May 12

The Power of Shame: THE VOICES OF WE

Presented by 333 Productions and the Boston Playwrights’ Theatre
Written by Robbi D’Allessandro
Directed by Shana Gogansky

April 25 – May 9, 2015
Boston Playwrights’ Theatre
Boston, MA
Voices of We on Facebook

Review by Kitty Drexel

Trigger warnings: domestic abuse, gun shots, political satire, kickass feminism

(Boston, MA) Trigger warnings abounded for The Voices of We. They were plentiful because the writing was effective and the acting was very good. The stories in Voices aren’t necessarily true to life but they could be true for someone. The point is that these stories are true enough to appear realistic in performance. In the case of the scenes with the most abundant triggers, the inherent realism should serve as a warning to audience members that we, as a society living these stories, have a long way to go.   Continue reading

Apr 28

The Voices of We @ Boston Playwrights’ Theatre

The Voices of We
A New Play by Robbi D’Allessandro
Directed by Shana Gozansky
April 25th – May 9th
Presented by 333 Productions
Boston Playwrights’ Theatre
Purchase Tickets

Award-winning writer Robbi D’Allessandro donates all production proceeds to women’s charities.
Boston, Mass… (April 24, 2015) – Award-winning Boston area stage and screenwriter, Robbi D’Allessandro, explores the many faces of shame as 333 Productions presents the World Premiere of her original play, The Voices of We, at the Boston Playwrights’ Theatre from April 25 to May 9.

The Voices of We is a new full-length play that explores the challenges women face in today’s sociopolitical and economic climate. The diverse characters in The Voices of We, face the daunting challenges inherent in the fight against domestic violence, and struggles for reproductive rights, self- defined gender identity and sexual orientation, motherhood, positive body image, and more. We are proud to announce that all proceeds from each performance goes to non-profit women’s organizations, that in part or whole, benefit women in need.

For more information about Robbi D’Allessandro, please visit

Sunday, April 26 at 2:00 p.m. – MassNOW – Talkback Moderator Chelsea Norman
Thursday, April 30th at 7:30 p.m. – Mass NOW
Friday, May 1st at 8:00 p.m. – MassNOW
Saturday, May 2nd at 8:00 p.m. – Our Bodies Ourselves – Talkback Moderator Judy Norsigian
Sunday, May 3, 2015 at 2:00 p.m. – Our Bodies Ourselves
Wednesday, May 6th at 7:30 p.m. – NARAL Pro-Choice of MA
Thursday, May 7th at 7:30 p.m. – GLAD
Friday, May 8th at 8:00 p.m. – Casa Myrna
Saturday, May 9th at 8:00 p.m. – The Women’s Center

Continue reading

Apr 03

From the Back of the House to Center Stage: LIFERS

Photo credit: Josephine Anes

Photo credit: Josephine Anes

Written by John Shea and Maureen Cornell
Directed by Brett Marks
Produced by Happy Medium Theatre and Argos Productions

March 20-April 4, 2015
Boston Playwright’s Theatre
Boston, MA
Happy Medium and Argos on Facebook

Review by Noelani Kamelamela

(Boston, MA) Happy Medium Theatre and Argos Productions have joined forces to bring to life a piece of Bostonian, working class history in Lifers.  At an enjoyable hour and a half even with a ten minute intermission, this well-edited and lively play is an ode to the people who make your meal at a local diner possible. Continue reading

Feb 27

Sleeping Weazel Presents: BADASS

Displaying badass_bpt_ad-color.jpg

a Women’s History Month Festival of new works

March 5th-7th, 2015
March 12th-14th, 2015
All shows begin at 8:00 pm
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA

$25 at the door or online:

The Tempest (or Bark’s Dream): 
a storm in one act
written by Kate Snodgrass
performed by Steven Barkhimer
directed by Melia Bensussen
Shameless to the Bone!
written and performed by
Magdalena Gómez

Jazz ‘n Class:
a performance meditation
written and performed by
Robbie McCauley Continue reading

Feb 23

Crying Uncle: UNCLE JACK

10929149_10152928903511072_1633828632893124184_nPresented by Boston Center for American Performance and Boston Playwrights’ Theatre
Written and Directed by Michael Hammond
Adapted from the play by Anton Chekhov

February 12 – March 1, 2015
BU Theatre, Lane-Comley Studio
264 Huntington Avenue, Boston
Boston Playwright’s Theatre on Facebook

Review by Danielle Rosvally

(Boston, MA) You know, I’ve never noticed it before, but there really is something innately Chekhovian about major summer-stock theatres (particularly in the New England Area). Out in the wilds of Western Massachusetts, a seasonal culture abounds. Large, stately mansions (mostly empty during the rest of the year) stand ready to receive their visitors; high-status patrons, family dear and estranged, and random acquaintances who have long been treated as family. The constant financial difficulties that running these estates entails weave through life upon them like a second soul. The back-to-nature feel of the Berkshires where city-slicker actors arrive to work, to fall in love, and to torment the people who call this big empty place “home” the rest of the year could very well be a cherry orchard or a provincial Russian estate. The incestuous, teeming nature of a long-standing summer-stock company almost reeks of Chekhov; the half-forgotten love affairs, the misbehavior that will never be spoken of again, and the half-cocked gun on the mantelpiece just waiting for its Act Four moment…. Continue reading

