May 14

Brad Zimmerman Hates You: MY SON THE WAITER – A JEWISH TRAGEDY

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Photo snagged from the Regent Theatre Facebook page.

The Regent Theatre

7 Medford Street

Arlington, MA

April 23rd – May 25th, 2014

Regent Theatre on Facebook

Review by Craig Idlebrook

(Arlington) In the opening moments of his one-man show, Brad Zimmerman tells a joke where a man eggs his girlfriend on to do a near striptease for a gorilla at the zoo before throwing her into the cage to face a certain and painful death. Why? She doesn’t give him enough sex. The show just goes downhill from there. Continue reading

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May 06

Laughter, Landmines, and an Historical Sitcom Fit for the Stage

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Presented by Theatre on Fire
By Richard Curtis and Ben Elton
Directed by Darren Evans

April 26 – May 11, 2014
Charlestown Working Theater
Charlestown, MA
Theatre on Fire Facebook Page

Review by Gillian Daniels

Back in 1989, Blackadder Goes Forth aired on the BBC as a spectacular, grim comedy that lampooned World War I. The creators, Richard Curtis and Ben Elton, also worked on previous installments in the series, including the Elizabethan Blackadder II and the Regency-centric Blackadder the Third. Each new storyline used the same actors, particularly Rowan Atkinson, Tony Robinson, and Hugh Laurie, and pitted them against historical figures (Queen Elizabeth! Prince George!) and fart jokes. With director Darren Evans at the helm, Theatre on Fire works tirelessly to bring television to stage. For the most part, the humor translates beautifully. Continue reading

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May 05

Profound Confusion: ANGELS IN AMERICA

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PART 1 MILLENNIUM APPROACHES

Presented by The Umbrella Community Arts Center
Written by Tony Kushner
Directed by Nancy Curran Willis

April 18 – April 27th, 2014
Concord, MA
Umbrella Community Arts on Facebook

Review by Craig Idlebrook

(Concord) There was a time we would like to forget in U.S. history when AIDS was a painful, quick, and lonely death sentence, one largely suffered by gay men. The gay community was stratified into victims and survivors, and everyone was scared and scarred. Yet amidst this plague, the gay community did not break, having developed an inner strength in the face of years of oppression that galvanized it to action. Continue reading

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Apr 29

Richly Developed Heroines: BECOMING CUBA

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Presented by Huntington Theatre Co
Written by Huntington Playwright-in-Residence Melinda Lopez
Directed by M. Bevin O’Gara

March 28 – May 3, 2014
Calderwood Pavilion at the BCA
Boston, MA
Huntington Co on Facebook

Review by Kitty Drexel

(Boston) Becoming Cuba at the Huntington Theatre is about blood origins. It is about the effect blood-ties have on our decisions, and the indirect way our origins affect the world around us. Specifically, it is about sisters Adele (Christina Pumariega) and Martina (Rebecca Soler) who run a pharmacie in Spanish-occupied Cuba. Adele attempts to remain neutral as war threatens the country she loves: her family fights in the rebellion; her husband died fighting for Spain. As Adele cares for the people of Havana, she comes to understand that loyalty is a complex beast. Love and loyalty can be divided while still remaining whole. Continue reading

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Apr 28

Make ‘em Laugh: “The Complete History of Comedy (abridged)”

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­­­Michael Faulkner and Dominic Conti of the Reduced Shakespeare Company; Photos by Meghan MooreMichael Faulkner and Dominic Conti of the Reduced Shakespeare Company; Photos by Meghan Moore

Presented by The Reduced Shakespeare Company
Written and Directed by Reed Martin and Astin Tichenor

April 24th – May 18th, 2014
Merrimack Repertory Theatre
50 East Merrimack Street, Lowell MA
The Reduced Shakespeare Company on Facebook
Merrimack Repertory Theatre on Facebook

Review by Danielle Rosvally

(Lowell) The Reduced Shakespeare Company have long been proprietors of abridged histories and this touring production of The Complete History of Comedy (abridged) will deliver everything that you expect from the boys at the RSC: a three-man team dishing out biting satire, poignant historical and social commentary, and a dude in a really bad wig. Continue reading

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Apr 27

Violent Dichotomies: The Wholehearted

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Dee Crosby – ESPN Intro from Imaginary Media Artists on Vimeo.

