Mar 25

Laid Low by LO’JO

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LO’JO presented by World Music/ CRASHarts
ONE NIGHT ONLY: Saturday, March 15, 7:00 pm
17 Holland St. Somerville, 02144
World Music/CRASHarts on Facebook
Lo’Jo on Facebook

Review by Gillian Daniels

(Somerville) Lo’Jo is the sort of low-key, warmly contemporary act that suits Johnny D’s perfectly.  It’s jazzy, it has a an adult pop vibe, and it fits right in with the swinging glamour of the Davis Square bar.  World Music CRASHarts has again brought to Boston a band that blends old world, European charm and a thoroughly contemporary, “citizens of the world” groove. Continue reading

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Mar 05

Theatre@First: ROSENCRANTZ & GUILDENSTERN ARE DEAD AGAIN!

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ROSENCRANTZ & GUILDENSTERN ARE DEAD AGAIN!
Theatre@First celebrates 10th Anniversary with a return to Stoppard’s masterwork

Theatre@First kicks off their second decade of providing local audiences with superlative live theatre at affordable prices with Rosencrantz and Guildenstern Are Dead at the Davis Square Theatre, April 4-12.

In 2004, a small group decided to put on a show in a church basement in Davis Square.  That show was Rosencrantz and Guildenstern Are Dead and that group has become Theatre@First, Somerville’s own community theatre.  Now founding Artistic Director Elizabeth Hunter returns to the beginning with a new production of Rosencrantz and Guildenstern Are Dead.

Tom Stoppard’s Tony Award-winning script focuses on two minor characters from Shakespeare’s Hamlet, imagining their confusion at being caught up in the tragic plot. Full of some of the greatest wordplay in English drama, Rosencrantz and Guildenstern Are Dead examines the meaning of death and the questions of life from an absurdist perspective that leaves audiences laughing at their own folly and gasping at the truths revealed.

For tickets and more information about Rosencrantz and Guildenstern Are Dead and Theatre@First, visit www.theatreatfirst.org.

PERFORMANCE SCHEDULE
7pm evening shows:                                            4pm matinee shows:
Friday April 4                                                      Saturday April 5
Sunday April 6                                                    Saturday April 12
Wednesday April 9
Thursday April 10
Friday April 11

PERFORMANCE SPACE
Davis Square Theatre
255 Elm St, Somerville
Wheelchair accessible space

TICKETS: $20 for adults
$15 for students/seniors.
brownpapertickets.com & goldstar.com
Group discounts available.

 

 

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Mar 03

Friday, March 28, 8pm: MASTERS OF TRADITION

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WORLD MUSIC PRESENTS

Masters of Tradition

Martin Hayes, Dennis Cahill, Cathal Hayden, Iarla Ó Lionáird, Seamie O¹Dowd, Máirtín O¹Connor, David Power

Friday, March 28, 8pm,
Somerville Theatre
Davis Square

BOSTON, MA ­ World Music/CRASHarts presents Masters of Tradition on Friday, March 28, 8pm at Somerville Theatre, 55 Davis Sq., Somerville. Tickets are $28. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

An exceptional evening of Celtic music performed by some of Ireland¹s most esteemed traditional musicians, Masters of Tradition celebrates Irish music in its purest form and features Martin Hayes and Cathal Hayden on fiddle, Iarla Ó Lionáird on vocals, Dennis Cahill and Seamie O¹Dowd on guitar, Máirtín O¹Connor on accordion and David Power on uilleann pipes. Continue reading

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Jan 24

Asaf Avidan to Play Somerville Theatre, February 22, 2014 at 8PM

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ASAF AVIDAN Presented by World Music/CRASHarts

Saturday, February 22, 8pm, Somerville Theatre For Tickets and Information: 617-876-4275 or www.WorldMusic.org BOSTON, MA — World Music/CRASHarts presents the Boston debut of Asaf Avidan on Saturday, February 22, 8pm at the Somerville Theatre, 55 Davis Square, Somerville. Tickets are $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org. Perhaps the most interesting voice in the Israeli music scene today, 32-year-old Asaf Avidan has become a huge sensation in Israel and Europe. Singing primarily in English, Avidan¹s powerful voice is unmatched. He has been called “a hoarse angel,” a “force of nature,” and “the love child of Dylan and Joplin.” Continue reading

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Jan 02

Admiral Kittypants Announces 2014 Dates

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Mascot, Admiral Dudley T. Kittypants

Updated – January 2, 2014
New England Theatre Geek presents Admiral Kittypants: A Creative Coterie
For more information, please contact: Kitty Drexel, Queen Geek at blognetheatregeek@gmail.com

