Oct 17

Speak What we Feel Not What We Ought to Say: KING LEAR

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Produced by ArtsEmerson
Created by Shakespeare’s Globe
Directed by Bill Buckhurst

October 15-23, 2014
Paramount Center
559 Washington St.
Boston, MA 02111
ArtsEmerson on Facebook

Review by Danielle Rosvally

(Boston, MA)

Yesterday was my father’s birthday. I don’t bring this up in order to achieve the fifteen minutes of internet fame that it will garner him (hi, Dad!), but rather to insist that the themes of King Lear are persistent to fathers and daughters to this day. I mean, there’s really nothing like having an angry Dragon bellow at you for three hours about filial duty to remind you to at least call your father on his birthday. Continue reading

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Sep 29

Full of Cozenage: COMEDY OF ERRORS

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Photo courtesy Stratton McCrady Photography

Photo courtesy Stratton McCrady Photography

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by David R. Gammons

September 24 – October 19, 2014
Brighton High School
26 Warren St. Brighton, MA
The Actors’ Shakespeare Project on Facebook

Review by Danielle Rosvally

(Brighton, MA) Life is a circus, my friends, and if that’s clear anywhere it’s clear in ASP’s Comedy of Errors. David R. Gammons gives us a Comedy within the frame of a has-been circus. As you walk into the theatre, you find the stage already teeming with life: a cast of rag-tag and second-rate clowns struggles to prepare for their show. I, for one, was curious as to why one of the only professional Shakespeare companies in Boston was performing in a High School auditorium. At least, until I walked into the high school auditorium. The space perfectly suits Gammons’ concept as it looks like the ruins of a once-grand theatre. Stripped to its studs, there is no veneer of illusion in Comedy; just bare-bones performance. Continue reading

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Aug 29

Thunder, Lightening, and Rain: MACBETH

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Credit: Brown Box Theatre Project

Credit: Brown Box Theatre Project

A play by William Shakespeare
Directed by Kyle Taustin
Presented by Brown Box Theatre Project

August 22 – 31, 2014
Various outdoor venues around Boston

Review by Danielle Rosvally

(Around Boston) Look, you just can’t beat free outdoor Shakespeare. A picnic basket, a good friend or two, and the immortal words of the sweet swan of Avon resounding amidst mother nature’s glory is just where it’s at, folks. It’s particularly poetic to see Macbeth, a play about the slow descent into the darker parts of man, performed under deepening darkness. Continue reading

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Aug 25

Banish John Falstaff: Henry the 4th

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Presented by Theater@First
A New Adaption of William Shakespeare’s Histories
Directed by Shelley MacAskill

August 21st – 30th
Unity Somerville
6 William Street, Somerville
Theatre@First on Facebook

Review by Danielle Rosvally

(Somerville) Shakespeare’s histories can be problematic to bring to the stage. In these plays, the usual issues of Shakespearean verse and thick language are compounded with cinematic scope, characters sometimes too big to be readily believable, and all kinds of crazy epic battle scenes. Compounding two histories into one doubles the trouble. Henry the 4th is a conflation of the two parts of Henry IV relying mostly upon part 1 with some of the more salient and dramatic moments of part 2 tacked onto the play’s end. Continue reading

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Aug 04

Theatre@First Presents Shakespeare’s “Henry the IV”

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henry_4th_logo

Presented by Theatre@First
by William Shakespeare
directed by Shelley MacAskill

After seizing the throne, King Henry IV rebuilds his kingdom and despairs over his heir’s dissipated life in the London slums. Prince Hal spends his time carousing with the bawdy Joan Falstaff and her gang of thieves and misfits, but he is far more than the scoundrel he seems. When the king’s former allies rebel against him, Hal plans to redeem himself in his father’s eyes. Facing the rebel leader, Hotspur – England’s greatest and noblest warrior – Hal has a chance to prove his worth, but will redemption bring more pain than Hal could imagine?

Theatre@First’s Henry the 4th combines two of Shakespeare’s greatest history plays in one thrilling night of theatre!

Director: Shelley MacAskill has been involved in thirteen productions with Theatre@First, including directing Harriet IV – a gender-swapped one-act version of Henry IV – for Festival@First 7: Shaken Up Shakespeare. She has also produced two plays (The Lady’s Not for Burning and Bent), been Technical Director for another (Equus), and been stage manager, rehearsal assistant, and light board operator for more than she can readily recall. This is her first time directing a full-length play.

