Mar 31

Playful Rendering of Moliere’s “Lovers’ Quarrels”

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Photo credit: Roger Metcalf

Presented by imaginary beasts
By Molière
Directed by Matthew Woods
Translation by Richard Wilbur

March 28 – April 19, 2014
At the Plaza Black Box Theatre
Boston Center for the Arts
Boston MA
imaginary beasts on Facebook

Review by Gillian Daniels

(Boston) imaginary beasts’ production of Lovers’ Quarrels is less concerned with emotional authenticity than the beauty of its artifice.  The 17th century romantic comedy is not exactly a work of realism, and thankfully, is not treated as such.  Its plot hinges on a girl who has been raised as a boy, Ascagne (Lynn R. Guerra), tricking a young man she likes, Valère (Will Jobs), into marriage by pretending to be her extremely feminine sister, Lucile (Erin Eva Butcher). imaginary beasts presents this material with all the seriousness it deserves, creating an innocent, funny romp through improbable obstacles. Continue reading

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Oct 07

The Darkness Hides Gothic Metaphor: Angela Carter’s HAIRY TALES

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Photo credit: Roger Metcalf; Amy Meyer and Poornima Kirby as The Countess. The Countess is beside herself. See what I did there? No? Fine.

Presented by Imaginary Beasts
Angela Carter’s Hairy Tales: “Vampirella: Lady of the House of Love”, “The Company of Wolves”
Directed by Matthew Woods
Music composition & sound by Sam Beebe
Choreography by Kiki Samko

October 4 – 26, 2013
Thursdays at 7:30 pm (Vampirella & The Company of Wolves)
Fridays & Saturdays at 8:00 pm (Vampirella & The Company of Wolves)
Saturdays & Sundays at 4:00 pm (Puss in Boots)
Plaza Black Box Theatre at the Boston Center for the Arts
539 Tremont Street
Boston, MA
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Review by Kitty Drexel

***Be aware that this is NOT a children’s show. Unless you enjoy subjecting your dear ones to brief nudity, incest, cannibalism, necrophilia and heaps of innuendo. You sick bastards.***

(Boston) Some of the reviews for Hairy Tales lead with how author Angela Carter isn’t popular in the US. Not entirely true. She’s famous in the UK, yes, but she’s also famous here. She’s famous among people who enjoy magical realism (and modern fairytales) and can’t abide trashy alternatives. Carter’s not as famous as Jane Austen or the Brontës but famous enough that her books are still published in the US. They can be found at your local library or on Amazon. They are delicious. Read them.

Vampires and werewolves are scalding hot right now. There are more spinoff’s, movies and TV programmes than there are heaving bosoms to enjoy them. Supernatural creatures are often* metaphors for sexual desire and fulfillment. Female sexual objectification sells and, when paired with the supernatural, its related media will be inhaled by the angsty. Thus, we have a dearth of offerings to present to the generations that haven’t read Dracula but have read the famous Mormon fanfic. In the case of  “The Company of Wolves” (TCOW) and “Vampirella,” objectification gets a rest and liberation takes the stage. There is still enough angst to go around.   Continue reading

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Mar 11

Sex, Sexy, Sexy (Sometimes Not), SEX: SUCH TIMES a SEX FESTIVAL

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This is a website primarily for educated adults. We do review some Children’s theater for the benefit of all participants. If offended by the content below, one is cordially invited to skip this post. There are other delightful offerings on this site that will suit you better.

SUCH TIMES a SEX FESTIVAL of new work by Boston’s SEXIEST Playwrights

Presented by Heart & Dagger Productions

heartanddagger2

Audience members were invited to share their secret fantasies. They did. A lot.

The Boston Playwrights’ Theatre
949 Commonwealth Ave
Boston, MA 02215
Friday, March 1st @ 8pm – Saturday, March 9th @ 8pm
Heart & Dagger Productions Facebook Page

It should go without saying that with such a title that this production is not safe for children and prudish adults. It may lead an audience member to expect live-action porn. This was not the case. The production did not contain explicit acts of carnal engagement but the stagings were otherwise immediately revealing to all but the most innocent of eyes and ears.  Continue reading

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Feb 25

SUCH TIMES a SEX FESTIVAL of new work by Boston’s SEXIEST Playwrights

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Heart & Dagger Productions
presents
SUCH TIMES a SEX FESTIVAL of new work by Boston’s SEXIEST Playwrights

This is NOT a family show. If you aren’t convinced after reading the summary, please seek (sexy or non sexy) therapeutic assistance.

Friday, March 1st @ 8pm – Saturday, March 9th @ 8pm
The Boston Playwrights’ Theatre
949 Commonwealth Ave, Boston, MA 02215
Heart & Dagger Productions Facebook Page

Monologues, scenes, and dances based on sexual desires, situations, and dreams by:
Silvia Graziano, Mary-Ann Greanier, MJ Halberstaldt, Craig Houk, John J King, Grant MacDermott, Lesley Ann Moreau, Rick Park, Joey C. Pelletier, Mary ElizaBeth Peters, Devon Scalisi, Cassie M. Seinuk, Jesse Wood

Directed by: Devon Scalisi, Elise Weiner Wulff, Jesse Wood, Mikey DiLoreto, Danielle Leeber Lucas & Joey C. Pelletier

Featuring:  Amy Meyer, Jesse Coleman, Melissa De Jesus, Chuong Pham, Josh Coleman, Mike Budwey, Noah Tobin, Joey C. Pelletier, Elise Weiner Wulff, Erin Rae Zalaski
& MORE

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Mar 16

Crave & Beyond The Light: Emotional Explosion

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Daniel J. Raps, Erin Rae Zalaski, Jesse Wood, and Christina Malanga in Beyond the light — at Calderwood Pavilion; photo credit Heart and Dagger Productions

Abigail Matzeder, Michael Underhill, and Terrence Patrick Haddad in CRAVE — at Calderwood Pavilion, Photo Credit: Heart and Dagger Productions

Crave by Sarah Kane and Beyond the Light by Joey C. Pelletier, Heart & Dagger Productions, Boston Center for the Arts Rehearsal Hall A, 3/9/12-3/17/12, http://www.heartanddagger.org/.Partial nudity and mature themes

Reviewed by Becca Kidwell

(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.

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