Oct 09

The Post-Meridian Radio Players Present: “Tomes of Terror: Nevermore”

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The Post-Meridian Radio Players Present:

Tomes of Terror: Nevermore

(Somerville, MA) — The Post-Meridian Radio Players bring you the chilling sensation of Hallowe’en with Tomes of Terror: Nevermore, a selection of Edgar Allan Poe’s most well known tales, newly adapted for The Golden Age of Radio with actors in front of mics and live sound effects on stage!

Where:
Responsible Grace
204 Elm Street
Somerville, MA

Performance Schedule:
Friday, October 24, 2014 at 8:00pm
Saturday, October 25, 2014 at 2:00pm (matinée)
Wednesday, October 29, 2014 at 8:00pm
Thursday, October 30, 2014 at 8:00pm
Friday, October 31, 2014 at 8:00pm
Saturday, November 1, 2014 at 8:00pm

Ticket Information:
You can make a reservation to pay at the door or buy tickets in advance!
$15, $12 Students & Seniors
Direct link to tickets: http://pmrp.org/tickets Continue reading

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Oct 07

Murder, We Hope: “Chicago”

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Heather Parcells (Roxie) and Bahiyah Hibah (Velma). Photo © Paul Lyden

Heather Parcells (Roxie) and Bahiyah Hibah (Velma). Photo © Paul Lyden

Presented by North Shore Music Theatre
Book by Fred Ebb and Bob Fosse
Music by John Kander
Lyrics by Fred Ebb
Based on the play by Maurine Dallas Watkins
Directed and choreographed by Nick Kenkal

Beverly, MA
September 23rd – October 5th, 2014
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) At one point after a showstopping number during the North Shore Music Theatre’s production of Chicago, actor Sean McDermott (Billy Flynn) was clearly out of breath. He had a lot of company in the audience, as this production succeeds in leaving an audience breathless. Continue reading

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Oct 07

Something from Nothing: “Movie! The Musical!”

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Image found via the Hidden Falls facebook page.

Image found via the Hidden Falls facebook page.

Presented by Hidden Falls

September 19th – October 17th, 2014
ImprovBoston
40 Prospect Street
Cambridge, MA
ImprovBoston on Facebook

Review by Danielle Rosvally

(Cambridge) Look, they improvised a full-length Broadway-scale musical adaptation of Sharknado based upon a suggestion from an audience member who couldn’t even recite salient plot details. Based solely upon these merits, I would be remiss if I told you anything but drop whatever you’re doing at 10:00 PM this Friday and go to ImprovBoston to see this show. Continue reading

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Oct 01

imaginary beasts Will KNOCK! You Out of Your Comfort Zone

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Photo by Roger Metcalf

Photo by Roger Metcalf

Presented by imaginary beasts
By Daniil Kharms
Directed by Matthew Wood
Dramaturgy by Matthew McMahan

Sept. 26 – Oct. 18, 2014
At the Plaza Black Box Theatre
at the Boston Center for the Arts
539 Tremont Street, Boston MA
imaginary beasts on Facebook

Review by Gillian Daniels

(Boston, MA) A joke in the absurdist, Stalin-era work of Daniil Kharms is the same as a violent pratfall: random, shocking in its flippancy, and somehow charming.  The punchlines in Knock! The Daniil Kharms Project involve a man forgetting his name due to a number of bricks dropped on his head or a romantic couple disappearing in the middle of the night by the secret police.  Utilizing a fun, avant-garde set design by Christopher Bocchiaro and Matthew Woods, imaginary creatures adapts Kharms’ experimental black humor with confidence. The theatre group doesn’t let anything like a sketchy plot or a lingering sense of doom from an oppressive government get in the way of a good time. Continue reading

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Sep 29

Full of Cozenage: COMEDY OF ERRORS

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Photo courtesy Stratton McCrady Photography

Photo courtesy Stratton McCrady Photography

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by David R. Gammons

September 24 – October 19, 2014
Brighton High School
26 Warren St. Brighton, MA
The Actors’ Shakespeare Project on Facebook

Review by Danielle Rosvally

(Brighton, MA) Life is a circus, my friends, and if that’s clear anywhere it’s clear in ASP’s Comedy of Errors. David R. Gammons gives us a Comedy within the frame of a has-been circus. As you walk into the theatre, you find the stage already teeming with life: a cast of rag-tag and second-rate clowns struggles to prepare for their show. I, for one, was curious as to why one of the only professional Shakespeare companies in Boston was performing in a High School auditorium. At least, until I walked into the high school auditorium. The space perfectly suits Gammons’ concept as it looks like the ruins of a once-grand theatre. Stripped to its studs, there is no veneer of illusion in Comedy; just bare-bones performance. Continue reading

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Sep 26

Can’t Get No Satisfaction: THE SINGULARITY

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Presented by Science Fiction Theatre Company
By Crystal Jackson
Directed by Cait Robinson

Sept. 19 – Oct. 5, 2014
The Factory Theater
Boston, MA
SF Theatre Co on Facebook

Review by Kitty Drexel

(Boston, MA) The moral of The Singularity is that if women don’t have access to the safe, affordable health care, they’ll do what they must to get it unaffordably and unsafely.  For example, if access to safe abortions is severely limited or denied outright that doesn’t mean that women won’t have abortions. It means that more women will die having unsafe, illegal abortions*. Playwright Crystal Jackson attacks the opposite of safe abortion in this comedy presented by Science Fiction Theatre Co. Continue reading

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Sep 23

Announcing Don’t Speak Cabaret Benefit for Reproductive Rights

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Metropolitan Room, 34 West 22nd Street, New York, NY, 10010
Tickets:  $25 – $115 at http://metropolitanroom.com/event.cfm?id=164797&cart or by calling 212-206-0440.

