Jun 09

Luminarium Dance Company’s 4th Anniversary Gala & Showcase

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Luminarium’s 4th ANNIVERSARY GALA & SHOWCASE
Come celebrate Luminarium’s 4th anniversary with drinks, hors d’oeuvres, desserts, and special performances!
Sunday . June 22 . 5–8pm
CENTER FOR ARTS AT THE ARMORY

Luminarium Dance Company is proud to announce its 4th Anniversary Gala & Showcase, celebrating four successful years in the Boston dance community. The evening will feature delicious foods from local establishments, speeches from collaborators and local art innovators, a silent auction, and exclusive 2014 Season announcements. Enjoy live performances of favorite Luminarium repertory, as well as footage and sneak peeks of the company’s latest works and projects. Don’t miss this chance to mingle with Luminarium’s Artistic Directors, dancers, and supporters, while taking in the beautiful Armory space (191 Highland Avenue, Somerville MA).

TICKETS
Tickets are now on sale!
This year there is a special “Young Professional” discounted ticket that’s only $20.
Advance purchase of tickets recommended. Available at door until capacity is reached.
Email tickets@luminariumdance.org or call 617.477.4494 with questions.

Please note: For this event, we are not taking reservations. In order to ensure your seat, please purchase your tickets in advance. Thank you!

Luminarium’s 2014 Season features the choreography of Merli V. Guerra and Kimberleigh A. Holman, with performers:
Rose Abramoff
Jess Chang
Melenie Diarbekirian
Elena Greenspan
Jessica Jacob
Amy Mastrangelo
Katie McGrail
Jennifer Roberts

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Jun 09

War Wounds and “Widows”: Ariel Dorfman Reading

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Presented by Flat Earth Theatre and Open Theatre Project
By Ariel Dorfman
Directed by Lindsay Eagle

Saturday, Jun 7, 2014 8PM
The Democracy Center
45 Mt Auburn Street
Cambridge, MA
Flat Earth on Facebook
OTP on Facebook

Review by Gillian Daniels

(Cambridge) In one of Widows most wrenching scenes, Fidelia Fuentes (Mariagrazia LaFauci) struggles to figure out how to tell the story of her father’s disappearance. She starts by talking about a bird, then starts again by describing how soldiers kicked down the front door, and then talks about flying. The narrative spins and, it seems, so does she. With each false start, Fidelia tries to find the language that will successfully communicate her anxiety. She can’t, however, certainly not within a country under a lethal dictatorship. Her narrative has been compromised. Continue reading

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Jun 06

Unrelable Narrator presents “Human Contact: Short Sci-Fi Plays”

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Unrelable Narrator presents Human Contact: Short Sci-Fi Plays
Written by Carl Danielson

(BOSTON) Performances are July 11-19 at Boston Playwrights’ Theatre.  Tickets are $15/$12 for students and seniors at http://www.unreliable-narrator.com or call (866) 811-4111. Check out humancontactshorts.tumblr.com for more information, and follow us on Twitter @unarrator or like “Unreliable Narrator” on Facebook!

Danielson’s Human Contact: Short Sci-Fi Plays is an evening of five thought-provoking one-acts that ask whether technology robs the soul or augments it.  These original tales explore the evolution of the nature of humankind as we confront aliens, time travel, self-directed evolution, and more.  With well-crafted stories performed by a large cast of Boston’s finest actors, Human Contact is a unique vision of the 21st Century’s future.

Founded in 2008, Unreliable Narrator produces strange homemade theater in and around Boston. They are best known for creating 2010: Our Hideous Future: The Musical!, which began at Boston Playwrights’ Theatre and played at various theatres, bars, and sci-fi conventions in the Northeast from 2010-2012. Other Unreliable Narrator productions include 2008’s Schmolitics, 2009’s Paranormal, and 2011′s The Way of the Warrior-Bunny.

The plays of Human Contact: Continue reading

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Jun 06

Geek Comedy Night Presents “A PRISONER”

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Previously on Geek Comedy Night
Friend (and former manager) Demando Managerissian (aka THE MANAGER) froze Kevin Harrington™ in carbonite for refusing to turn over Geek Comedy Night and his intellectual property.

Now Kevin Harrington™ awakes on a mysterious island in what looks like an idyllic comic book shop–but is really a bizarre prison! He encounters the shops inhabitants, people without names–just numbers, which give no clue to their status as prisoner or warder. WHO CAN BE TRUSTED? Kevin Harrington™ is assigned the Number Six 3/4, but refuses to comply with this identity.

The Manager and his warders demand INFORMATION. Kevin Harrington™gives them nothing. Now he and fellow numbers are forced to present a show–but could this be their chance to escape? Find out THIS SATURDAY June 7th at 8pm at Comicazi!

BEWARE THE ROVER.

STARRING
Rick Canavan, Chris Coxen. Matt Chaves, Mark Gallagher, Wes Hazard – Comedian, Nick Ortolani, Anthony Scibelli

FEATURING
Tom Majkut as THE MANAGER

Hosted By Kevin Harrington™

Geek Comedy Night Presents “A PRISONER”
SATURDAY, June 7th 8pm
Comicazi 407 Highland Ave Somerville, MA 02144
Price: $8 advance and online $10 at the door
Website: geekweekcomedy.com and comicazi.com

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Jun 04

Getting Your Kicks Off Route 66: Sex Fest 2

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This review is for mature audiences only: While the review is relatively safe for work, the production is not. The Geeks of the New England Theatre Geek are all adults. We sometimes review productions with “adult themes*”. The title of the production is a clear indicator of both the subject matter and performance content. If this is not something for you, please help yourself to another review.

You have been warned.