Admiral Kittypants seeks performers for its 2014 events

Event dates:
January 19th, 1pm – 3pm
February 23rd, 11am – 1pm
March 23rd, 12pm – 2pm
April 20th, 3pm – 5pm
May 18th, 3pm- 5pm
June 22nd, 3pm-5pm
July 20th, 11am-1pm
August 24th, 2pm – 4pm
Democracy Center, Cambridge, MA
Suggested $5 donation to benefit The Democracy Center

Cambridge, MA – New England Theatre Geek announces the next events for Admiral Kittypants: A Creative Coterie. Performers are encouraged to submit their monologues, sets, songs, solo, performance piece, etc. to blognetheatregeek@gmail.com for consideration. Kittypants is a creative community experiment that promises performers of all stripes and polka dots the opportunity to play with their art in a relaxed, safe space before performing it on the stage.

Those interested in presenting are encouraged to contact New England Theatre Geek for more information. Dramaturges, Directors, Music Directors, Composers, Choreographers, Stage Managers and the ilk interested in more information or in hosting an event should do the same.

Kittypants events will be held monthly and announced on www.newenglandtheatregeek.com and on Facebook, https://www.facebook.com/AdmiralKittypantsFFA

Admiral Kittypants: A Creative Coterie is a creative community experiment that gives performers the opportunity to play with their art in a safe space before performing it on the stage. If it’s in moderate taste* and you want feedback, we can provide a constructive audience.

New England Theatre Geek is a pro-theatre, intellectually-bent theatre blog that features reviews and articles to excite and educate theatre audiences. We respect theatre professionals and amateurs and review with the intent of getting people interested in going to the theatre. We do write objectively and point out large flaws in productions for the benefit of the audience and the theatres. In this economy, audience members are looking for quality and value, and we want them to feel comfortable with expensive ticket purchases. In addition, we do not want one production to prevent a theatre from developing repeat business.

*Moderate Taste: Some, but not full, nudity; light cursing; stage combat and references to violence are acceptable; sexism, racism, and other -isms without warrant are strongly discouraged.

keep-calm-and-admiral-your-kittypants-75

 

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Dec 06

Harvard Early Music Society Presents “Dido and Aeneas”

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Inline image 1

Henry Purcell’s Dido and Aeneas
Stage directed by Giselle Ty
Music directed by Jessica Rucinski
December 5, 6, 7 • 8pm
10 Garden Street
Harvard University
Dido and Aeneas on Facebook
For tickets, visit boxoffice.harvard.edu
$12 regular admission • $8 students
Experience the legendary tale of doomed love through the concentrated emotion of Purcell’s music. Based on Book IV of Vergil’s (also, Virgil) Roman epic, The Aeneid, this tragic opera traces the charged romance between Dido, the Queen of Carthage and Aeneas, the Trojan prince destined to become the founder of Rome.
The marriage of one of the most iconic texts in classical literature and some of the most enduring and cherished moments in the history of western classical music beautifully capture the lovers’ yearning to find an immortal love and all of the obstacles that they must fight against in order to hold on to it. In a world where duty, fate, grief, and supernatural forces disrupt and challenge the power of love, love cannot conquer all.
The Harvard Early Music Society is collaborating with a cast and creative team consisting of professionals and undergraduates to stage Henry Purcell’s 1688 masterwork in one of Harvard’s most intimate theatrical spaces.
 

 

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Nov 25

Riverside Theatre Works is Looking for a Few Good Men… And ONE Lady: CABARET

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ATTENTION BOSTON PERFORMERS::
Riverside Theatre Works is currently seeking actors/singers/dancers for their Spring production of “Cabaret.” RTW on Facebook.

“Cabaret” will be directed by Kevin Mark Kline, choreographed by Matt Romero and will include musical direction by Danielle Clougher. This fully immersive and engaging new “take” on the classic musical begins rehearsals in mid-February 2014 and performs May 9-18, 2014 at Riverside Theatre Works in Hyde Park, MA.

Auditions will be held on Saturday November 30 at 7:30pm and Thursday December 5 at 8:30pm.
Those interested in auditioning should email Director Kevin Mark Kline at kevin.mark.kline@gmail.com to set up their audition appointment.

Singers should prepare two 16-32 bar selections from the musical theatre repertoire.
There will be a dance call for Emcee and Kit Kat Klub Boy-types. Please bring appropriate clothing. An accompanist will be provided. You may be asked to read sides from the musical.

