Sep 29

Falsely Upbeat Conclusion Makes “Mr. Joy” Hard to Enjoy

1_DSC1397 copy

Photo by Paul Marotta

Presented by ArtsEmerson.
By Daniel Beaty
Directed by David Dower

September 22nd-October 18th, 2015
Jackie Liebergott Black Box Theatre at the
The Paramount Center
ArtsEmerson on FaceBook

Review by Travis Manni

(Boston, MA) Black box theater is traditionally a great medium for experimental productions, so when I, along with other audience members of Mr. Joy, was told that the play would speak to us and that we were expected to talk back, I was quite excited—I’m a sucker for audience par-tish. And while my expectations for live audience feedback were never met (don’t anticipate improvised scenes, but rather, a couple moments of audience contribution) what I did manage to enjoy about Mr. Joy was how it addressed current issues in a loud way. Continue reading

Sep 28

For Better or Worse, “The Thing on the Doorstep” is a Shambling Beast

Artwork by Dan DeRosato

Artwork by Dan DeRosato

Presented by Salem Theatre Company
Adapted from the H.P. Lovecraft story
Directed & Adapted by Isaiah Plovnick

September 17 – October 4, 2015
Salem Theatre
90 Lafayette Street
Salem, MA, 01970
Salem Theatre on Facebook

Review by Gillian Daniels

(Salem, MA) Devoted H.P. Lovecraft fans should prepare themselves for a sojourn to Salem before the end of this week. The Thing on the Doorstep has been lovingly adapted to stage, giving voice to one of the most foundational science fiction writers of the early twentieth century. What’s synthesized from the material is a creeping, gothic narrative, one that fights to stay true to the spirit of the original and hew closely to the author’s voice. The move from page to stage is a fraught one, though, and Lovecraft’s style (retro by the standards of the years he wrote in with a great deal of colonialist issues throughout) is ultimately clunky. Continue reading

Sep 25

Stop Staring At Me Bob Goulet: THE BOYS IN THE BAND

Photo by Joel Benjamin

Photo by Joel Benjamin

Presented by Zeitgeist Stage Company
By Mart Crowley
Directed by David J. Miller

September 11th – October 3rd, 2015
Plaza Black Box Theater at the
Boston Center for the Arts
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAIn performance, sometimes it is more important to get a pivotal work onstage than it is to do it perfectly. Zeitgeist’s production of The Boys in the Band is flawed. Its flaws are less important than bringing this historically game-changing play to the stage for new generations to contemplate. Just as it is more important to treat the LGBTQ+ community with the respect and dignity we deserve than to be polite. Continue reading

Sep 25

Climb Every Mountain: “Earnest Shackleton Loves Me”

Presented by ArtsEmerson
Lyrics by Valerie Vigoda
Music by Brendan Milburn
Book by Joe DiPietro
Directed by Lisa Peterson
Musical Direction by Ryan O’Connell
Composers Ryan O’Connell and Brendan Milburn

September 20 – October 4, 2015
Paramount Mainstage
599 Washington Street, Boston
ArtsEmerson on Facebook

Review by Danielle Rosvally

(Boston, MA) At the heart of every impossible task is a glimmer of hope that, if followed, might just make the impossible happen.  As I enter the final stages of writing my dissertation for my PhD, this message simply can’t be repeated loudly or frequently enough.  Lucky me, the kind folks at ArtsEmerson understood exactly what I needed to hear tonight and so brought me (personally) Earnest Shackleton Loves Me to soothe my over-wrought mind and charm my tired adventurer’s heart. Continue reading

Sep 22

If You’re Alive, You’re Afraid: BROKEN GLASS

Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by New Rep Theatre in partnership with the Hearing Loss Association of America (HLAA Boston Chapter).
Written by Arthur Miller
Directed by Jim Petosa

Sept. 5 – 27, 2015
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) It is no wonder that America didn’t suspect that Adolf Hilter was a major threat to Europe, Germany, or the world. His staff lead a campaign that depicted him as a congenial yet private Everyman with a love of children and the outdoors. This branding made Hitler out to be a decent guy, not the Jew, intellectual, and LGBT hating dictator he was. America didn’t recognize Hitler for the power-hungry villain he was until it was almost too late. Marketing works, people. Raw Story has an excellent, rather brief article up. I highly suggest reading it for theatrical and historical perspective. Continue reading