NEW YORK, NY – Broadway, Off-Broadway, and up-and-coming NY talent raise their voices for reproductive rights at the Don’t Speak Cabaret Benefit at the Metropolitan Room on Sunday, October 26 at 9:30pm.

Jessica Phillips (Leap of Faith, Law & Order, SVU), Sarah Drake (New England premieres Next to Normal and Carrie), Sean Harkness (Windham Hill Records [Sony/RCA/BMG]) , Samantha Owen (Forbidden Broadway), Erick Pinnick (A Christmas Carol, The Tin Pan Alley Rag), T. Oliver Reid (After Midnight, Mary Poppins) donate their talent and time to raise awareness and celebrate women’s strength and freedom. Rebecca Elliott, Morgan Frazer, Becca Kidwell, Anna Kirkland, Molly Maynard, Clare Mione, and Parker Scott also lend their voices for the cause.

All proceeds from the event go to The Center for Reproductive Rights. Continue reading

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Sep 23

Patients Are People Too: THE FORGETTING CURVE

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Presented by Bridge Repertory Theatre & Theatrum Mundi Productions
in association with Alan Swanke, Cole Burden & Playhouse Creatures Theatre Co.
Information resourced from Memory’s Ghost: The Nature of Memory and the Strange Tale of Mr. M, by Phillip J. Hilts

By Vanda
Directed by Kimerly Loren Eaton

Sept. 4 – 27, 2014
Wimberly Stage
Calderwood Pavilion at the
Boston Center for the Arts
527 Tremont St, Boston
Bridge Rep on Facebook

Review by Kitty Drexel

Trigger Warnings: vintage sexism, reenactment of seizures/chronic illness, sweet lesbian love

(Boston, MA) The Forgetting Curve is about a family whose trust is abused by doctors. Patient HM (Henry Gustav Molaison, Feb. 26, 1926 – Dec. 2, 2008) suffered seizures as a teenager. To stop his otherwise untreatable epilepsy, surgeons removed the anterior two thirds of his hippocampi and other areas of his brain. At the time, doctors were unaware that, by removing his hippocampi, HM would essentially be incapable of retaining new memories. They turned HM into a high school educated goldfish with their experiments. Continue reading

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Sep 19

Pretty to Watch, Messy to Contemplate: FAR FROM HEAVEN

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Craig Bailey/Perspective Photo. Look at those costumes!

Craig Bailey/Perspective Photo.

Presented by SpeakEasy Stage Co.
Book by Richard Greenberg
Music by Scott Frankel
Lyrics by Michael Korie
Based on the Focus Features/Vulcan Production Motion Picture, Written & Directed by Todd Haynes

Directed by Scott Edmiston
Musical Direction by Steven Bergman
Choreography by David Connolly

Sept. 12 – Oct. 11, 2014
Stanford Calderwood Pavilion
Boston Center for the Arts
527 Tremont Street in Boston’s South End
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) In 1957, Betty Friedan conducted a survey of Smith College graduates to celebrate their 15th anniversary. When she discovered that many of her contemporaries were deeply unhappy, she expanded her research to include other US suburban housewives. She continued her research into psychology and other social sciences. Her studies found a “problem that has no name,” a depression among women despite their ensured physical and emotional comforts. A life revolving around marriage and children was deeply unfulfilling.

This study and her corresponding writings were the basis for The Feminine Mystique, a book that sparked the second-wave of feminism. Published in 1963, it has played an influential part in assuring a modern woman’s right to equality. Women who work outside of the home owe a large part of their freedoms to Friedan and the women who worked with her. Friedan began her survey the same year that Far From Heaven begins. Continue reading

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Sep 16

All Cucumbers and Hooves: UNDER MILK WOOD

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Photo courtesy of Artsboston; a picture of the cast at the reading with Mr. Scanlan in the front.

Photo courtesy of Artsboston; photo was grabbed from the Poet’s Theatre FB page.  A picture of the cast at the reading with Mr. Scanlan in the front.

A celebration in honor of the revival of The Poet’s Theatre and the centennial of the Author’s birth.

Presented by The Poet’s Theatre
By Dylan Thomas
Directed by Bob Scanlan

Sanders Theatre, Memorial Hall
Harvard University
Sunday, Sept. 14, 2014 @ 7pm ONLY
Poet’s Theatre on Facebook

Review by Kitty Drexel

“…the idea that I write a piece, a play, an impression for voices, an entertainment out of the town I live in, and to write it simply and warmly and comically, with lots of movement and varieties of moods, so that, at many levels, through sight and speech, description and dialogue, evocation and parody, you come to know the town as an inhabitant of it.”
– Dylan Thomas – Collected Letters edited by Paul Ferris (London: Dent, 2000 (new edition)

(Cambridge, MA) Under Milk Wood is a radio drama by Welsh poet Dylan Thomas. It was performed on the stage during Thomas’ lifetime (and by Thomas himself). It became a movie directed by Andrew Sinclair, and featured Richard Burton, Elizabeth Taylor and Peter O’Toole, in 1972. For his centennial, the BBC has a site devoted to a recent film production of Under Milk Wood. All of this is mentioned because not nearly enough Americans have an appreciation for Thomas’ work –  aside from his famous poem, “Do not go gentle into that good night.” His work is elegant, romantic, and, best yet, free to read on the internet or in a library. It is a worthwhile, mind-expanding endeavor to read as much of his collected works. If not for your own sake, then to woo a paramour or two. Continue reading

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