Presented by ArtsEmerson: The World On Stage
Created by Stein|Holum Projects
Written by Deborah Stein
Directed by Suli Holum & Deborah Stein

April 17 – 27, 2014
Paramount Theater
Jackie Liebergott Black Box
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

Trigger warnings for partial nudity, emotional & physical violence, strong language, and Cup Noodles soup.

(Boston) In The Wholehearted,Dee Crosby (played by the Tilda Swinton-esque Suli Holum) uses antiquated media technology to send a video love letter to her Ex, Carmen. Crosby was a boxing champ in the early 2000’s with a stellar career, a pristine image and what appeared to be a perfect marriage to her coach, Charlie. Unfortunately, Charlie didn’t know how to leave the match in the ring. In her video love letter, Dee relives her most memorable career events deepest turmoils. Creators Holum and Stein show us that assault victims come in all shapes, sizes and definitions of femininity. Continue reading

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Apr 25

You Can’t Stop Her. Hell, She Can’t Stop Her: PAULA POUNDSTONE

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Acquisitioned from the NSMT facebook site

Presented by North Shore Music Theatre
Beverly, MA
April 19th, 2014
NSMT on Facebook

Review by Craig Idlebrook

(Beverly) If a career coach ever did an aptitude test on a young Paula Poundstone and didn’t find she was cut out to be a comedian, that coach was a loser. Angular, socially awkward, and blessed and cursed with OCD that causes her to let loose a constant stream of sarcastic chatter, Poundstone found her calling on the comedy stage. She owned the North Shore Music Theatre for one night this past April and left the crowd feeling happy and confused. Continue reading

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Apr 22

Delicious Raunch Never for the Entire Family: SNOW WHITE AND THE 7 BOTTOMS

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Photo claimed from the Gold Dust Orphans facebook page.

Presented by The Gold Dust Orphans
Written and Conceived by Ryan Landry
Directed by James P. Byrne

April 18th – May 18th, 2014
The Ramrod Center for the Performing Arts
MACHINE – 1254 Boylston Street, Boston.
Gold Dust Orphans on Facebook

Review by Kitty Drexel

(Boston) Mr. Ryan Landry excels at writing fast-paced, raunchy pantos. His shows are regularly engorged with punchy, LGBTQ+ inclusive, sexy humor unsuitable for family-minded audiences. Snow White is no exception. This beauty based on the classic Disney movie is sure to leave your mouth dry and your seat wet. Continue reading

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Apr 15

Bachelor’s Degree Preferred: TOP GIRLS

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Photos courtesy of Paul Cantillon for Bad Habit Productions

Presented by Bad Habit Productions
by Caryl Churchill
Directed by Liz Fenstermaker

April 12-27, 2014
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

Review by Noelani Kamelamela

(Boston) Bad Habit Productions closes their seventh season, “Ambition & Sacrifice,” with a sharp focus on the feminine. Their interpretation of Caryl Churchill’s work provides representation of classic and modern stereotypes of females while maintaining a quick pace. Continue reading

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Apr 14

Three Days of (Bittersweet) Rain

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Inline image 3

Presented by Hub Theatre Company of Boston
By Richard Greenberg
Directed by Daniel Bourque

April 4-19, 2014
First Church in Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Co on Facebook

Review by Gillian Daniels

(Boston) In Hub Theatre’s production of Three Days of Rain, audiences are gently tricked.  We are initially introduced to a family melodrama that takes place in 1995. Walker (John Geoffrion) comes to terms with his father’s death in the rundown apartment the man shared with his business partner during the sixties.  Stubborn and volatile, Walker doesn’t appear to have a great relationship with his sister, the “sane” Nan (Marty Seeger Mason), who takes him to the reading of their famous architect father’s will. They are joined by the son of his late business partner, Pip (Tim Hoover), a kind but not terribly bright soap opera actor.  With the reading of the will, the peace between the three of them deteriorates and their complex bond reforms.  So far, this is a story of despair, but it’s also just its maudlin surface. Continue reading

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