Nov 13

Looking at the stars is looking at the past: “Chosen Child”

Photograph credit: Kalman Zabarsky

Presented by Boston Playwright’s Theatre
Written by Monica Bauer
Directed by Megan Schy Gleeson

October 30-November 22, 2014
Boston Playwright’s Theatre
Boston, MA
BPT on Facebook

Review by Noelani Kamelamela

(Boston) Boston Playwright’s Theatre deftly handles heavy subject matter to thoroughly explore one family’s patterns in Chosen Child.  Cleverly overcoming technical limitations, intertwined histories emerge and recede amidst light and shadow in this production. Continue reading

Oct 14

1 Little, 2 Little, 3 Little Puritans: “Reconsidering Hanna(h)”

Photograph credit: Kalman Zabarsky

Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Deirdre Girard
Directed by Bridget Kathleen O’Leary

Sept. 25 – Oct. 19, 2014
Boston Playwrights’ Theater
Boston, MA
BPT on Facebook

Review by Kitty Drexel

(Boston, MA) It feels like I’m the only person who’s never heard of Hannah Duston. My friends had plenty to say when I mentioned seeing this show. In 1697, she was captured by Canadian Abenaki Native Americans and transported to what is now Pennacook, NH. After freeing herself with the aid of two other captives, Hannah killed 11 natives and sought safety away from the Abenaki. In a surprising twist to the story, Hannah has all but left the camp where she was held hostage but then returns to scalp the Abenaki for a bounty. At the time, she was lauded for her success and the first statue to commemorate a woman in the US ever was placed in Boscawen, NH. The second statue is currently located in Haverhill, MA (There’s confusion as to which is which.). Duston is considered a folk hero by some (typically White). She is considered a violent, racist Puritan by many others.   Continue reading

Jun 17

OperaHub Announces: DER VAMPYR


OperaHub Announces June 2014 Show:

Heinrich Marschner’s


in a new English-language adaptation
Boston’s “opera punks” say, “Bite me!”

Librettist: John J King
Stage Director: Christie Lee Gibson
Music Director: Lina Gonzalez

June 19 – June 26, 2014

In the spirit of accessible opera for all, tickets are absolutely free, and may be reserved in advance online here!


BOSTON, MA – OperaHub broadens their ambitions with their June 2014 production: a new adaptation of Heinrich Marschner’s 1828 gothic opera DER VAMPYR. Though the work had its American premiere at the Boston Conservatory in 1980, it has not been seen in Boston since. Several companies around the world have produced it in recent years, including the American Symphony in Spring 2013 and the New Orleans Opera last fall. Hailed by the New York Times as a “gem of an opera,” it falls stylistically between Weber’s DER FREISCHUTZ and Wagner’s FLYING DUTCHMAN, with a thematic debt owed to Mozart’s DON GIOVANNI.

In the original version of DER VAMPYR, Lord Ruthven, the blood-sucker in question, has not been sucking his fair share of blood. The other vampires in his coven gather at the witches’ dance to charge him with taking three virgins by the end of the third day, or he will perish as a mortal. Tragedy ensues in the local village until the vampire is vanquished. Continue reading

Jun 16

Dancing Wilde(ly) with Boston Actors Theater

Photo from BAT facebook page

Presented by Boston Actors Theater
Adapted by Elizabeth DuPré and Nicole Howard
Directed and Choreographed by Danielle Lucas

Playing June 13th – June 28th
Boston Playwrights’ Theatre
Boston, MA
BAT on Facebook

Review by Gillian Daniels

One of the very best and worst things about Oscar Wilde is that his reputation proceeds him. His piercing one-liners and scathing insults are quoted extensively in speeches, jokes, and birthday cards. Wilde’s private life is largely viewed as decadent, however factual that is. Because of this, it’s surprising that the fairy tales he wrote during his career, in sharp contrast to his perceived debauchery, are syrupy and Victorian. Boston Actors Theater attempts to marry the brevity and wit of Wilde’s legacy with the softer side of his stories for children and the result, while enthusiastic, is uneasy. Continue reading

Jun 06

Unrelable Narrator presents “Human Contact: Short Sci-Fi Plays”


Unrelable Narrator presents Human Contact: Short Sci-Fi Plays
Written by Carl Danielson

(BOSTON) Performances are July 11-19 at Boston Playwrights’ Theatre.  Tickets are $15/$12 for students and seniors at or call (866) 811-4111. Check out for more information, and follow us on Twitter @unarrator or like “Unreliable Narrator” on Facebook!

Danielson’s Human Contact: Short Sci-Fi Plays is an evening of five thought-provoking one-acts that ask whether technology robs the soul or augments it.  These original tales explore the evolution of the nature of humankind as we confront aliens, time travel, self-directed evolution, and more.  With well-crafted stories performed by a large cast of Boston’s finest actors, Human Contact is a unique vision of the 21st Century’s future.

Founded in 2008, Unreliable Narrator produces strange homemade theater in and around Boston. They are best known for creating 2010: Our Hideous Future: The Musical!, which began at Boston Playwrights’ Theatre and played at various theatres, bars, and sci-fi conventions in the Northeast from 2010-2012. Other Unreliable Narrator productions include 2008’s Schmolitics, 2009’s Paranormal, and 2011’s The Way of the Warrior-Bunny.

The plays of Human Contact: Continue reading