Becca recently published a short book about the musical Next to Normal, recommended by Tony Award Winner Alice Ripley, called Feeling Pain is Normal: An Analysis of Grief in the Musical Next to Normal. The book is available in print and on Kindle on Amazon. She is currently creating a theatre company in Queens, NY. Information about Swiftly Tilting Theatre Project, Inc. is available at: www.swiftlytiltingtheatre.glump.net. Her portfolio is at: http://email@example.com.
BS, Business and Organizational Communication, Emerson College
ALM, Psychology, Harvard University
Leah became a theatre connoisseur at the tender age of three. Her stage career followed shortly, with supporting roles in Hans Christian Anderson (3rd grade), Macbeth (4th grade), and Hamlet (5th grade). Realizing that the front of the stage was better saved for the truly gregarious, Leah continued to pursue her love of the arts with piano, French horn, and classical voice.
After a 10-year detour into healthcare administration, finally Leah realized her theatrical dream as Executive Director of a theatre group. She has continued to support the arts by asking others for their support in several Development roles throughout Boston.
John’s many years of life and learning, being a husband and dad of some years now, plus snatching the stones from Master Po’s hand, have made him an absolute expert in all things physical and metaphysical. Therefore, he takes the next logical step: reviewing live performances.
On a more sincere note, however, John has extensive theatre experience, both on and off stage, as well as a smattering of film and radio performance. He thinks that reviewing any artistic presentation is an honor and a privelege, rather than a diversion or a chore. There is no other connection like that of audience and performer. Lives sometimes can be altered or changed by live performance, and that is why we go to the theatre; not to be entertained so much as to feel, in a way that no other visual presentation media can accomplish. That is true for the performer as well as the audience. There might well be something for both sides of any performance John will write about. When reading him, be sure to look for the honesty, the tongue firmly in cheek, and the heart on the sleeve. Oh, and be sure to leave room for the occasional cliche. We will see you again soon!