“Cabaret” will be directed by Kevin Mark Kline, choreographed by Matt Romero and will include musical direction by Danielle Clougher. This fully immersive and engaging new “take” on the classic musical begins rehearsals in mid-February 2014 and performs May 9-18, 2014 at Riverside Theatre Works in Hyde Park, MA.
Auditions will be held on Saturday November 30 at 7:30pm and Thursday December 5 at 8:30pm.
Those interested in auditioning should email Director Kevin Mark Kline at firstname.lastname@example.org to set up their audition appointment.
Singers should prepare two 16-32 bar selections from the musical theatre repertoire.
There will be a dance call for Emcee and Kit Kat Klub Boy-types. Please bring appropriate clothing. An accompanist will be provided. You may be asked to read sides from the musical.
Seeking the following roles :: Continue reading
Presented by World Music/CRASHArts
Review by Gillian Daniels
(Somerville) The very American Johnny D’s Uptown can feel like an unlikely venue for World Music/CRASHArts. Taking the stage in turbans and garb from Northern India, Rhythm of Rajasthan prepares to play. The people at the bar look on with surprise. The patron next to me expresses hesitance, saying that he only came here this evening to catch the ball game on TV. Continue reading
The tale of the URO and the lawsuit, brought to us by Sal Clemente and the members of the URO.
***Queen’s Note: If you love rock and haven’t seen the URO in action, SHAME on you!***
Wanna hear an interesting story? Some ‘behind-the-scenes’ band gossip? A tale of woe and dread eight years in the making?
Almost 10 years ago, when Alan and I first conceived (literally and figuratively) the Ultrasonic Rock Orchestra, we really could never have predicted all of the amazing things that have happened to us, good and bad.
We’ve had the chance to work with all kinds of great, and good, people in our time with the URO. Great bandmates, incredible family, and some awesome business/theatre people, who’ve been both ethical and generous with us.
We’ve also had to adjust to the idiosyncrasies of others – a few bandmates (that’s another blog) and one person who, after working with us for several years to try to take the URO to the next level of business success, decided to quit, and then sue us for everything we have.
This is that story -
We met this fellow (let’s call him, ‘Bob’) in March of 2006, after a performance at our beloved Regent Theatre – he came backstage, was effusive about the band, and how much he wanted to work with us.
We got together with Bob several times over the next few months to determine the direction of our collaboration, and in that first year, when the economy was booming and gigs were plentiful, we worked to build the foundation of a good relationship. Bob was inexperienced, older, but certainly enthusiastic and hardworking – kinda like us, so we went for it.
Our first few co-productions were a successful run at The Regent Theatre and a very successful single show at The Berkeley Performance Center.
Now what? We wanted to make a bigger splash, but what to do?
Alan and I pushed to complete a documentary film we were making about the URO and our version of Jesus Christ Superstar (hundreds of hours of footage still rest quietly in the vault), but Bob wasn’t interested – he wanted to put on more and bigger shows.
** Please contact us to sign up for an audition slot & for location information at The Theater Offensive: 617-661-1600 or tru
True Colors: Out Youth Theater Troupe is a group of up to 15 youth, ages 14 – 22 who identify as lesbian, gay, bisexual, transgender, queer, questioning and straight allies. Through this program, youth work together to write a play based on personal experience, the experience of their peers, and LGBT youth issues, and then tour this play to schools, community organizations and state agencies throughout Massachusetts. Youth perform and participate in audience discussions after each show, using the arts as a means to educate about, and advocate for, the LGBT community and youth in particular.
WORLD MUSIC/CRASHarts presents INDIAN SAROD MASTER, AMJAD ALI KHAN
Sunday, September 15, 7:30pm, Berklee Performance Center
Amjad Ali Khan Website
Amjad Ali Khan Facebook
World Music/CRASHarts Facebook
BOSTON, MA — World Music/CRASHarts presents Amjad Ali Khan, from India, on Sunday, September 15, 7:30pm at the Berklee Performance Center, 136 Massachusetts Ave., Boston. Tickets are 48, $42, $37 or $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.
