A note to the cast and crew of American Moor, and the associates of the Office of War Information (Bureau of Theatre), the Queen Geek came down with a summer flu virus that has kept her away from her posting duties. I offer you my heartfelt apologies. Please know that Mrs. Rosvally is in no way to blame for the tardiness of this review. -KD
(Boston, MA) I am, to be completely honest, still in a state of shocked awe at what I witnessed during Keith Hamilton Cobb’s American Moor last night. Normally, my job as a critic is to give an honest opinion of the things I see onstage: the acting, the direction, the design… sometimes the writing…. Continue reading →
Trigger warnings: bathroom use without washing hands
(Boston, MA) Waiting for Waiting for Godot (WfWfG) is Beckett fanfiction through the lense of a Durang play. It’s confusing, absurd, and ultimately very funny. Hub Theatre Co of Boston does a fine job with Dave Hanson’s script.Continue reading →
(Beverly, MA) Sometimes, a play gets to an awkward age where it needs to be taken out of circulation for a while so it can age properly and can come back as a nostalgic piece. The Music Man, which was performed recently at the North Shore Music Theatre, is one of those plays. In the age of Trump, this play’s racist and rape-culture overtones hit too close to home to be enjoyable. Continue reading →
Sung in German with supertitles, dialogue in German for performer acting and audience comprehension compatibility.
Review by Kitty Drexel
(Boston, MA) Beethoven nails the human condition with his only opera. Fidelio is about the lengths we go to for those we love. Yet, Beethoven reminds us, it is unwise to underestimate the insecurities of the vengeful. NEMPAC’s production was a challenging joy.Continue reading →
(Boston, MA) This summer, the Museum of Science will feature (in addition to their everyday offerings) a series of adult entertainments. Thursday nights under the dome of the Charles Hayden Planetarium, grown ups of Boston will be treated to live music, pub quizzes, movie screenings, and improvised comedy. Last night was the first Thursday that ImprovBoston was featured at Hayden planetarium, doing their thing with live comedy improv (with a science twist, of course). Continue reading →
Trigger warning for drug use, and sharp, loud noises.
(Boston, MA) Some adults who identify as homeless choose to be there. This doesn’t account for all of them, merely some of the population. These people who do choose to live on the streets, or off the grid are still people. They deserve compassion, and respect. Boston forgets that. People forget that. Los Meadows helps us remember our shared humanity.Continue reading →
(Cambridge, MA) Titanic Theatre Company’s Penny Penniworth: A Story of Great Good Fortune can be described as a summer panto minus the music, but plus a heaping spoonful of innuendo. It’s a swift, good time for adults who love classic literature (so long as they can take a joke), and refreshing summer theatre. Continue reading →
May 19 – June 11, 2017 Funhouse Lounge Portland, Oregon Fuse Theatre on Facebook
Review by Kitty Drexel
A very special thank you to Fuse Theatre and Funhouse Lounge for allowing me to review their excellent production!
(Portland, OR) Our existence is our resistance. One basic way we as minority community members can fight back against the current bullshit political crisis is by refusing to be silent or ignored. Theatre makers, we can make as much noisy, politically incorrect and socially unacceptable art. As the TCG 2017 Conference asked how we go about celebrating equity, diversity and inclusivity, I gathered by people. We ran across the bridge to Fuse Theatre’s production of Sordid Lives.
(Boston, MA) It is March 6, 1770, bloodshed, discontent and rebellion bubbles in the air. Four Bostonians lie dead on the streets outside the Council Chamber and British soldiers are held responsible. The people of Boston are sick of British rule, the soldiers and their taxes – they want them out. Inside Governor Hutchinson is faced with an impossible choice: defy his King, or defend his country? This site specific play takes the audience back in time to a forgotten night that helped shaped the course of, not only the city’s history, but the world’s. Blood on the Snow sold out at its world premiere last Spring and returns to The Old State House in Boston this summer. O’Connor’s naturalistic direction is spot on, allowing the audience to be unnoticed voyeurs alongside the table where history was made. Continue reading →