Oct 02

Rebel Theatre Without Activism is as Pointless as Sending Thoughts and Prayers After a Tragedy: “The Plough and The Stars”

Presented by A.R.T.*
Abbey Theatre on Tour in association with Cusack Projects Limited
Written by Sean O’Casey
Directed by Sean Holmes
Voice direction by Andrea Ainsworth

Loeb Drama Center
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: gun fire, siren and other loud effects, punk rock

(Cambridge, MA) Ladies and gentlemen, Unions are legal and necessary. Unions are one of the only protections low to middle income wage earners have against power-hungry suits with no regard for struggles that aren’t their own. Please support your local unions to ensure that they remain strong, honest, and transparent. Continue reading

Sep 23

Dabs of Drama on a White Stage: “Sunday in the Park with George”

The cast; Photo: Paul Marotta

The cast; Photo: Paul Marotta

Presented by the Huntington Theatre Company
Music & lyrics by Stephen Sondheim
Book by James Lapine
Directed by Peter DuBois
Music directed by Eric Stern
Choreographed by Daniel Pelzig
Orchestrations and new chromolume music by Michael Starobin

Sept. 9 – Oct. 16, 2016
264 Huntington Avenue
Boston MA 02115
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) Sunday in the Park with George (SitPwG) is a Sondheim/Lapine musical not frequently performed. That’s probably because it’s not nearly exciting as his more popular shows. Yet, It behooves the hundreds of area artists to go see it for their own personal education. Theatre advocates and appreciators should attend because it simply gorgeous across the board. The Huntington gives us a fine production. Continue reading

Sep 15

A Dear John letter to modern American politics: “The Return to Morality”

Photo courtesy of TTC Facebook page

Photo courtesy of TTC Facebook page; the cast, looking much happier here than their characters do in the production.

Presented by Titanic Theatre Company
Written by Jamie Pachino
Directed by Michelle M. Aguillon

September 8-25, 2016
Central Square Theatre
Cambridge, MA
Titanic Theatre on Facebook

Review by Noelani Kamelamela

(Cambridge, MAIt is a presidential election year in these United States.  Ordinary campaigns are already the cesspools of public opinion where good policies raise their hands and get passed over for workable compromises.  Presidential campaigns are therefore a special circle of our own red, white and blue hellscape where we, the people, can gather together and worry about our future as a nation.  It is a Sisyphean task, which means the situation is ripe for comedy.  Titanic Theatre Company’s production of The Return to Morality elicits anxious laughter in this context.   Continue reading

Jun 18

No One is Exempt From Pain:”I Was Most Alive With You”

© T Charles Erickson Photography; Russell Harvard and cast.

© T Charles Erickson Photography; Russell Harvard and cast.

Presented by the Huntington Theatre Co. 
Directed and written by Craig Lucas

Through June 26, 2016
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

This is a bilingual production; the text is expressed in English and ASL through interpreters. My heartfelt thanks to the crew of the Huntington for respecting the limitations of the hearing community.

(Boston, MA) Bad things happen to people. They just do. Religious pessimists might believe that the Powers That Be punish sinners but even good people experience tragedy. Piety provides no exemption. Bad things happen because they do. If we could understand why, maybe we could prevent them from happening. Continue reading

Jun 04

Keep Going: “Killer Maples: The Musical”

The Cast of "Killer Maples," photo via http://www.yellingmantheatre.com/

The Cast of “Killer Maples,” photo via http://www.yellingmantheatre.com/

Presented by Yelling Man Theater
Book and lyrics by Trip Venturella
Music by Andres Ramos
Directed by John Scala

June 3-5, 2016
POP Allston
Allston, MA
Yelling Man on Facebook

Review by Kitty Drexel

(Allston, MA) Killer Maples is a cute chamber musical with exceedingly raw potential. It will eventually be a diamond in the rough. It’s still pressurized coal right now. The creators have a lot of work ahead of them if that’s something they are interested in. The performances set for this weekend are a preview of what the show can become with edits and rewrite for emotional and plot clarity. Continue reading

May 20

On Behalf of Women’s Bodies: IN THE BODY OF THE WORLD

Photo Evgenia Eliseeva.

Photo Evgenia Eliseeva. Ensler transcends. 

Presented by the American Repertory Theater
Written and performed by Eve Ensler
Directed by Diane Paulus

May 10 – 29, 2016
Loeb Drama Center
64 Brattle Street
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: nudity not for the purpose of female objectification, implied drug use, graphic depictions of violence and cruelty, raw feminism

(Cambridge, MA) Our iPads, tablets, game consoles, phones and anything else that requires processed natural minerals and metals are the by-products of systematic rape. This is an oversimplified statement but it is true. The ongoing conflict in the Democratic Republic of the Congo and complications within the mineral supply chain means that conflict minerals end up in everyday items. The computer I’m using to write this review likely has conflict minerals in it. The device you’re using to read this review likely has conflict minerals in it. By not pushing for a transparent mineral supply chain, we are aiding the conflict in the Congo. By not taking an active stance, we are telling the companies like Apple, Microsoft, Google, etc. that we approve of their trade dealings with companies that don’t require transparency. As ignorant consumers, we are part of them problem.   Continue reading

May 06

No Sir, You’re The Ho*: A GREAT WILDERNESS

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre. (Photo by Richard Hall/Silverline Images.)

