Jan 26

The Midnight Mischief Cabaret Presents: A Raucous Revival

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The Midnight Mischief Cabaret presents: A Raucous Revival!
January 31, 2015 @ 9pm
Somerville, MA
Calling all sinners, saints and sojourners!
Hosts Allix Mortis and Ginny Nightshade call upon you to witness, testify, and party till the end of days. 

Join us at The Davis Square Theatre for an old school variety show with an edge sharper than your grand pappy’s straight razor!
Our cast will leave you filled with the spirit, speaking in tongues, and booty-bumping your bibles!

Featuring:
Old School Game Show’s, Michael D’Angelo
Comedians:
Casey Malone
Nonye Brown West
Will Smalley
Burlesque & Performance Artists:
Dewie Decimator
Butch Sassidy
Claude Kitten
Fruit On TheBottom (Special Appearance)
Contortionist:
BelleGunzAnd musical worship from Thee Legendary Rockin Prophets!

About :
The Midnight Mischief Cabaret is the brainchild of award winning burlesque artists Allix Mortis and Ginny Nightshade. Hotter than a revival tent in the middle of summer, The Midnight Mischief Cabaret aims to bring old school variety with an updated edge to late night New England.The duo combine their backgrounds in comedy, theater, burlesque and music to bring a new kind of show with a familiar feel and diverse appeal. Fringe sways alongside pointed studs, black velvet gloves match black lipstick, and beer is sipped from champagne glasses.

In a smoky back room, in a sweltering revival tent, in a haunted attic, on the boards of a historic theater lives The Midnight Mischief Cabaret.

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Jan 23

Bombasted by Science: COPENHAGEN

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copen

Presented by Porpentine Players
By Michael Frayn
Directed by Jon Taie

January 21 – 31, 2015
Nave Gallery
155 Powderhouse Blvd
Somerville, MA
Porpentine on Facebook

Review by Kitty Drexel

(Somerville, MA) Science is having a moment in the public sphere; thanks to actors such as  Eddie Redmayne and Benedict Cumberbatch, physics and math are sexy and everyone wants a piece of these oh so marketable, oh so male institutions. Suddenly it’s very chic to flout one’s comprehension of STEM studies. While I’m grateful that movies such as The Theory of Everything  and The Imitation Game exist, the media forget that the theories discussed in these films aren’t as digestible as the script treatments suggest. Science and math are complicated beasts. So complicated that most American elementary and high school students have difficulty grasping remedial skills. Thus, a delicate balance must be maintained when explaining scientific and mathematical theory via the media to the hoi polloi. It must  educate while still communicating the advancement of skill required for application. Hollywood tends to over-simplify. Frayn’s Copenhagen, as produced by the Porpentine Players keeps in complicated. Continue reading

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Jan 14

WORLD MUSIC/CRASHarts presents The Bad Plus, January 24 @ 8PM

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Photo by Jay Fram

Photo by Jay Fram

WORLD MUSIC/CRASHarts presents

The Bad Plus

Performing the Boston premiere of Ornette Coleman’s Science Fiction
With specials guests Tim Berne, Ron Miles, and Sam Newsome

Saturday, January 24, 8pm,
Berklee Performance Center
WORLD MUSIC/CRASHarts on Facebook
The Bad Plus on Facebook

Boston, MA — World Music/CRASHarts presents the Bad Plus performing the Boston premiere of Ornette Coleman’s Science Fiction on Saturday, January 24, 8pm at the Berklee Performance Center, 136 Massachusetts Ave., Boston. Tickets are $28-$42. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

Widely heralded for its innovative reworkings of rock, indie, electronica, and modernist classical music, the Bad Plus now turns to Ornette Coleman’s landmark 1972 album Science Fiction to honor the great master of free jazz. Bassist Reid Anderson, pianist Ethan Iverson, and drummer David King pay tribute to Coleman by boldly interpreting Science Fiction song for song, with help from an esteemed horn section of fine improvisers including Tim Berne, alto saxophone; Ron Miles, trumpet; and Sam Newsome, soprano saxophone.

Continue reading

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Jan 02

Church Class Recovery: SISTER’S CHRISTMAS CATECHISM – THE MYSTERY OF THE MAGI’S GOLD

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Photo c/o Spectacle Management

Photo c/o Spectacle Management

Presented by Spectacle Management
Sister’s Christmas Catechism online
Written by Vicki Quade and Maripat Donovan
Directed by Marc Silvia

December 16 – 31, 2014
The Larcom Theatre
Beverly, MA
Spectacle Management on Facebook

Review by Craig Idlebrook

(Beverly, MA) What is it about the simple black-and-white getup of the nun’s habit that makes its inhabitant seem so powerful? The nun has become a fixture in theatre and film because the costume demands attention. Continue reading

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Dec 27

The ImprovBoston Holiday Spectacular

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IB spectacular

Photo credit: Scott Istvan; About half of the cast: they have a lot of joy to cram down your pie hole.

