(Boston) Not by Bread Alone is the most sincere piece of theatre I have seen all year. Productions like this are why we artists create; it is why theatre exists. The tremendous talent of the Nalag’at Deaf-Blind Theater is awe-inspiring. It’s Boston run is over but it will be in the US for a while longer. I suggest doing everything in your power to attend this brilliant production. Continue reading →
(Somerville) So, weird thing about Rosencrantz and Guildenstern are Dead, it makes Beckett slightly more palatable and Shakespeare slightly less.
Stoppard’s play riffing on Beckett’s infamous Waiting for Godot is, on the surface, a glance at what’s going on behind the wings during the course of the greatest play ever written in the English language. If we begin to look at life as Stoppard’s head tragedian does (that is a world in which every exit is an entrance somewhere else), we begin to see how this Hamlet fan-fic took shape. Take Gogo and Didi, slap them into some verse poetry, give them tabards and a letter to the English King and wha-bam; there’s Stoppard’s piece. Continue reading →
(Cambridge) Improv Boston is well known in Cambridge as a place where improv, stand-up and sketch comedy gets taught and performed. Improv Boston Presents regularly brings acts from outside of the area to give local audiences a taste of what is out beyond the Hub. In the case of straight shooter Hari Kondabolu, I can only hope there are more stand-up comedians outside of the Boston area who are willing to talk about current events. Continue reading →
(Chelsea) Merriam-Webster offers this definition of “mash-up”: something created by combining elements from two or more sources: as a: a piece of music created by digitally overlaying an instrumental track with a vocal track from a different recording b: a movie or video having characters or situations from other sources c: a Web service or application that integrates data and functionalities from various online sources
You’ll notice that the good ol’ M-W doesn’t include theater in its definition, which means Apollinaire Theatre’s staging of “Stupid Fucking Bird” kind of groundbreaking. Take a ponderous Russian classic, “The Seagull”, make it all meta and silly, and you have this imaginative and unconventional play. Mash-ups usually are 5 minutes long and viewed on YouTube; this play clocks in at a cool 2 hours and a half with a pair of intermissions. My friends, that’s a mash-up that shows some guts. Continue reading →
(Boston) imaginary beasts’ production of Lovers’ Quarrels is less concerned with emotional authenticity than the beauty of its artifice. The 17th century romantic comedy is not exactly a work of realism, and thankfully, is not treated as such. Its plot hinges on a girl who has been raised as a boy, Ascagne (Lynn R. Guerra), tricking a young man she likes, Valère (Will Jobs), into marriage by pretending to be her extremely feminine sister, Lucile (Erin Eva Butcher). imaginary beasts presents this material with all the seriousness it deserves, creating an innocent, funny romp through improbable obstacles. Continue reading →
Fridays February 28th – April 10th ImprovBoston
Magic: The Gathering: the Show on Facebook
Review by Danielle Rosvally
Edited to reflect an extension of the review that was not originally posted (but should have been). We blame Microsoft 2010. That jerk.
(Cambridge) Alright, I know you’ve got them; you know you’ve got them; it’s time to come clean. Let’s face it: you’re not the only one who spent part of their awkward teenaged years hurling spells at your friends in knock-down drag-out duels on table-tops in cafeterias during free periods. If Magic: The Gathering offers any hint of nostalgia for you (or even the slightest amount of shame; after all, some things are healthy to feel ashamed about), you should consider rolling by ImprovBoston some Friday night to catch Magic: The Gathering: The improv Show. Continue reading →
Trigger warnings for drug use and super fun, adult naked times.
Review by Kitty Drexel
(Boston) In The Symposium, Plato famously describes three human genders (man, woman and androgynous) whose strength equaled that of the gods. They were made of two faces, 4 arms, 4 legs and 2 sets of genitalia. Zeus, rather than kill the humans for pride, uses his lightning to tear them asunder. Their powers halved, humans were cursed to spend the rest of their existence looking for their second half, their “soul mate,” so they could be complete again. Most people assume that their “other half” is their one romantic partner to have and to hold for all time. Life isn’t so simple. People are complicated animals. Continue reading →
(Brookline) Puppet Showplace Theatre mostly runs shows geared towards young children, with lessons and surprises aplenty for the tiny set. Puppets@Nite brought a special two night only show to the space with the sprightly, multi-talented and effervescent Joshua Holden. Continue reading →
February 14-22nd, 2014
Thursdays, Fridays and Saturdays 8 pm, Saturdays 4 pm, Sundays 3 pm The Factory Theater
791 Tremont St
Boston, MA 02118
Happy Medium on Facebook
Review by Gillian Daniels
(Boston) Happy Medium Theatre’s Baby with the Bathwater is searing, cruel, and weirdly loving. A lopsided family portrait, the play is a satire on abusive upbringings dramatized for entertainment. The show appears to take place in a warped alternate universe where new parents John (Jeremy Towle) and Helen (Denise Drago) are too dimwitted to understand one holds a baby when it cries or that children aren’t allowed Nyquil. Their misnamed son, Daisy (Mike Budwey), endures a home life so skewed but with parents so achingly human, it becomes chillingly akin to real dysfunction. Continue reading →
Hello dear readers; I am reporting to you from the front lines of Dani’s Grand Bardopalooza Adventure: 2K14. Over the next three days, I will be attending three different American Shakespeare remixes and reviewing them right here just for you. First up: Chicago’s Improvised Shakespeare Company. Stop back later this week to catch the rest of this Epic Shakes-Series.
(Cambridge) I have wanted to see the Improvised Shakespeare Company in performance for years. Years. They’ve fallen on and off my radar several times since I first discovered their existence and, despite my living in veritable theatre Meccas for the entirety of my earthly existence, I’ve not yet had a chance to catch their show. Continue reading →