Sep 19

Happy Families Don’t Make Good Theatre: “Regular Singing”

Presented by New Rep Theatre
By Richard Nelson
Directed by Weylin Symes
In association with Stoneham Theatre

Sept. 3 – 25, 2016
Arsenal Center of the Arts
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MAMy charming date to New Rep’s Regular Singing described the show as “a play about white people having white feelings about JFK’s assassination” for two hours with no intermission. She continued, “this play isn’t discussing anything new or political.” It barely breaches JFK’s assassination, or singing, for that matter. My lovely, astute companion may have been harsh in her description but she’s not wrong.   Continue reading

Sep 19

“She Looks Good in Black” and Other Fine Evils

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Photo credit: Teri Incampo

Presented by Exiled Theatre
By Sarah J. Mann
Directed by James Wilkinson

September 16-October 2, 2016
Boston Playwrights’ Theatre
Boston, MA
Exiled Theatre on Facebook
Boston Playwrights’ Theatre on Facebook

Review by Travis Manni

(Boston, MA) Anybody can pull off a little black dress. Sarah J. Mann’s She Looks Good in Black proved that only a few can make it look connivingly sexy. Continue reading

Aug 30

“Colapesce”: Giving Life to Myth

The company in performance

The company in performance; Photo credit: Lee Bader

Written & Presented by Trinacria Theatre Company
Directed by Mariagrazia LaFauci

August 24-27, 2016
Sicily, NYC & Boston (various locations)
Trinacria Theatre Company on Facebook & Instagram

Review by Travis Manni

(Boston, MA) A Saturday afternoon in the North End’s Langone Park along the Charles River provided a beautiful, and apt, backdrop for Trinacria Theatre Company’s inaugural performance of La Storia di Colapesce. Continue reading

Aug 08

Not A Leftover: DOG PADDLE (Or, Struggling Inelegantly Against Drowning)

Photo by Andrew Brilliant

Photo by Andrew Brilliant, from Facebook.

Presented by Bridge Repertory Theater
By Retro Finger
Translated by Lily Sykes
Directed by Guy Ben-Aharon

August 4-20, 2016
Studio Theater at Central Square Theater
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

(Cambridge, MADog Paddle (Or, Struggling Inelegantly Against Drowing) is a brisk 55 minutes long. It is brief, packs a wallop, and, to be blunt, is just short enough that one can still run errands or what have you before the day’s exhaustion catches up. Dog Paddle is an opportunity to enjoy cranial, abstract theatre without wearing one out for the rest of life. It’s perfect. Continue reading

Jul 29

Everyone’s Invited to “The T Party”

Playing through August 13, 2016. Photos by Paul Fox

Playing through August 13, 2016. Photos by Paul Fox

Presented by Company One
Written and Directed by Natsu Onoda Power (with contributions by Jade Sylvan)

July 15 – August 13, 2016
Nancy and Edward Roberts Studio Theatre, Boston Center for the Arts
Boston, MA
Company One on Facebook
Review by Gillian Daniels

(Boston, MAThe T Party is colorful potpourri of a show: bright, engaging, and eclectic in design. The skit format gives a wide range of stories based under the LGBTQ (QUILTBAG?) umbrella usually, but not always, focused on gender. Natsu Onoda’s anecdotes come in a wide range, some as feel good as a ‘90’s prom in the style of Lisa Frank that opens the show. Others are  more awkward, like a Craigslist meet up between a cis male identified crossdresser and a trans Filipina escort. The scope is broad and looks to simultaneously create community and intimacy. Without focus on an individual narrative, the tone shifts between joy and sadness wildly, suddenly, as if the two emotions weren’t separate at all, but a continuum of the same experience. Continue reading

Jul 18

Mommy Issues on Foreign Soil: BRENDAN

Photo credit: Josephine Anes;  Avery Bargar and Kiki Samko.

Photo credit: Josephine Anes; Avery Bargar and Kiki Samko, not so snugly.

Presented by Happy Medium Theatre Company
Written by Ronan Noone
Directed by Brett Marks and Victor L. Shopov

July 15-30, 2016
Boston Center for the Arts
539 Tremont St

Boston, MA 02116
Happy Medium on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this show way back when. I wasn’t cast. Only a self-serving, insecure butt-face would let something like that color their review.

