(Boston) Einstein’s Law of Thermodynamics states that “energy cannot be created or destroyed, it can only be changed from one form to another.” This quote from a beloved theoretical physicist describes the natural state of constant flux in the world around us. This quote is often bastardized by Religion* to explain the existence of God, a Super-creator from whence all the energy of life flows. God must exist, they paraphrase, because the energy to create the universe must have come from somewhere… It must have come from God! Ladies and Gentlemen, God and Science can sit at the same table but this isn’t the room they sit in. Continue reading →
(Boston) For the past nine years, Boston Actor’s Theater has made every effort to involve community in choosing and putting on performances that have distinct flavor. Their latest production of local playwright Walt McGough’s salute to The Connected Era is an homage to the Internet and how we, as users, understand and relate to it. Continue reading →
Photo Credit: Reagle Music Theatre; Scott Wahle sings “If I Were a Rich Man.”
presented by Reagle Music Theatre
book by Joseph Stein and a score by Jerry Bock and Sheldon Harnick
based on the stories by Sholem Aleichem
directed by Kirby Ward
choreography by Jerome Robbins, recreated by Susan M. Chebookjian
music directed by Dan Rodriguez
conducted by Jeffrey Leonard
July 11th – July 21st, 2013
Reagle Music Theatre Facebook Page
Review by Craig Idlebrook
(Waltham) The tradition of Jewish wit has been honed through years of hardship, and the best productions of Fiddler on the Roof capture that teetering line between joy and pain. It’s not an easy task. To pull it off, you need an expert master of ceremonies to play Tevye, the central protagonist; through his lens, we are pulled into the world of a hardscrabble Jewish village eking out an existence on the margins of pre-revolutionary Russia. The task is made more difficult by the fact that the 1971 film version of the play features an iconic portrayal of Tevye by Israeli actor Chaim Topol. Topol kills it with an original scene-chewing performance, creating a man at once both larger than life and lost in the currents of change. To go down Topol’s beaten path for Tevye is folly, even though that is what most audience-members expect, and many productions succumb to this error. Continue reading →
ONE NIGHT ONLY!
Thursday, July 25th at 8pm Picasso at the Lapin Agile will be presented at Unity Somerville, 6 William Street, Somerville, MA 02144 Suggested Donation$5 – General Admission – No reservations required
About the Play:
Written by Steve Martin and directed by Santiago Rivas
What if the greatest scientific mind of the 20th century met the greatest artist at a bar in Paris before they became famous? Picasso at the Lapin Agile is a comic drama about a meeting of the minds as this hypothetical question is answered. In a Parisian bar in 1904, Albert Einstein is introduced to Pablo Picasso. They, along with the local patrons, discuss the creativity process in their respective roles in science and art. With brushstrokes and equations, a bond between the icons is forged as they approached the new century.
Michael DeFillippi playing Freddy
Jason Merrill playing Gaston/Sagot/Charles Dabernow Schmendiman/Visitor
Kitty Drexel playing Germaine
Daniel Gonzalez playing Albert Einstein
Andrea Aptecker playing Suzanne/Countess/Admirer
Carlos Nogueras playing Pablo Picasso
(Boston) Referred to only as “Girl” in the cast list, it feels as if Ellie Shepley’s character in Nicky Park Memorial Park is meant to embody some sort of universal narrative of being a young woman. Instead, Deepali Gupta’s play distills what it means to be thoughtful and introspective. The result is a drama about figurative and literal ghosts of the past, a love letter to nostalgia that never quite crystallizes into a story. Continue reading →
“Two Gents” tells the tale of two friends who leave their hometown of Verona to find their happy fortunes in Milan. Instead, they find temptation, trickery, and trouble as they vie for favor with the high-society Duke… and his debutante daughter. All are drawn into a web of disguise and secrecy where the last thing anyone wants is for the truth to surface — least of all the dog.
Inspired by Rat Pack-era Vegas — the glamor, the hedonism, and the morning after agonies — the production brings new meaning to the line “what happens in Milan, stays in Milan…”
SPECIAL PERFORMANCES AND EVENTS:
JULY 18TH: AUDIO-DESCRIBED PERFORMANCE
JULY 21ST: ASL-INTERPRETED PERFORMANCE
JULY 26TH: “FAMILY DAY” AND “FREE FUN FRIDAY”
JULY 27TH @ 2PM: ASL-INTERPRETED PERFORMANCE
In an effort to serve the community Queen Geek, Kitty Drexel, is starting a creative coterie for Cambridge-area artists. Starting in September 2013, a monthly meeting will be held in order that artists may play with their respective art in a safe environment for the purpose of practice, performance and constructive critique. Artists of all stripes can email Kitty at blognetheatregeek at gmail dot com for more information.
Admiral Kittypants: Full, Frontal Artistry is a creative community experiment that gives performers the opportunity to play with their art in a safe space before performing it on the stage. If it’s in moderate taste* and you want feedback, we can provide a constructive audience.
Mark your calendars for September 2013.
The meeting will occur on a Sunday between 2:30PM and 5:30PM. Those interested in attending should email the Queen for an RSVP.
Admiral Kittypants is looking for an electric piano and/or an experienced accompanist to join Admiral Kittypants: Full, Frontal Artistry as an artist and critique cohort. We are looking for one, the other or (preferably) both. Interested parties should contact blognetheatregeek at gmail dot com with summer/fall Sunday availability, and hourly rate.
Please put “Full, Frontal Piano” in the subject line. Leads are welcome and encouraged.
More information about “Admiral Kittypants” can be found on Facebook.
Logo/Mascot by the marvelous Kezi
*Moderate Taste: Some, but not full, nudity; light cursing; no actual violence but stage combat and references to violence are ok; sexism, racism, and other -isms without warrant are strongly discouraged – potentially with a baseball bat.
@ the Factory Theatre
June 27th – July 7th, 2013
Wax Wings Facebook Page
Review by Craig Idlebrook
(Boston) Over time, A Streetcar Named Desire has become like that favorite album you skip over in shuffle to keep special. Oft quoted but performed less and less, it sits on the shelf of American theatre and gathers dust and pious weight until some community theatre takes it down and puts on an ill-advised, chest-beating version down in a church basement. That’s partly because it can seem such a dated portrait of overt sexual politics, something that would fit Michelle Bachman’s view of marriage and gay cures, perhaps, but with little relevance in a blue state. Continue reading →