In a career spanning 50 years, Amjad Ali Khan has single-handedly elevated the sarod to one of the most popular instruments in the Northern Indian tradition. Trained by his father, the legendary Haafiz Ali Khan, Amjad Ali Khan is the sixth in an uninterrupted lineage of music masters. Joining him are his sons, Amaan Ali Khan and Ayaan Ali Khan, who are already beloved as the next generation of masters on this ancient instrument. Two tabla virtuosi will add percussive richness to the ensemble sound.
In the West, the sitar has become better-known than the sarod, but in India both string instruments are held in the highest regard. The sarod is much smaller than the sitar and its sound has a lithe muscularity that is lean and clean, with less of the sitar’s prominent jangling of sympathetic strings. The sarod comes from the Afghan rubab, a folk instrument which still dominates Afghan music today. Amjad Ali Khan’s great great great grandfather, Mohammad Hashmi Khan Bangash brought the rubab to India about 200 years ago, and it was his descendants who gradually transformed the rubab into the sarod as it is known today. The name sarod comes from the Persian ‘sarood’ meaning ‘melody,’ alluding to its more melodic tone.
The sarod has four strings used for playing the melody, plus four drone and rhythm strings and 11 steel sympathetic strings. The strings are plucked with a small plectrum, which can be a hammer or a feather, and the fingerboard is covered with a smooth metal plate which makes it easy to slide from note to note. The range of colors that a player like Amjad Ali Khan can get out of the instrument is truly incredible, justifying the instrument¹s important role in classical Indian instrumental music.
For More Information:
About World Music/CRASHarts
World Music, a non-profit organization established in 1990, is New England¹s premier presenter of global culture, featuring music and dance from the far and near corners of the globe. In 2001, World Music launched CRASHarts as a division of World Music dedicated to presenting a contemporary performing arts series in greater Boston. World Music/CRASHarts strives to offer audiences an opportunity to share in many different cultural and artistic expressions and seeks to foster an atmosphere of discovery and exploration. The organization presents approximately 70 concerts and 15 educational programs per year. For more information, call (617) 876-4275 or visit www.WorldMusic.org.
World Music/CRASHarts is funded in part by the Massachusetts Cultural Council, a state agency which also receives support from the National Endowment for the Arts.
August 7 – 25, 2013, evening and matinee shows available
Under the White Big Top, at Assembly Row in Somerville, at the intersection of Interstate 93 and Route 28 — 201 Assembly Square Drive, Somerville MA 02145
Available at www.cavalia.net or by calling 1-866-999-8111. $34.50 to $219.50 + applicable taxes and fees. Special pricing and packages also available for groups, children (2-12), juniors (13-17) and seniors (65+).
From the website:
The internationally acclaimed Cavalia pushes the limits of live entertainment with its newest production that is now touring the globe. Cavalia Odysseo is a theatrical experience, an ode to horse and man that marries the equestrian arts, awe inspiring acrobatics and high-tech theatrical effects. Set under a 38-meter tall White Big Top, audiences will be transported around the world as more than 50 horses and an international cast play and demonstrate their intimate bond. The 1,393 square meter stage features a real carousel and a magically appearing 302,000-litre lake in front of a stunning video backdrop the size of three IMAX screens. Odysseo is a two-hour dream that will move the heart and touch the soul. It is an evening that the audience will never forget.
Total This & That Circus
Sunday, September 1st, 3 pm
(Cambridge, MA 02138) Bread & Puppet Theater: Total This & That Circus. Held outdoors on Sunday, September 1st at 3 pm. On the Cambridge Common, near the intersection of Mass. Ave. and Waterhouse St., Cambridge. Free performance [pass-the-hat donations welcome], rain or shine. For further details, call the Boston-area Bread & Puppet Theater information line 617-286-6694 or log onto www.breadandpuppet.org.
As part of a world-wide birthday celebration of “50 Years of Sublime Arsekicking Puppetry,” the award-winning Bread & Puppet Theater from Vermont’s Northeast Kingdom presents their Total This & That Circus on the Cambridge Common, a public space they used to frequent prior to the mid-1980’s. For the past few years, the company has once again revived its descent upon the park, resurrecting that age old Harvard Square tradition of outdoor theatrical political rabble rousing. Continue reading
Tuesday, July 9 at 7:30PM
The Teaseday Club Facebook Page
Join us for some of Boston’s funniest comedians, sexiest burlesque dancers, and weirdest, wildest, and most wonderful performers of all stripes!
