Dec 01

“A Palpable Hit”: Fight! Fight! Fight!

Photo credit: Timothy John Smith

Photo credit: Timothy John Smith

Presented by The Gunpowder Plot & Cambridge Historical Tours
From the works of William Shakespeare
Directed by Gabriel Kuttner, Daniel Berger-Jones & Sarah Gazdowicz

November 25-December 11, 2016
Durrell Theatre
Cambridge YMCA
820 Massachusetts Avenue
Cambridge Historical Tours on Facebook

Review by Travis Manni

(Cambridge, MA) Everybody knows that the events leading up to any action sequence, while often necessary, can feel boring and overlong. Sometimes you just want to skip to the good stuff and watch everybody fight or use their superpowers to kick some serious ass. While Shakespeare often preferred battles with swords, though one could argue his battles of wit are just as exhilarating, what made his scenes of confrontation so mesmerizing was the use of tension, and The Gunpowder Plot’s production of A Palpable Hit: Shakespeare Fight Night sure knew how to tap into this. Continue reading

Nov 26

“Bedroom Farce”: The Art of Being in a Relationship

Bedroom Farce HTC 11-16 130Bedroom Farce, by Alan Ayckbourn, directed by Mariah Aitken at Huntington Theatre Company 11/10/16Set Design: Alexander DodgeCostume Design: Robert MorganLighting Design: Matthew Richards© T Charles Erickson Photographytcepix@comcast.net

Bedroom Farce, © T Charles Erickson

Presented by The Huntington Theatre Company
By Alan Ayckbourn
Directed by Maria Aitken

November 11-December 11, 2016
BU Theatre at The Huntington Theatre Company
The Huntington Theatre Company on Facebook

Review by Travis Manni

(Boston, MA) Usually, I’m a sucker for anything British, especially accents and that special brand of English humor. Both passions, as well as the potential for bedroom antics, were just a couple reasons I was excited to attend a performance of English playwright Alan Ayckbourn’s Bedroom Farce. But by the end of the show I was disappointed to realize that the accents were the only British thing about it and the bedroom humor was rather lazy at best. Continue reading

Nov 03

Happiness is the Only Life Plan: TIGER STYLE!

Presented by the Huntington Theatre Company
Written by Mike Lew
Directed by Moritz von Stuelpnagel

Oct. 14 – Nov. 20, 2016 Extended!
South End
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) After a certain point, it’s your own fault if your “messed up” childhood is still ruining your adult life. If you live in your own space, have a real job(s), pay taxes or equivalent, date people your parents haven’t vetted, etc., then you’re old enough to work out some of the trauma they caused you with a therapist or dominatrix. You can’t blame your parents for how you choose to live after you’ve moved out. Adulthood means you get to choose what that means. What that means is get your stuff constructively sorted. Continue reading

Nov 02

Shakespeare…with Zombies: “Twelfth Night of the Living Dead”

Photo courtesy of Anthem's Facebook page

Photo courtesy of Anthem’s Facebook page

Presented by Anthem Theatre Company
Based on the work by William Shakespeare
Script by Brian MacInnis Smallwood
Directed by Bryn Boice

October 27 – November 5, 2016
Plaza Black Box Theatre at the Boston Center for the Arts
Boston, MA
Anthem on Facebook

Review by Craig Idlebrook

(Boston, MA) I’m going to make a case for why Twelfth Night of the Living Dead, a mashup of Shakespeare and zombie movies, rises above its original source material. And I’m making this case post-Halloween, so I’m not gripped with Salem festival-like fever. Continue reading

Nov 02

“Thirsty” Not Worth the Right Swipe

Photo by Haris Lefteri

Photo by Haris Lefteri; pictured: Adjovi A. Koene

Presented by Ya Bird? Productions
By Greg Hovanesian
Directed by Haris Lefteri

October 30, 2016
The Rockwell
255 Elm Street
Somerville, MA
Ya Bird? Productions on Facebook

Review by Travis Manni

(Somerville, MA) I love a show with a holiday theme to get me in the right kind of festive mood. And what better way to let the Halloween spirit possess me than going to see Thirsty, a show about online dating and vampires. Continue reading

Oct 26

The Opposite of Hell Freezing Over: “When January Feels Like Summer”

Photo courtesy of CST Facebook page.

Photo courtesy of CST Facebook page.

Presented by Underground Railway Theater
Written by Cori Thomas
Directed by Benny Sato Ambush

Oct. 20 – Nov. 13, 2016
Central Square Theater
Cambridge, MA
CST on Facebook

Review by Kitty Drexel

(Cambridge, MA) Spoiler alert: No one dies in When January Feels Like Summer. No one even gets beaten up. In fact, everyone gets a happy ending. Thomas’ play is extraordinary because sweet but nosy Indira gets to be happy. Thomas’ POC characters get to live their lives without some white person causing unnecessary trouble. It shouldn’t be unusual that a play about POCs or a trans woman isn’t about the violence inflected on them, but it is. It shouldn’t be revolutionary for a person to go about their business. Yet, here we are.       Continue reading

Oct 26

“White Like Me”: Privilege and Politics (or Lack Thereof)

Puppet Showplace Theater

Photo credit: Puppet Showplace Theater; childhood relics.

Presented by Puppet Showplace Theater
Written, Directed & Performed by Paul Zaloom

October 21 & 22, 2016
32 Station Street
Brookline, MA
Puppet Showplace Theater on Facebook
Puppets at Night

Review by Travis Manni

(Boston, MA) As a young, gay, white male, I try to be aware of my privileges. I experience them a great deal on a daily basis, and what I wanted White Like Me to do was remind me of this in a way that was both poignant and humorous. And while I did have a good time at this show, I was surprised that only the latter turned out to be true. Continue reading

Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

Oct 24

At the Hop: “Planet of the Warrior Bunnies”

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Presented by Unreliable Narrator
Written and Directed by Carl Danielson
Violence Design by Matt Arnold

October 21 – 29, 2016
Arlington Center for the Arts
41 Foster Street Arlington, MA
Unreliable Narrator on Facebook

Review by Danielle Rosvally

(Arlington, MA) In a world where a race of unkillable, honor-bound warrior bunnies roam the galaxy, there is only one bunny with the adventurous spirit of Luke Skywalker, the might of Obi Wan Kenobi, and the sheer awesomeness of Han Solo: K’tharr.  Planet of the Warrior Bunnies is a campy sci-fi tale of what happens when one bunny stands up to the forces of evil that threaten not only his home, but also that of his truest friend (the earth psychic Krista). Continue reading

Oct 17

Laugh Until You Hate Yourself Less: SILENCE! THE MUSICAL

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Presented by Arts After Hours
Music and lyrics by Jon and Al Kaplan
Book by Hunter Bell
Directed by James Tallach
Music directed by Tim Lawton
Choreographed by Nicole Spirito

October 7 – 29, 2016
LynnArts
25 Exchange St
Lynn, MA
AAH on Facebook

Review by Kitty Drexel

(Lynn, MA) If there is a Hell, and I’m not sure if there is, then sitting through this musical may assure there’s have a seat saved for you. It is deeply offensive, crass, disrespectful, tacky and trashy. Equally dubious Heavens forgive me, I loved every minute of this explosive diarrhea of a shit show. We laughed our asses off. Continue reading