Mar 02

5 Handfuls of Butt: “A Ride On the Irish Cream”

Presented by Oberon
Written/Created/Co-composed/Lyrics by Erin Markey
Directed by Jordan Fein
Co-composed & Musical Directed by Emily Bate
Co-composed by Kenny Mellman 
Choreographed by Chloe Kernaghan 

Feb. 28 – March 4, 2017
Club Oberon
Arrow St
Cambridge, MA
Oberon on Facebook

Review by Kitty Drexel

(Cambridge, MA) There is something exquisitely beautiful about a conventionally attractive woman being unconventionally, relentlessly, fearlessly strange in society’s general direction into perpetuity. It is a breathtaking thing. Erin Markey isn’t Jennifer Lawrence cutesy, “normal” weird. Markey and her merry band of revelers are Disco Pigs, Bellatrix LeStrange, mutated Alice in Wonderland kinds of weird. Their rock musical A Ride on the Irish Cream is gloriously odd.  Continue reading

Mar 02

On the realistic level: “The Night of the Iguana”

Presented by the American Repertory Theater
Written by Tennessee Williams
Directed by Michael Wilson

Current-March 18, 2017
ASL Interpreted, Mar. 12, 2PM & Mar. 15, 7:30PM
Audio Described, Mar. 16, 7:30PM & Mar. 18, 2PM
Open Captioned Logo Open Captioned, Mar. 16, 7:30PM & Mar. 18, 2PM
Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Noelani Kamelamela

(Cambridge, MA) One may not immediately think of The Night of the Iguana as an American classic even though the film version is considered a classic and it was a success by every measure.  Tennessee Williams fans themselves are content to see it or hear of it onstage maybe once a decade, if even that frequently since its debut in 1961.   The A.R.T.’s recent production pays homage to the time period without becoming a stale museum piece.  Tennessee Williams may not be a favored son of every American, but he is a recent one.  Loeb Drama Center had a clever setup when I attended which allowed the audience to ponder correspondence  from archives as well as attempt to bang some literary work out with Royal typewriters rented out by Arlington’s own Cambridge Typewriter.    Continue reading

Feb 27

Vouchers Will Not Save Our Schools: “Exit Strategy”

UPDATED on 2/28/17: Because holy crapping fudge DeVos is either a sincere idiot, or a racist ass (mostly likely, both). https://twitter.com/AdamHSays/status/836416602736312320

Photo by Joel Benjamin. With Robert Bonotto, Victoria George, Johnny Quinones, Jalani Dottin-coye and Matt Fagerberg.

Presented by Zeitgeist Stage Company
Written by Ike Holter
Directed by David Miller

Feb. 17- March 11, 2017
Plaza Theater
Boston Center for the Arts
539 Tremont St in Boston’s South End
Zeitgeist on Facebook

This production is made possible in part by The Bob Jolly Charitable Trust, which was established by the late Boston actor Bob Jolly to support local theater artists.

Review by Kitty Drexel

(Boston, MAExit Strategy opens with a quote for Betsy DeVos’s Senate Hearing on Jan. 17, 2017. DeVos is a rich, white women with no experience in public education and a strong preference for charter schools. She’s in love with vouchers. To her, “accountability” is just a 14 letter word. She is completely oblivious of the hard work public school teachers do every single damn day in order to teach their students. Her ignorance, arrogance and entitlement are the three donkeys of the educational system’s apocalypse. Our kids, especially the underprivileged, deserve better. Her philosophies are the kind that allow schools to crumble apart with children still in them. Continue reading

Feb 27

Geeks Read Books: “Three Sisters” & “Marjorie Prime”

Unbiased reviews for plays are written in exchange for hard copies. Theatre Communications Group has kindly forwarded Three Sisters by Chekhov and adapted by Tracy Letts, and Marjorie Prime by Jordan Harrison to The New England Theatre Geek.

Reviews by Kitty Drexel

Three Sisters
By Anton Chekhov, adapted by Tracy Letts
Theatre Communications Group
New York, NY
December 2016
$14.95

(NYC) Tracy Letts’ adaptation of Anton Chekhov’s Three Sisters is the dramatic literature equivalent of the “Google Translate Sings: ‘One Day More’ from Les Miserables” parody. It’s not accurate, but it’s not entirely incorrect either. The majority of the content is Chekhov’s original. Letts expresses it in new and festive ways. Continue reading

Feb 22

Hilarious Hot Flashes and Other Mid-Life Crises of the Woman: “Women in Jeopardy”

Gail Rastorfer, Julia Brothers, and Jessica Wortham. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre 
Written by Wendy MacLeod
Directed by Sean Daniels

February 15-March 12, 2017
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) My husband and I had a very stressful week that culminated in the knowledge that our heater, broken since Thursday, wouldn’t be fixed until Monday. So by the time Saturday night arrived, we were in need of some good, comedic distraction, and Women in Jeopardy, premiering at the the Merrimack Repertory Theater, rose to the challenge.