Presented by ImprovBoston
Improv director: John Serpico
Writers: Jamie Loftus, Dave Grinstead, Andy Hughes, Allen McRae, Ramy Abdelghani, Scott Kremer, Steve Sarro
Original score by Steve Sarro
The Cast: Ryan Burrill, Dave Grinstead, Ashley Voltz, Alex Tennant, Dennis Hurley, Shiyan Bee, Amanda Sousa, Andy Short,Matt Fear, Ian Dyer, Lydia Jane Graeff, Danny Balel

Nov. 28 – Dec. 27, 2014
40 Prospect St
Cambridge, MA
IB on Facebook
Holiday Spectacular on Facebook

Review by Kitty Drexel

Trigger warning: Shock humor alluding to blood and feces, child abandonment, Regis Philbin

(Cambridge, MA) December is a magical time of year. It’s alive with childlike wonder, joy and deep-seated loathing for the holiday obligation to spend every waking moment with your family who all are either sick or getting over something in a tiny house and the promise of no social boundaries. Everyone needs an excuse to get out of the house to let off some steam, so why not head over to ImprovBoston to check out their Holiday Spectacular show this week to beat the desperation before it hits? While not exactly spectacular, it is very fun. Continue reading

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Oct 27

Bravo: “La Tragédie de Carmen”

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Presented by the Boston University Fringe Festival
Adapted from Georges Bizet’s opera by Marius Constant, Jean-Claude Carrière, and Peter Brook
Stage Directed by Jim Petosa
Conductor: William Lumpkin

October 8 – 26, 2014
BU Theatre, Lane-Comley Studio 210
264 Huntington Avenue
BU Fringe Festival on Facebook
CFA School of Theatre on Facebook

Review by Danielle Rosvally

(Boston, MA) Opera might be opera, but you’ve never seen opera like this before. The Fringe festival’s production of La Tragédie de Carmen is a fresh, energetic take on Brook’s gritty adaptation of Bizet’s piece with exciting voices full of promise.

One of the exhilarating things about seeing students perform opera is that they are singing machines. Conservatory, as a general rule, makes from semi-trained talent lean, mean, professional instruments with clarity and utterly perfect precision. As such, performances by these students are chock full of those qualities, as well as an exuberance and boundless energy that is simply thrilling to watch. These students are hungry to perform, and this brings the stakes of their performances through the roof. Continue reading

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Oct 24

#ArtsMatterDay, Oct 24

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Today is ArtsMatterDay!
Discover more at MassCreative
On Facebook
On Twitter

From the MassCreative website: “Happy Arts Matter Day! Celebrate with us by sharing why arts matter to you. Let’s create a huge buzz to show that arts matter in MA and matter in the November 4 election.”
Please see their site for more information, and ways to celebrate #ArtsMatterDay.

  • Take the pledge
  • Share your story
  • Share ArtsMatterDay on social media
  • Experience arts and culture
  • Prepare for election day
  • Donate
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Oct 20

Between the Modern and Bygone: LATER THE SAME EVENING

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EDWARD HOPPER

Room in New York

Presented by the BU Fringe Festival
Composed by John Musto
Libretto by Mark Campbell
Based on 5 paintings by Edward Hopper: A Room in New York, Hotel Room, Hotel Lobby, Two on the Aisle, and Automat
Music direction by Allison Voth
Stage direction by Jason King Jones
Conducted by Tiffany Chang

October 18 & 19, 2014
BU Theatre, Lane-Comley Studio 200
264 Huntington Ave
Boston, MA
BU Fringe Festival on Facebook

Review by Kitty Drexel

(Boston, MA) Later The Same Evening is a concept opera based on five paintings by Edward Hopper. Edward Hopper (1882–1967) was an American artist who employed watercolor (Impressionist) techniques in his paintings of everyday life. His style is defined by the Metropolitan Museum of Art as utilizing, “clearly outlined forms in strongly defined lighting, a cropped composition with an almost “cinematic” viewpoint, and a mood of eerie stillness.” His influences include cityscapes, Cape Cod, his wife Josephine Verstille Nivison. He is famous for capturing the tensions between the modern and the old, people, and mood lighting. His most famous painting, Nighthawks, is used frequently in popular culture (including this sassy adaptation) to depict late night melancholy. Continue reading

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Oct 01

imaginary beasts Will KNOCK! You Out of Your Comfort Zone

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Photo by Roger Metcalf

Photo by Roger Metcalf

Presented by imaginary beasts
By Daniil Kharms
Directed by Matthew Wood
Dramaturgy by Matthew McMahan

Sept. 26 – Oct. 18, 2014
At the Plaza Black Box Theatre
at the Boston Center for the Arts
539 Tremont Street, Boston MA
imaginary beasts on Facebook

Review by Gillian Daniels

(Boston, MA) A joke in the absurdist, Stalin-era work of Daniil Kharms is the same as a violent pratfall: random, shocking in its flippancy, and somehow charming.  The punchlines in Knock! The Daniil Kharms Project involve a man forgetting his name due to a number of bricks dropped on his head or a romantic couple disappearing in the middle of the night by the secret police.  Utilizing a fun, avant-garde set design by Christopher Bocchiaro and Matthew Woods, imaginary creatures adapts Kharms’ experimental black humor with confidence. The theatre group doesn’t let anything like a sketchy plot or a lingering sense of doom from an oppressive government get in the way of a good time. Continue reading

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