Sep 19

Expect More From Professionals: A LITTLE NIGHT MUSIC

© T Charles Erickson Photography

© T Charles Erickson Photography

Presented by Huntington Theatre Company
Music & lyrics by Stephen Sondheim
Orchestrations by Jonathan Tunick
Suggested by a film by Ingmar Bergman
Book by Hugh Wheeler
Stage directed by Peter DuBois
Music directed by Jonathan Mastro
Choreographed by Daniel Pelzig

Sept. 11 – Oct. 11, 2015
BU Theatre
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) If you haven’t been dead the past few months, then you’ve heard about Patti LuPone snatching a cell phone an unforgivably rude patron during a no doubt exceptional performance of Shows for Days. Her act is being lauded as bravery in the face of a horrendous etiquette breach. I agree. I also believe that theatre patrons should be shushed by managements for conversing during theatre performances. Rolled up newspapers or spray bottles would suit purposes very well. Continue reading

Sep 15

Only Humans Can Be Wicked: JEANNE

download

Presented by Fort Point Theatre Channel in collaboration with Contrapose Dance & Ensemble Warhol
Libretto by James Swindell
Composed by Mark Warhol
Choreographed by Junichi Fukuda

September 11 & 12 at 8 p.m.
Boston University Dance Theater
915 Commonwealth Avenue
Boston, MA
Fort Point on Facebook
Contrapose Dance on Facebook
The Boston String Quartet on Facebook

Review by Kitty Drexel

(Boston, MA) Fort Point Theatre Channel presented three scenes from Swindell and Warhol’s modern opera Jeanne, the story of a woman last weekend. It was a fully staged and accompanied by Robert Schulz on percussion, and The Boston String Quartet. The vocalists were joined onstage by the agile dancers from Contrapose Dance. Jeanne is not your grandma’s opera. It is more Rice’s The Adding Machine or Blitzstein’s The Cradle Will Rock in style and sound than La Boheme or Traviata. Depending on what you want from opera, it was either very weird or fascinating art. Continue reading

Sep 12

Squirrel Depravity and Much More: the Boston Comedy Arts Festival

409e5b6c-3f7e-430b-b7f9-fd41591864df

Presented by ImprovBoston
40 Prospect St
Cambridge, MA
IB on Facebook

BCAF FRI 6:30PM: Studio Theater feat. Nancy: Home is Where the Songs Is, Kennedy O’Reily and Matt Geiler

(Cambridge, MA) On Friday evening, I was treated to “Solo/Duo Musical Comedy” at ImprovBoston. It was 90 minutes of awkward and joyful laughter. Drink in hand, it’s one of the best ways to begin or end a night. This performance is one of many featured in the Boston Comedy Arts Festival going on now in Cambridge. Continue reading

Sep 11

Almost a Good Fit – KINKY BOOTS

Photo via http://kinkybootsthemusical.com/media.php

Photo via http://kinkybootsthemusical.com/media.php

Book by Harvey Fierstein
Music and lyrics by Cyndi Lauper
Music orchestrator/arranger/supervisor: Stephen Oremus
Music direction by Brian Usifer
Directed/choreographed by Jerry Mitchell
Associate direction by DB Bonds
Associate choreography by Rusty Mowery

August 11 – 30, 2015
Boston Opera House
Boston, MA
Kinky Boots online

Review by Craig Idlebrook

(Boston, MA) It’s amazing that even a play that prominently features a singing and dancing troupe of transvestites (gay or straight) can still be primarily about helping a heterosexual white male self-actualize and grow up. It’s as if Kinky Boots celebrity writer Harvey Fierstein and his musical partner Cyndi Lauper were given a directive to adhere to some guy version of the Bechdel test. Continue reading

Sep 10

“Radium Girls” Radiates Pain and Triumph

Photo by Jake Scaltreto

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
Written by D. W. Gregory
Directed by Lindsay Eagle

September 4th – 19th, 2015
Charlestown Working Theater
Charlestown, MA
Flat Earth on Facebook

Review by Gillian Daniels

(Charlestown, MA) There is a poem by Julianna Baggott, “Marie Curie Gives Advice to her Daughter Irene Before her Wedding.” This is how it ends:
“My hope, daughter, is that
what you love doesn’t come to kill you,
eye by eye, ear by ear, bone by radiant bone.”

The friend with whom I went to see “Radium Girls” mentioned it to me after the show was over. It’s easy to see why. This is a play about not just losing one’s life to radium, but losing everything. Grace Fryer (the magnificent Erin Eva Butcher) loses both her fear and trust while Arthur Roeder (Bridgette Hayes) loses faith in the United States Radium factory and in himself. What you love–what you trust to take care of you, what you trust to be there for you–might indeed ultimately kill you. Continue reading