Nov 18

The Strange Sensation You Feel is Part of the Process: BAT BOY

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bat boyPresented by The Office for the Arts at Harvard
Book by Kythe Farley & Brian Flemming
Music & Lyrics by Laurence O’Keefe
Directed by Ally Kiley
Music directed by Cynthia Meng

Nov. 14-22, 2014
The Farkatorium
10 Holyoke St
Cambridge, MA
Bat Boy on Facebook
Harvard Office for the Arts on Facebook

Review by Kitty Drexel

Trigger warning: sexy animal orgy, partial male nudity, incest

(Cambridge, MA) The Office for the Arts at Harvard has had the rare privilege to host the creators of Bat Boy for a workshop on their monster musical. They have made some significant edits: shortening the run time from 3 hours to 2, cutting of songs, cutting of incidental plot lines and some script editing. The current production presented in the Farkatorium Center for the Arts is still the same Pygmalion meets Edward Scissorhands meets Christ child storyline as the original except a lot simpler. The edits have smoothed over the wrinkles of the original show and kept the endearingly off-putting essence of the off-Broadway science fiction jewel. Continue reading

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Nov 18

Emotional Complexity on a Beige Stage: THE TROJAN WOMEN

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trojan ladiesPresented by Theatre@First
Written by Euripides
Translated by Edith Hamilton
Directed by J. Deschene

Nov. 14-22, 2014
Unity Church of Somerville
Somerville, MA
T@F on Facebook

Review by Kitty Drexel
In the interest of full disclosure and transparency, I did audition for this play and was not cast. It is my firm belief that only a narcissistic ass would allow this to taint their review.

 

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.”

Margaret Atwood

(Somerville, MA) The Trojan Women was first produced in 415 BCE but might as well have been written last year. In it, the women of Troy (now Turkey) are grieving over their beloved fallen city, and the men who have died defending the city from the Greeks. Euripides so captured the trauma of a country torn by war, that his play has been made into a very famous 1971 film (featuring the alluring Katharine Hepburn as Hecuba, a brave and unusual choice) and has survived several adaptations and manipulations. The translation by Edith Hamilton remains the most popular for staging. The movie featuring Hepburn, Irene Papas, and Vanessa Redgrave, etc. is a classic. Continue reading

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Nov 14

You Know It’s Love When You Want to Stab* Your Partner but Don’t: THE REAL THING

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Photos by Paul Cantillon, Lidec Photo.

Photos by Paul Cantillon, Lidec Photo.

Presented by Bad Habit Productions
By Tom Stoppard
Directed by A. Nora Long

November 8-23, 2014
Deane Hall
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

*Figuratively

Review by Kitty Drexel

(Boston) The Real Thing reminds us that mature, adult relationships are back breaking, hard work. Henry (Bob Mussett) is a playwright using his real life as fodder for his scripts. He’s having an affair with Annie (Courtland Jones), an actress and activist, for whom they’ve both divorced their spouses. In this play, Henry and Annie grow out of their patterns of selfish, abusive neglect and into a mature partnership. Henry and Annie barely survive with their sanity intact. Continue reading

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Nov 13

Luminarium Dance Presents: The Sleeprunner, December 2014

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sleep runner

THE SLEEPRUNNER
December 5 . 6 . 12 . 13 @
Multicultural Arts Center
41 Second Street
East Cambridge MA
BUY TICKETS
Luminarium Dance on Facebook

Don’t miss Luminarium’s largest production of the season during its two-weekend fall run. The production will take place at the beautiful and historic Multicultural Arts Center (41 Second Street, East Cambridge MA), highlighting the company’s signature imaginative choreography, lighting, and scenic design, while complementing the caliber of its past feature productions Mythos:Pathos (2012) and Secrets & Motion (2013).

What makes Luminarium uniquely dance & theatre?
  • Luminarium is the first dance company to be invited for, then granted, a Bob Jolly Charitable Trust Award, for its productions’ masterful theatricality in addition to dance. (All previous awards have gone to theatre companies and individuals.)
  • Luminarium was featured as one of 10 “Unsung Heroes” in the Boston performing arts scene, alongside New Repertory Theatre and Company One, by Improper Bostonian magazine.
  • Costumes for The Sleeprunner are being created by rising New York costume designer Sueann Leung, whose work was most notably featured in the runway section of the Wall Street Journal.
  • Luminarium’s The Sleeprunner marks another first for the local dance community as one of the smallest/youngest Boston-based companies to be adopting a theatre performance format, expanding to a two-week run.
  • Its performers come from an energetically-eclectic background that include a nationally-acclaimed colorguard performer, professional voice actor, internationally-touring classical Indian dancer, tap-dancing winner of the World Cup in Germany, and (just to add to the diversity) even a PhD candidate in Biology who is an aerial circus artist on the side.
  • The Sleeprunner will be lit and co-choreographed by professional theatre lighting design and choreographer Kim Holman, who does lighting design and choreography for local Boston theatre companies ranging from Babson College to the Boston Public Schools.
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Nov 11

Audience Trust Issues: TURTLES

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Photo by Joan Mejia

Photo by Joan Mejia

Presented by Boston Public Works
By John Greiner-Ferris
Directed by Jeffrey Mosser

Oct. 24 – Nov. 8, 2014
Boston Center for the Arts
Boston, MA
BPW on Facebook

Review by Kitty Drexel

(Boston) Dear crew of Turtles: What the heck was the squeaky noise we heard during the entirety of Act 1? I’m not particularly sensitive to repetitive noises but the sound of metal rubbing on metal kept pulling me out of the play.