(Boston, MABrendan marks the return of Happy Medium Theatre Company. Welcome back, guys; we’ve missed you. Please don’t ever leave us like that again. Continue reading

Jun 23

By the time you notice her, you’re already caught in the web: “Spider Cult the Musical”

13227041_1709956299255837_8492057768646383105_nScripted and Produced by Jade Sylvan
Created, Directed, Choreographed and Produced by Fem Bones
Music by Catherine Capozzi

June 24 6:30 pm and 10:30 pm
June 26 5 pm and 8:30 pm
Club Oberon
Cambridge, MA
Spider Cult on Facebook

Review by Noelani Kamelamela

(Cambridge, MA) Back in 2012, a Kickstarter campaign funded quite a bit of Fem Bones’ Revenge of the Battle Robot Nuns, a sci-fantastical burlesque show birthed by the Slaughterhouse Sweethearts, possibly New England’s only horror burlesque troupe.  Spider Cult: The Musical is a spin-off set in the same universe and  it retains quite a lot of the slashes of the macabre and deviant sexuality that made Revenge so memorable. Initially, Jade Sylvan pitched Scout’s story to Fem Bones as a spin-off movie after seeing Revenge.  Jade was enamoured of Revenge because the action reminded them of discovering weirdness and sexuality for the first time as a queer individual.  Instead of creating a movie, Jade banged out a script for a live show which gets translated by the indomitable Fem Bones and the Slaughterhouse Sweeties with special guests onto the Oberon stage this Friday and Sunday for one weekend only.   Fans and other supporters of fringe theatre stepped up via Kickstarter yet again to fund the first reading as well as the creation of the show. Continue reading

Jun 07

Tracing Lines of Humanity in “Brilliant Traces”

Photo credit: Kyler Taustin

Photo credit: Kyler Taustin

Presented by Brown Box Theatre Project
By Cindy Lou Johnson
Directed by Kyler Taustin

June 4-12, 2016
All performances are free to the public
Atlantic Wharf, 290 Congress Street
Boston, MA
Brown Box Theatre Project on Facebook

Review by Travis Manni

(Boston, MA) A remote cabin in Alaska during a treacherous snowstorm is the perfect setup to isolate the characters in Cindy Lou Johnson’s Brilliant Traces. And while having one of these two people burst in wearing a wedding gown was quite shocking, what was even more captivating about this play was the emotional depths to which it was willing to plunge. Continue reading

May 25

“Mud Blue Sky”: A Comedy About Turbulent Lives

Photo by Marc J. Franklin

Photo by Marc J. Franklin

Presented by Bridge Repertory Theater of Boston
By Marisa Wegrzyn
Directed by Bridget Kathleen O’Leary

May 15-June 5, 2016
Deane Hall, Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
Bridge Repertory Theater on Facebook

Review by Travis Manni

(Boston, MA) I tend to get bored easily when watching comedic plays. They need to be clever but relatable, funny but with strokes of brutal honesty. Most times, shows fail to live up to my expectations, but I continue to see them because when one does I have an amazingly good time. Thankfully, Marisa Wegrzyn’s Mud Blue Sky was a perfect example of the latter. Continue reading

May 17

A Few Eyes Lost Between Brothers: EYES SHUT. DOOR OPEN.

Photo by Marc J. Franklin

Photo by Marc J. Franklin; nothing says family like violent hugs.

Presented by CMS Productions & Wax Wings Productions
Written by Cassie M. Seinuk
Directed by Christopher Randolph

May 13 – 26, 2016
Warehouse XI
11 Sanborn Court
Somerville, MA
ESDO on Facebook

Review by Kitty Drexel

(Somerville, MA) Eyes Shut. Door Open. was not what I expected. I anticipated a dramatic play about two brothers sorting out their issues after an art exhibit. One of the characters wears an eye patch, I expected some silly pirate jokes and an origin story. There’s a lady in the show. I expected a feminist twist or two. I did not expect to be creepy out of my seat by jaw-clenching psychological thrills. This play starts out tame but it doesn’t stay that way. Continue reading