Seeking the following roles :: Continue reading

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Oct 09

Rhythm of Rajasthan: Heat and Liquid

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Photo: Safat Ali, Studio 2000, Jodhpur

Presented by World Music/CRASHArts

Friday, October 4th, 7:30pm
Johnny D’s
Davis Square
Somerville, MA
Johnny D’s Uptown on Facebook
World Music/CRASHarts on Facebook

Review by Gillian Daniels

(Somerville) The very American Johnny D’s Uptown can feel like an unlikely venue for World Music/CRASHArts.  Taking the stage in turbans and garb from Northern India, Rhythm of Rajasthan prepares to play.  The people at the bar look on with surprise.  The patron next to me expresses hesitance, saying that he only came here this evening to catch the ball game on TV. Continue reading

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Sep 20

Anatomy Of A Rock’n’Roll Lawsuit

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The tale of the URO and the lawsuit, brought to us by Sal Clemente and the members of the URO.

***Queen’s Note: If you love rock and haven’t seen the URO in action, SHAME on you!***

Wanna hear an interesting story? Some ‘behind-the-scenes’ band gossip? A tale of woe and dread eight years in the making?

Thought so…

Almost 10 years ago, when Alan and I first conceived (literally and figuratively) the Ultrasonic Rock Orchestra, we really could never have predicted all of the amazing things that have happened to us, good and bad.

We’ve had the chance to work with all kinds of great, and good, people in our time with the URO. Great bandmates, incredible family, and some awesome business/theatre people, who’ve been both ethical and generous with us.

We’ve also had to adjust to the idiosyncrasies of others – a few bandmates (that’s another blog) and one person who, after working with us for several years to try to take the URO to the next level of business success, decided to quit, and then sue us for everything we have.

This is that story

We met this fellow (let’s call him, ‘Bob’) in March of 2006, after a performance at our beloved Regent Theatre – he came backstage, was effusive about the band, and how much he wanted to work with us.

We got together with Bob several times over the next few months to determine the direction of our collaboration, and in that first year, when the economy was booming and gigs were plentiful, we worked to build the foundation of a good relationship. Bob was inexperienced, older, but certainly enthusiastic and hardworking – kinda like us, so we went for it.

Our first few co-productions were a successful run at The Regent Theatre and a very successful single show at The Berkeley Performance Center.

Now what? We wanted to make a bigger splash, but what to do?

Alan and I pushed to complete a documentary film we were making about the URO and our version of Jesus Christ Superstar (hundreds of hours of footage still rest quietly in the vault), but Bob wasn’t interested – he wanted to put on more and bigger shows.

Bob insisted that the way to go was to push into downtown Boston and make the URO a “theatre event.” He wanted to make us the new Blue Man Group, and we kinda liked the sound of that. Perhaps we were all suffering delusions of grandeur.
Alan and I let Bob know there was no way for us to come up with the money to produce a long run in Boston, but Bob, who drove an Astin Martin when he wasn’t driving his Range Rover, seemed to have the deep pockets needed, and was willing to produce the Wilbur shows on his own. So, after looking closely at all our options, Alan and I agreed to do it. This was in 2007, before our current horrible recession, when W was still president and the world was young… Continue reading
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Aug 26

AUDITION FOR TRUE COLORS: Sept. 10, 2013, 6-9pm

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Are you interested in acting, writing, or performing? Want to use your art for activism, to make your school, community and world a better place? Audition for True Colors: Out Youth Theater!
 
Open auditions on Tuesday, September 10th from 6 – 9 PM.
Looking for youth ages 14-22 who identify as gay, lesbian, bisexual, transgender, queer, questioning, or straight allies. Performers must have a flexible schedule & be available for:
  • Rehearsals & touring September 17 – December 19, 2013
  • Weekly rehearsals in Boston ­on Tuesdays & Thursdays 6-9:15pm
  • One week of mandatory rehearsal: September 30 – October 4, 2013
  • Touring to up to 10 locations (4 performances during school/work hours)
  • Ability to travel independently via Boston public transportation required

** Please contact us to sign up for an audition slot & for location information at The Theater Offensive: 617-661-1600 or truecolors_at_thetheateroffensive.org. The Theater Offensive is also on Facebook.

True Colors: Out Youth Theater Troupe is a group of up to 15 youth, ages 14 – 22 who identify as lesbian, gay, bisexual, transgender, queer, questioning and straight allies. Through this program, youth work together to write a play based on personal experience, the experience of their peers, and LGBT youth issues, and then tour this play to schools, community organizations and state agencies throughout Massachusetts. Youth perform and participate in audience discussions after each show, using the arts as a means to educate about, and advocate for, the LGBT community and youth in particular.

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