Turtles is a play about single-Mom, Bella (Jackie Davis), and her two kids Foos (Lauren Foster) and Finn (Elle Borders). They are squatters living on/in garbage by a billboard advertising the next Rapture. They are surviving when Jesus, who may or may not be the magical zombie-savior of lore (Alexander Castillo-Nunez), falls into their laps. Jesus lacks any sort of social context (this dude could be anybody), gives no explanation for his presence, and has serious boundary issues. Yet, together they decide to move to Boston for its turtle sanctuary. Boston becomes a metaphorical sanctuary for all of them. Continue reading

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Nov 10

Like Raw Silk: Ana Moura in Concert

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Presented by World Music/CRASHarts

Friday, Nov. 7, 2014
Berklee Performance Center
Boston, MA
World Music/CRASHarts on Facebook
Ana Moura on Facebook

Review by Kitty Drexel

(Boston) Ana Moura has a voice that captures your attention. It sounds the way raw silk feels against the skin. You are helpless to do anything but listen. She has a majestic stage presence and a unique storytelling style. Her concert on Nov. 7 was nothing if it wasn’t captivating.

Moura and her faithful band visited the Berklee Performance Center last Friday night to an audience besotted with her music… And ripe with family who celebrated the talents of bandmate player Angelo Freire. Moura stocks her band with equally as talented musicians but Freire would draw fans on his own merit. He displays excellent musicianship and exquisite skill on the Portuguese guitar. Continue reading

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Oct 29

The Accessible Theatre presents a Staged Reading of “Safekeeping” on Nov. 3, 2013

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The Accessible Theatre presents a Staged Reading of

Safekeeping

by Rob Zellers
Directed by Adam Sanders

Nov. 3, 2014 at 7:30PM – one night only!
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
Accessible Theatre on Facebook

Joe and his younger brother Robert live off the grid in a run-down, inner-city neighborhood. Robert has cerebral palsy. Joe is an artist. They are in perfect control of their world until they are discovered by social services and into their lives comes Marianne, a bright and ambitious young therapist. Can art and imagination fuel the life spirit?

Felix Teich plays Joe, the older brother, an artist who is fiercely protective of his lifestyle and his brother Robert.
Eliot Purcell plays Robert, the younger brother who is adjusting to adult life without his parents’ support, and while dealing with cerebral palsy.
Rachel Sacks plays Marianne, a well-meaning social worker who is assigned to Joe and Robert.
Kitty Drexel joins the cast to read the playwright’s text and help illuminate the world of the play during our staged reading.

We can’t wait to see you there!

 

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Oct 27

The Last Ones Standing: “Language of Angels”

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Photo credit: Mikey DiLoreto; Cast members: Michelle Rubich, Eliott Purcel, Elizabeth Battey, and David D’Andrea.

Presented by Happy Medium Theatre Company
By Naomi Iizuka
Directed by Lizette M Morris

Oct. 23 – Nov. 1, 2014
The Factory Theatre
791 Tremont St
Boston, MA 02118
HMT of Facebook

Review by Kitty Drexel

Trigger warnings: depiction of rape and gun violence, smoking

(Boston, MA) Bruner/Cott & Associates, Inc. is turning our beloved Factory Theatre into a gym (to be absolutely clear, I am painting them as the greedy, black-hatted bad guys because they are, hats or not.). Because what Boston really needs is another dank, dark basement gym that draws in rich tenants. Tenants who will pay a monthly membership fee as part of their rent but may never actually step into the gym they pay for. Everyone knows theatre doesn’t make money. There’s nothing more important than money. What theatre does is make a difference but who cares when the landlord isn’t collecting on its potential fiscal value? Theaters are noisy and dirty and beautiful and desperately necessary and Bruner/Cott doesn’t give a fig because theaters don’t make money. There’s nothing we can do to save the Factory Theatre except commemorate the good (and bad) created in our beloved home. Continue reading

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Oct 24

#ArtsMatterDay, Oct 24

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Today is ArtsMatterDay!
Discover more at MassCreative
On Facebook
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From the MassCreative website: “Happy Arts Matter Day! Celebrate with us by sharing why arts matter to you. Let’s create a huge buzz to show that arts matter in MA and matter in the November 4 election.”
Please see their site for more information, and ways to celebrate #ArtsMatterDay.

  • Take the pledge
  • Share your story
  • Share ArtsMatterDay on social media
  • Experience arts and culture
  • Prepare for election day
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Oct 20

Between the Modern and Bygone: LATER THE SAME EVENING

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EDWARD HOPPER

Room in New York

Presented by the BU Fringe Festival
Composed by John Musto
Libretto by Mark Campbell
Based on 5 paintings by Edward Hopper: A Room in New York, Hotel Room, Hotel Lobby, Two on the Aisle, and Automat
Music direction by Allison Voth
Stage direction by Jason King Jones
Conducted by Tiffany Chang

October 18 & 19, 2014
BU Theatre, Lane-Comley Studio 200
264 Huntington Ave
Boston, MA
BU Fringe Festival on Facebook

Review by Kitty Drexel

(Boston, MA) Later The Same Evening is a concept opera based on five paintings by Edward Hopper. Edward Hopper (1882–1967) was an American artist who employed watercolor (Impressionist) techniques in his paintings of everyday life. His style is defined by the Metropolitan Museum of Art as utilizing, “clearly outlined forms in strongly defined lighting, a cropped composition with an almost “cinematic” viewpoint, and a mood of eerie stillness.” His influences include cityscapes, Cape Cod, his wife Josephine Verstille Nivison. He is famous for capturing the tensions between the modern and the old, people, and mood lighting. His most famous painting, Nighthawks, is used frequently in popular culture (including this sassy adaptation) to depict late night melancholy. Continue reading

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