PERFORMANCE SCHEDULE
​​8pm evening shows:
Thursday, August 21
Friday, August 22
Saturday, August 23
Wednesday, August 27
Thursday, August 28
Friday, August 29

4pm matinee show:
Saturday August 30

PERFORMANCE SPACE
Unity Somerville
6 William St, Somerville
unitysomerville.org

TICKETS: $15 for adults
$12 for students/seniors.
Group discounts available.
theatreatfirst.org
brownpapertickets.com
goldstar.com

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Jul 23

Hub Theatre’s Shakespeare Crowd-Pleaser: “The Complete Works of William Shakespeare (Abridged)”

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Picture

Presented by Hub Theatre Company of Boston
by Adam Long, Daniel Singer and Jess Winfield
Directed by Lauren Elias

July 18 – August 2, 2014
Club Café
209 Columbus Ave
Boston, MA

Review by Gillian Daniels

(Boston) The working hypothesis for The Complete Works of William Shakespeare (Abridged) appears to be this: when at his most serious, the Bard is the most unintentionally hilarious. It’s darkly comic, in a way, that a pair of lovers would die passionately together despite knowing each other for a few days. And there’s something ridiculous about a prince putting off the assassination of the uncle who stole his crown because he doesn’t believe the ghost of his father. In Hub Theatre Company’s take on the parody, Patrick Curran, Adam Lauver (alternating with Will Moore), and Brooks Reeves seek to both compress and skewer Shakespeare’s body of work. Continue reading

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Jul 15

Go Big or Go Home: A MIDSUMMER NIGHT’S DREAM

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The Cast. Photo found on It’s A Fiasco Facebook page.

It’s a Fiasco Theatre Company
by William Shakespeare
Sponsored by the City of Cambridge and the Cambridge Arts Council – presented under the auspices of the Actors’ Equity Association Member’s Project Code.

June 19 – 29, 2014
Longfellow Park, 175 Mt. Auburn Street
Cambridge, MA
It’s A Fiasco on Facebook

Review by Craig Idlebrook

Think for a moment of the conditions under which Shakespeare was performed in the Elizabethan era and you realize this play was never meant to be locked away in an ivory tower. At the time the words of these plays were fresh, so was the concept of public sanitation. Most of the population was illiterate, and probably a good amount of them shared their skin with some form of vermin. Even in the hallowed halls of royal theater, the patrons probably stank to high heaven and air conditioning was a couple of centuries from being invented. So if at first glance it seems incongruous to speak some of the English language’s best poetry next to a Cambridge water park, it might be best to remember this probably would have been considered a pretty gentile staging grounds back in the day. Continue reading

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Jun 02

A Robust Spectacle: THE TEMPEST

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Photo: The Smith Center/Geri Kodey

Photo: The Smith Center/Geri Kodey

Presented by the American Repertory Theatre
By William Shakespeare
Adapted and Directed by Aaron Posner and Teller
Magic by Teller
Songs by Tom Waits and Kathleen Brennan
Choreography by Matt Kent, Pilobolus
Magic Design by Johnny Thompson
Magic Engineering and Construction by Thom Rubino
Music Direction and Arrangements by Shaina Taub

May 11th – June 15th
Cambridge, MA

Reviews by Craig Idlebrook and Clara Idlebrook

(Editorial note – Reviewer Craig Idlebrook attended The Tempest with his family. The American Repertory Theatre asked that he include his 8-year-old daughter’s take on the show. Clara Idlebrook’s review appears below Craig’s.)

Craig’s Take:

There is something so delicious about watching artists at work who have mastered their craft enough to disregard public opinion and create something exquisitely weird. American Repertory Theatre’s staging of the Tempest feels like a transcendent late-night jam session between William Shakespeare, veteran magician Teller, and musical sabotage specialists Tom Waits and Kathleen Brennan. You could picture this production being a traveling troupe’s one-shot staging done during a layover, and someone happened to hit the record button on an iPhone. Continue reading

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Jun 02

Over-the-Top Big Top: Cirque du Soleil’s “Amaluna”

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Presented by Cirque du Soleil
Created by Guy Laliberté, Gilles Ste-Croix, Fernand Rainville
Directed by Diane Paulus
Composed and music directed by Bob & Bill (Guy Dubuc and Marc Lessard)
Choreographed by Karole Armitage
Acrobatic choreographers Debra Brown & Caitlan Maggs
“Sanddornbalance” Act by Rigolo Swiss Nouveau Cirque

May 30 – July 6, 2014
Boston Marine Industrial Park on the Waterfront
Boston, MA
Amaluna on Facebook

Review by Gillian Daniels

Lightly adapting the The Tempest and playing fast and loose with source materials of multiples mythologies, Amaluna patches together dreamy images and circus acts into one, outlandish show. It’s energetic and fittingly over-the-top. Cirque du Soleil has an image to maintain as a thoroughly extravagant circus and they continue this grand tradition by marrying the flashiness of Las Vegas to a syrupy storyline. Continue reading

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