*Although why they are described that way is beyond me. Being over the age of 18 is no clear indication of adulthood.
Continue reading

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Jun 03

Mommy Needs a Long Drink and a Stiff Cigarette: MASCULINITEASE

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Produced, presented, performed and by the men of Sirlesque

June 1 and 5, 2014 @ CLUB OBERON (only one night left!)
Doors @ 7:30, Show @ 8
2 Arrow Street
Cambridge, MA
Sirlesque on Facebook

Review by Kitty Drexel

Trigger warning for sexy man parts.

“The future is here and it is dicks all the time.”
- Mehran Khaghani, emcee

(Cambridge) Oh my sweet Jesus, Mary and Joseph, go see Sirlesque’s Masculinitease! Don’t ask questions, just go. Fasten your seatbelts, babies, it’s going to be a bumpy night. Continue reading

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Jun 02

“The Trouble with Tribbles” Seeks Out New Life in Classic Star Trek Episode

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The Trouble with Tribbles
Presented by PMRP
Episode written by David Gerrold
Adapted and directed by Mindy Klenoff

 

Foley by Brad Smith

May 29 – 31, 2014
Unity Somerville
6 William St.
Somerville, MA
PMRP onFacebook

Review by Gillian Daniels

(Somerville) In her guest of honor speech at feminist sci-fi convention Wiscon, author N.K. Jemisin addressed the current social changes in the genre.  Prominent fans and writers in recent years have worked to promote more diverse stories in a field that most have believed to be largely dominated by white, heterosexual men.  “Go to sources of additional knowledge for fresh ammunition–” she advises those interested in broadening sci-fi and fantasy “–histories and analyses of the genre by people who see beyond the status quo, our genre elders, new sources of knowledge like ‘revisionist’ scholarship instead of the bullshit we all learned in school.” In this vein, The Post-Meridian Radio Players’ gender-swapped adaptation of The Trouble with Tribbles is not just a cute comedy but a revisionist take on one of sci-fi culture’s most beloved touchstones. Continue reading

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Jun 02

A Robust Spectacle: THE TEMPEST

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Photo: The Smith Center/Geri Kodey

Photo: The Smith Center/Geri Kodey

Presented by the American Repertory Theatre
By William Shakespeare
Adapted and Directed by Aaron Posner and Teller
Magic by Teller
Songs by Tom Waits and Kathleen Brennan
Choreography by Matt Kent, Pilobolus
Magic Design by Johnny Thompson
Magic Engineering and Construction by Thom Rubino
Music Direction and Arrangements by Shaina Taub

May 11th – June 15th
Cambridge, MA

Reviews by Craig Idlebrook and Clara Idlebrook

(Editorial note – Reviewer Craig Idlebrook attended The Tempest with his family. The American Repertory Theatre asked that he include his 8-year-old daughter’s take on the show. Clara Idlebrook’s review appears below Craig’s.)

Craig’s Take:

There is something so delicious about watching artists at work who have mastered their craft enough to disregard public opinion and create something exquisitely weird. American Repertory Theatre’s staging of the Tempest feels like a transcendent late-night jam session between William Shakespeare, veteran magician Teller, and musical sabotage specialists Tom Waits and Kathleen Brennan. You could picture this production being a traveling troupe’s one-shot staging done during a layover, and someone happened to hit the record button on an iPhone. Continue reading

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Jun 02

Over-the-Top Big Top: Cirque du Soleil’s “Amaluna”

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Presented by Cirque du Soleil
Created by Guy Laliberté, Gilles Ste-Croix, Fernand Rainville
Directed by Diane Paulus
Composed and music directed by Bob & Bill (Guy Dubuc and Marc Lessard)
Choreographed by Karole Armitage
Acrobatic choreographers Debra Brown & Caitlan Maggs
“Sanddornbalance” Act by Rigolo Swiss Nouveau Cirque

May 30 – July 6, 2014
Boston Marine Industrial Park on the Waterfront
Boston, MA
Amaluna on Facebook

Review by Gillian Daniels

Lightly adapting the The Tempest and playing fast and loose with source materials of multiples mythologies, Amaluna patches together dreamy images and circus acts into one, outlandish show. It’s energetic and fittingly over-the-top. Cirque du Soleil has an image to maintain as a thoroughly extravagant circus and they continue this grand tradition by marrying the flashiness of Las Vegas to a syrupy storyline. Continue reading

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May 28

Buchenwald, Those Were the Days: LEBENSRAUM

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Photo Credit: Josephine Anes

Photo Credit: Josephine Anes; photo chosen specifically for its derp factor.

Presented by Happy Medium Theatre Co.
By Israel Horovitz
Directed by Brett Marks

May 9 – 23, 2014
The Factory Theater
Boston, MA
Happy Medium on Facebook

Featuring: R. Nelson Lacey, Audrey Lynn Sylvia, Michael Underhill

Review by Kitty Drexel

Trigger Warning: Nazis, Holocaust, Death, Violence, Microaggressions, Gloucester references

(Boston) “Lebensraum” literally translated means “living space.” For the Nazis, it was local colonialism, an expansion of territory in order to displace inferior people. It is based on the manifest destiny principle*.

Lebensraum, the drama, is about the world reaction to a German Chancellor’s televised invitation to the Jewish community to return to Germany. It has a tender love story, media hype and politics to poke your eye out. While the events of the script are not real, the characters’ reactions to the fictional events are. Horovitz’s script is striking because, were the events of the show to actually occur, they would likely occur as they do in his script. His argument is convincing and his psychology is sound. Horovitz has analyzed the human population and found us territorial, racist and surprisingly resilient. It is horrifying to know that while we teach the Holocaust in history, humans have learned almost nothing from it. Continue reading

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