Sung in German with supertitles, dialogue in German for performer acting and audience comprehension compatibility.
Review by Kitty Drexel
(Boston, MA) Beethoven nails the human condition with his only opera. Fidelio is about the lengths we go to for those we love. Yet, Beethoven reminds us, it is unwise to underestimate the insecurities of the vengeful. NEMPAC’s production was a challenging joy.Continue reading →
(Boston, MA) This summer, the Museum of Science will feature (in addition to their everyday offerings) a series of adult entertainments. Thursday nights under the dome of the Charles Hayden Planetarium, grown ups of Boston will be treated to live music, pub quizzes, movie screenings, and improvised comedy. Last night was the first Thursday that ImprovBoston was featured at Hayden planetarium, doing their thing with live comedy improv (with a science twist, of course). Continue reading →
Trigger warning for drug use, and sharp, loud noises.
(Boston, MA) Some adults who identify as homeless choose to be there. This doesn’t account for all of them, merely some of the population. These people who do choose to live on the streets, or off the grid are still people. They deserve compassion, and respect. Boston forgets that. People forget that. Los Meadows helps us remember our shared humanity.Continue reading →
(Boston, MA) It is March 6, 1770, bloodshed, discontent and rebellion bubbles in the air. Four Bostonians lie dead on the streets outside the Council Chamber and British soldiers are held responsible. The people of Boston are sick of British rule, the soldiers and their taxes – they want them out. Inside Governor Hutchinson is faced with an impossible choice: defy his King, or defend his country? This site specific play takes the audience back in time to a forgotten night that helped shaped the course of, not only the city’s history, but the world’s. Blood on the Snow sold out at its world premiere last Spring and returns to The Old State House in Boston this summer. O’Connor’s naturalistic direction is spot on, allowing the audience to be unnoticed voyeurs alongside the table where history was made. Continue reading →
Presented by Huntington Theatre Co.
By David Lindsay-Abaire
Directed by Jessica Stone
Original music by Mark Bennett
Choreography by Misha Shields
May 26 – June 25, 2017 South End
Calderwood Pavilion of the Arts
Huntington on Facebook
Review by Kitty Drexel
(Boston, MA) Times are not good right now in America. It’s hard being a freedom loving, feminist, liberal during a reign of political terror. Thank goodness there’s escapist theatre that warms the heart and only lightly pings the brain. Ripcord at the Huntington Theatre is just such a show. It isn’t high art. It isn’t activist art. It is a reminder that none of us are free until we’re all free.Continue reading →
Glenn Perry Photography; Jennifer Ellis & Christiaan Smith.
Presented by SpeakEasy Stage Company Book by Marsha Norman Music, lyrics and orchestrations by Jason Robert Brown Based on the novel by Robert James Waller Directed by M. Bevin O’Gara Music directed by Matthew Stern Choreography by Misha Shields
(Boston, MA) I, Snowflake is an airing of grief. It’s a response to the triumph of a boldly and casually racist America that was always there, like groundwater nourishing the trees. In fragmented pieces—commuters loudly reacting to headlines on a train, a café of women discussing the importance of their diets and dates, a family circle miming eating—we are given a portrait of a moment in our shared history. And that moment is raw and tender as an exposed nerve. Continue reading →
Presented by Troika Entertainment, LLC Book by Thomas Meehan Music by Charles Strause Lyrics by Martin Charnin Based on the “Little Orphan Annie,” a comic strip by Harold Gray which was based on the 1885 poem “Little Orphant Annie” by James Whitcomb Riley Directed by Martin Charnin Choreographed by Liza Gennaro Music directed and conducted by Keith Levenson Animals wrangled by William Berloni
(Boston, MA) I’m a stoic deeply bruised by current events, but Annie at the Wang is such an uplifting show that I was able to smile and think of happier times. This production is a fast-paced, clean cut piece of theatre. Escapism isn’t always productive, but this particular dose isn’t doing anyone any harm. Continue reading →
(Boston, MA) Every now and again, a piece comes along that’s so far out of the box it defies most reasonable explanation. Liars & Believers has a history of creating such pieces, integrating clowning with storytelling and adventure in original works that thrill and excite. Yellow Bird Chase is a creative and vibrant exploration of the imagination. For that, I found the piece a bit confused (and confusing). Continue reading →
This play was commissioned by “Discovering Justice: The James D. St. Clair Court Education Project.”
Review by Danielle Rosvally
(Boston, MA) Theatre Espresso is an incredible company with a mission that has become more important now than ever: to make history come alive and, through this, to engage young people in active and potent civil discourse.The Trial of Anthony BurnsThe rare opportunity to see one of Theatre Espresso’s shows was an exquisite treat, and I only wish that the public could see more of their pieces. Continue reading →