SCHEDULED TO PERFORM (so far) ON July 9:
SARI KALIN’s Porch-i-oke!
Belly Dance from ZEHARA NACHASH!
The song stylings of KITTY DREXEL, Queen Geek!
Burlesque from VIKKI LIKKERISH!
Boston’s ‘Queen of the Fans’ MISS MINA MURRAY!
The possible return of the missing Master of Ceremonies, JOHN J. KING!
Support Your Favorite Performer!
The Teaseday Club is a varied variety show the second Tuesday of every month at The Davis Square Theater. Tickets are $10 in advance or $15 the day of the show — and every ticket is a vote for your favorite performer! Each month, the performer with the most votes wins fame, prizes, a slot in the following month’s Teaseday showcase and THE GREAT TEASEDAY COOKIE (which may be a cupcake).
The Sales Champion for May & June was BRIGITTE BISOUX… but she won’t be performing in July, because she’ll be in Europe. Coincidence? You be the judge.
An article from Bay Windows written by Deborah Peeples, President of Greater Boston PFLAG chapter follows below.
People may recall Ms. Parker as a champion of LGBTQ rights. Some may remember her gallant aerial descent to the stage in the 2010 Theater Offensive fundraising event “ClimACTS: Under A Big Top.” She was a miracle to those who needed her. Joan Parker, you are missed.
From Bay Windows:
“Obituary: In Memory of Joan Parker” by Deborah Peeples, President of Greater Boston PFLAG
I am writing to share the sad news that Joan Parker, one of our distinguished members of the Greater Boston Parents Families and Friends (Greater Boston PFLAG) Advisory Board, passed away yesterday. Joan was an educator and community activist and philanthropist. She and her late husband, the acclaimed novelist Robert Parker, epitomized the ideal PFLAG parents. Proud and supportive of their two gay sons, Joan and Robert modeled the kind of behavior PFLAG seeks to promote with all parents: unqualified love and acceptance of their LGBT children. And they took that love and support to its highest form by becoming activists — committing themselves to making the world safe and inclusive for all.
For decades, Joan was active in a wide range of community service and arts organizations, including the American Repertory Theater, Community Servings, Theater Offensive, The Boston Children’s Theater and, fortunately for us, Greater Boston PFLAG. Joan was also a moving force behind “Shared Heart”, a traveling exhibit of black-and-white photos of LGBT teens that was narrated by the featured youth.
Joan and Robert joined the Greater Boston PFLAG’s Advisory Board in June 2008, and together with Chad and Anne Gifford, served as Honorary Co-Chairs of our April 2008 and 2009 Pride and Passion fundraisers. At the April 2010 fundraiser, Greater Boston PFLAG honored Joan with its Cornerstone of Equality Award. Joan then went on to Co-Chair three successive Pride and Passion fundraising events. Each of these galas was more successful than the one before by all measures, including increasing the amount of funds raised to support of our bullying prevention and family acceptance programs. Beyond that, through her work on our fundraising events, Joan was instrumental in boosting public awareness of our lifesaving, life-changing mission. She became an active member of our Speaker’s Bureau and participated in our workplace based education programs for parents and allies. She gave generously of her time, passion and expertise and was a brilliant “organizational development consultant”. She frequently opened her Cambridge home for countless meetings and parties for supporters and friends of the organization- in some respects, her Ash Street residence became a second home office for Greater Boston PFLAG.
My predecessor Stan Griffith, our Executive Director Pam Garramone and I will always cherish Joan’s warm friendship and her steady wise counsel. She was our guru and mentor. We are grateful to Joan Parker for all that she did to make the world a better place for all kids and their families.
Greater Boston PFLAG extends our deepest sympathies to Joan’s sons David and Daniel and to their families during this difficult time. The family has requested that memorial gifts be made in lieu of flowers to one or more of the organizations with which their mother was active, including Greater Boston PFLAG. Those who would like to make a memorial gift in Joan Parker’s honor should consult our website at: http://www.gbpflag.org or call 781-891-5966.