hilarious by one’s peers tend to fall flat on an audience of strangers. Fate’s determination of success and failure is one of the pitfalls of theatre. This truth is one of the harshest for newer performers to learn. Continue reading

Nov 16

Royal Humanity: “Who Would Be King”

Photo credit: Liars & Believers

Photo credit: Liars & Believers

Presented by Liars and Believers
Conceived and Directed by Jason Slavick
Music and Lyrics by Jay Mobley
Dramaturgy by Amanda Martin
Fight choreography by Ted Hewlett

November 5 – 22, 2015
The Oberon
2 Arrow Street, Cambridge MA
Liars and Believers on Facebook

Review by Danielle Rosvally

(Cambridge, MA) I saw something extraordinary at Oberon last night.  Liars & Believers’ Who Would Be King is a beautiful patchwork of physical performance, storytelling, and boundless humanity.  An original work by artists in residence at the LAB, Who Would be King is a re-mixed trove of biblical tales told in a compelling and timeless way with great humor, and great humanity. Continue reading

Nov 16

Chronically Single: A Man’s Honest Attempt to Explain Singlehood

Photo of Randy Ross, writer and solo performer of "The Chronic Single's Handbook." Here, he offers one theory on why he is still single. Photo taken at the Capitol Fringe Festival in Washington, D.C. in 2013. Photo credit: Paul Gillis Photography. (low-res)

Photo of Randy Ross, photo taken at the Capitol Fringe Festival in Washington, D.C. in 2013. Photo credit: Paul Gillis Photography. (low-res)

Presented by OutPost 186
Written and Directed by Randy Ross

November 13, 15, 17, 21-22, 2015
OutPost 186 on Facebook

Review by Travis Manni

(Cambridge, MA) During a conversation I had with a friend recently, it was decided that us twentysomethings are in two categories: the kind that enjoys hooking up with no strings attached, and the kind that is self-aware of the fact that they are not ready to be in any kind of a relationship. So it was quite surprising for me to see that the same could be somewhat true for older singles in The Chronic Single’s Handbook. Continue reading

Oct 26

Exceeding Intentionally Offensive Expectations: “Gorefest: the 13th”

Gorefest2015Poster-medium

Presented by ImprovBoston
Book/Lyrics/Score by Don Schuerman, Steve Gilbane, Matt Chapuran and Jeff Kimball
Directed by Nate Lopez

Oct. 22 – 31, 2015
Studio Theater at 40 Prospect St
Central Square, Cambridge, MA
IB on Facebook

Review by Kitty Drexel

Disclaimer: Mrs. Drexel auditioned for Gorefest: the 13th and wasn’t cast. She firmly believes that only a superficial ass would allow something like that to taint (heh) her review.

(Cambridge, MA) The cast, crew and band of Gorefest: the 13th were frickin’ awesome. It was a good time getting splattered with blood and urine by IB last Saturday. It always is. That being said, when was Gorfest moved from the Main Stage to the Studio Theater? Who’s crazypants idea was it to move the Boston-area cult classic musical into a smaller space? Cramming that many warm bodies into that room, even with the wooden benches, is not cool. It’s not good for the cast. It’s not good for the audience. Get yourself sorted, IB. Continue reading

Oct 14

Poetic License: “Einstein’s Dreams”

A.R. Sinclair Photography

A.R. Sinclair Photography

Presented by Underground Railway Theater
Part of the Catalyst Collaborative@MIT
Based on a book by Alan Lightman
Adapted and Directed by Wesley Savick

September 24 – November 15, 2015
Central Square Theatre
450 Massachusetts Ave Cambridge, MA
Central Square Theatre on Facebook

Review by Danielle Rosvally

(Cambridge, MA) Even as I sit here staring at a blank page, I am having trouble putting into words the experience of seeing Einstein’s Dreams at Central Square Theatre.  What I know for a certainty is that I can extend to the piece the highest comment that this reviewer can give: it sparked discussion, and it made me think. Continue reading