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre.
(Photo by Richard Hall/Silverline Images.)

Presented by Zeitgeist Stage Company
Written by Samuel D. Hunter
Directed by David J. Miller

April 29 – May 21, 2016
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAI’ve never understood how some people can believe that it’s acceptable to be drastically unkind to others because “God told (them) to.” God is a terrible excuse for being a bad person. Morality structured around a potentially imagined creator that lives in the sky is not stabilized morality. Yet, plenty of people are beholden to this creator, if there is one, for their good behavior.  Continue reading

Apr 11

“Can You Forgive Her?” presented by the Huntington Theatre Company

Presented by the Huntington Theatre Company
Written by Gina Gionfriddo
Directed by Peter DuBois

Now through April 24, 2016
Tickets may be purchased here
South End / Calderwood Pavilion at the BCA
527 Tremont Street, Boston MA 02116
Huntington on Facebook

(Boston, MA) The Huntington Theatre Company presents the world premiere of Can You Forgive Her? by two-time Pulitzer Prize finalist Gina Gionfriddo (Becky Shaw and Rapture, Blister, Burn) and directed by Huntington Artistic Director Peter DuBois (A Little Night Music and Smart People). Performances begin Friday, March 25 and continue through April 24, 2016 at the South End / Calderwood Pavilion at the BCA.

It’s Halloween night, and Miranda (Meredith Forlenza) is desperate for a way out. She’s up to her neck in debt, she might be falling for the man who pays her bills, and now her date has threatened to kill her. A charismatic stranger offers shelter and a drink; where will the night take them? With her trademark dark humor, two-time Pulitzer finalist Gina Gionfriddo presents complicated characters wrestling with love, money, and their past in this sharp contemporary comedy.

Approximate run time: 1 hours and 40 minutes without intermission.

Please note, herbal cigarettes are used in this production.


Mar 21


 Photo by Meghan Moore.

Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Idris Goodwin
Directed by Wendy C. Goldberg

March 16 – April 10, 2016
50 East Merrimack Street
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) The power of hip hop as an art form comes from seizing the rhythm of the moment. The same could be said for The Realness: a break beat play, which is making its world premiere in Lowell. Writer Idris Goodwin has embedded a few dozen profound beats in this play, and it is a beautiful thing to watch when this cast catches one, and then another; the stage crackles to life in these moments. Often, however, it feels like these beats have yet to be uncovered on stage, making this play feel like a work in progress. Rarely do I wish to go back to see a play with the same cast, but I’d like to see how this production grows toward the end of its run in Lowell. Continue reading

Mar 18

Songs, Storytelling, and Riffing on Stupid Movies: UN-SHOWCASE Comes to Arlington April 8

9873_10153275267177294_6276132035994547684_nMarch 14, 2016, Arlington, MA—Unreliable Narrator, the home of strange, homemade theatre in the
Boston area, presents UN-Showcase, Friday April 8 at 8 PM. Performances are at Arlington Center
for the Arts at 41 Foster Street in Arlington, MA, 02474.

Tickets are $10, available at http://www.unreliable-narrator.com or by phone at (800) 838-3006. More information can be found by phone at (617) 386-9595, or online at http://www.unreliable-narrator.com.

UN-Showcase is a grab bag of local DIY artists. See the work of excellent local storytellers, musicians,
and other fine performers, capped off by Unreliable Narrator’s first experiment with a great form of
comedy: live, scripted riffing of bad short films.

This artistically robust evening is also a celebration of Unreliable Narrator’s 2016 season and will feature
scenes from the next UN show Ultimate Things, which comes to Boston Playwrights Theatre in July.
UN-Showcase is an Unreliable Narrator tradition, but the live movie-riffing group is something we’ve
never tried before.” says producer Carl Danielson. “Watching crazy talented people doing their thing is
a great way to spend a spring Friday night.”

The night’s featured performers are:
Folk musician Audrey Ryan.
Author Patrick Gabridge, reading from his novel Moving.
Indie-rock musician The Pluto Tapes, playing songs from his new album ‘The Dawnzer Lee Light.’
Storyteller Jenny Gutbezahl.
Electronic musician JOSS.
The short film-based comedy of the UN Movie Riffing Group: comedians Jenny Gutbezahl, Brian
Rust, and Joye Thaller.

Founded in 2008, Unreliable Narrator produces strange, homemade theater in and around Boston. Their
most recent production was 2014’s Human Contact: Short Sci-Fi Plays at Boston Playwrights’
Theatre. Other productions include 2010: Our Hideous Future: The Musical!, which began at Boston
Playwrights’ Theatre in 2010 and played at several venues across the northeast over the following two
years; 2008’s Schmolitics; 2009’s Paranormal; and 2011’s The Way of the Warrior Bunny.