Continue reading

Feb 22

Tell Your Own Story: “Informed Consent”

With Dale J. Young, Demetrius Fuller, Alexa Lambert, Becca A. Lewis, Danielle Jacques, Deniz Khateri, Camilo Atehortua, Paola M. Ferrer Collazo and Chrissy Tina. Photo credit: Apollinaire Theatre Co.

Presented by Apollinaire Theatre Company
Written by Deborah Zoe Laufer
Directed by Dale J. Young

Feb. 17- Mar. 12, 2017
Chelsea Theatre Works
189 Winnisimmet St., Chelsea, MA, 02150
Apollinaire on Facebook

90 minutes, no intermission.

Review by Polly Goss

(Chelsea, MA) Having originally opened to critical acclaim at The Duke on 42nd Street in August 2015, Laufer’s hard hitting play is the most recent production from Chelsea’s Appolinaire Theatre Company. Resident company of Chelsea Theatre Works, Appolinaire endeavours to “offer audiences direct, intimate encounters with works of modern and contemporary theatre.” Informed Consent does exactly that. Deborah Zoe Laufer is an accomplished writer, marrying the universal with the personal, in this heart-wrenching story of one woman’s struggle to beat fate and save her daughter…“whatever the cost”. Continue reading

Feb 21

“The Honey Trap” Sweet Like Honey, Sting Like a Bee

Maureen Keiller, Barlow Adamson. Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre & Boston University College of Fine Arts School of Theatre
Written by Leo McGann
Directed by Adam Kassim

February 16-26, 2017
949 Commonwealth Avenue
Boston, MA
Boston Playwrights’ Theatre on Facebook
Boston University New Play Initiative

Review by Travis Manni

(Boston, MA) According to the old cliché, you can catch more flies with honey than with vinegar. The truth of this is debatable, but it’s true that, when luring something, or someone, to its doom, it’s much simpler to do it in a soft, sweet way. On multiple levels, this was the crux of how Leo McGann’s The Honey Trap told a story of history, guilt, and revenge. Continue reading

Feb 17

Elvis Doesn’t Waltz: DON’T GIVE UP THE SHIP

Photo by Emma Young; a tense moment for Commodore Perry and family.

Presented by Fresh Ink Theatre Company
Written by Laura Neill
Directed by Joshua Glenn-Kayden
Dramatugy by Jessica Foster

February 10-25, 2017
Boston Center for the Arts
539 Tremont St., Boston, MA 02116
Fresh Ink on Facebook

Review by Kitty Drexel

(Boston, MA) Fresh Ink Theatre Company serves its community by developing the works of currently living, local-ish playwrights. They do awesome work. Don’t Give Up the Ship is the first show in their 2016/2017 season. Please vote for the arts with your attendance.    Continue reading

Feb 14

Deja Vu All Over Again: “I, Snowflake”

The cast; photo discovered on Anthem Theatre Co’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook

Review by Kitty Drexel

Trigger Warnings: Adult themes, gunshot sound effect, feminism

(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.”  The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading

Feb 07

In Homage to the Bastard: “Brecht on Brecht”

Matthew Stern (piano), Carla Martinez, Brad Daniel Peloquin, Jake Murphy, Christine Hamel
in “Brecht on Brecht”   (photo: Andrew Brilliant/Brilliant Pictures)

Presented by New Rep Theatre
Prophetic Portraits: Exploring history at the level of the individual
By Bertolt Brecht
Arranged by George Tabori from various translations
Co-Produced with Boston Center for American Performance
Directed by Jim Petosa
Music direction by Matthew Stern

Feb. 4 – March 5, 2017
Mosesian Center for the Arts
321 Arsenal St
Watertown, MA
New Rep on Facebook

90 minutes with no intermission

Review by Kitty Drexel

(Watertown, MABertolt Brecht was a selfish, arrogant, exceedingly charismatic dick. He was also a “genius” thanks to the help of collaborators such as Elisabeth Hauptmann and Kurt Weill. Brecht did not support them. He could turn a phrase, though. 
Continue reading