Eddie & Rose Take In the View; Photo by Glenn Perry.
Presented by SpeakEasy Stage Co.
Music and lyrics by Benj Pasek & Justin Paul
Book by Peter Duchan
Based on the Warner Bros. film and screenplay by Bob Comfort
Directed by Paige Daigneault
Music direction by Jose Delgado
Choreography by Larry Sousa
(Boston, MA) Dogfight is yet another musical with serious complications that SpeakEasy maneuvers with poise and dignity. It’s like Disney’s Newsies if the newsboys are replaced with marines and their fight for entrepreneurial justice is replaced with explicitly misogynistic displays of dudebro cruelty. Well, the music sounds a little like Newsies anyway. Continue reading →
Want to see a time traveling big band Sunday, May 22nd at the House of Blues? Well, one isn’t playing there, but the closest thing to it is. Caravan Palace is an energetic, vibrant, French electro-swing monster. They’re strange, science fictional, and sensational.
Caravan Palace is my personal ear candy and has been since I first heard “Bambous” off their self-titled 2008 album. Their sound is cheerful and energizing, something that gets me up on hard mornings and cools me off after bad days. They’re the retro-future earworm I’ve longed for, the jitterbug robot brass band perfect for listening to on loop. Continue reading →
May 6-21, 2016
Rehearsal Hall A at the Boston Center for the Arts
Boston Actors Theater on Facebook
Review by Travis Manni
(Boston, MA) As a manager at a movie theatre, I see quite a lot of mediocre movies come and go rather quickly. I always feel a special type of sympathetic pity for the rom-coms that just don’t do the business studios had expected, and I have to say I felt a similar way after going to see the Boston Actors Theater premiere production of End of the World.Continue reading →
(Boston, MA) I’ve never understood how some people can believe that it’s acceptable to be drastically unkind to others because “God told (them) to.” God is a terrible excuse for being a bad person. Morality structured around a potentially imagined creator that lives in the sky is not stabilized morality. Yet, plenty of people are beholden to this creator, if there is one, for their good behavior. Continue reading →
(Boston, MA) The last time Ana Moura was hosted by World Music/CRASH arts in 2014, she brought the house to its feet in a celebration of her latest release at the time Desfado. This show was excellent in a different way. Certainly, her latest album Moura has been touring since last year and those performances were condensed for her concert at the Berklee Performance Center this past Saturday. Featuring a great backing band, Ana Moura dazzled the typically stoic New England audience to the point of stupefication for two hours.Continue reading →
Presented by Moonbox Productions
Music and Lyrics by Michael John LaChiusa
Book by Michael John LaChiusa and George C. Wolfe
Based on the poem by Joseph Moncure March
Directed and choreographed by Rachel Bertone
Music direction by Dan Rodriguez
Orchestration by Bruce Coughlin
(Boston, MA) Moonbox Production’s The Wild Party is a tight, gin-moist package of cruelty, casual racism and light kink. It’s a domestic violence fairy tale of grotesque proportions, and sexy as fuck. Everyone over the age of 18 should see it. The subject might be naughty but its methods are mesmerizing.Continue reading →
April 15-30, 2016
Boston Center for the Arts
Boston Public Works on Facebook
Review by Travis Manni
Trigger warning: sound sequences referencing the 9/11 attacks.
(Boston, MA) You ever have one of those moments when you spontaneously start crying and you’re not entirely sure why or where it came from? That’s how I felt after watching Unsafe, a self-proclaimed psychological thriller by playwright Jim Dalgish. Continue reading →
(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading →