Aug 29

Two Steps Forward, Three Steps Back: PYGMALION

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Photo credit: Flat Earth Theatre

Presented by Flat Earth Theatre
By George Bernard Shaw
Edited/directed by Devon Jones

August 22-30, 2014
Arsenal Center for the Arts
Watertown, MA
Flat Earth on Facebook

Review by Kitty Drexel

Trigger warnings: Sexism, Racism, Classism

(Watertown, MA) My Fair Lady is derived from Shaw’s Pygmalion. Pygmalion is derived from the Greek myth by the same name from Ovid’s Metamorphosis. It is the story of a sculptor, Pygmalion, who fell so hard in love with his sculpture that the goddess Aphrodite brought it to life. The sculpture isn’t given a name or granted personhood in the myth. Similarly, affluent Henry Higgins refuses to see impoverished Eliza Doolittle as more than a parroting animal until she provokes him into heated arguments. In addition to sexism and classism, the play’s dialogue also discusses racism. Flat Earth’s production includes actors of color. It takes a long, hard look at what it means to experience color, gender and educational privilege against the backdrop of London’s great equalizer: Tube delays. Continue reading

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Aug 26

Sweet and Playful Ladies: LITTLE WOMEN

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Presented by Peterborough Players: Second Company
Adapted by Gus Kaikkonen
from the novel by Louisa May Alcott
Directed by Charlie Morgan
Compositions by/adapted by Ellen Mandel

August 23, 26, 29, 30 at 2pm; August 25 at 7pm
55 Hadley Road
Peterborough, NH 03458
Peterborough Players on Facebook

Review by Kitty Drexel

(Peterborough, NH) The adaptation of Little Women by Gus Kaikkonen for Peterborough’s summer stock is sweet and playful without being saccharine. Kaikkonen has concentrated the lengthy classic by Louisa May Alcott into five charming scenes. This play gives us the same adventures of the March family within a toddler-approved time frame of 90 minutes. The acting is strong from the Players’ Second Company. There is lovely entr’acte music by Ellen Mandel. Little Women is a healthy summer diversion in the forests of New Hampshire. Continue reading

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Aug 15

“God Hates Musicals” but Quite Clearly Loves Everyone

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Presented by Ministry of Theatre
Book by Joe Creedon
Lyrics by Emily Laverdiere
Composed by Bryan Dunn

Directed by Joe Creedon
Music direction by Steve Sarro
Choreography by Jackie Simon

August 13 – 24, 2014
TheatreLab@855
Boston University
GHM on Facebook

TriggersSlurs, emotional violence, speaking in tongues

Review by Kitty Drexel

In the interest of full disclosure and transparency, I did audition for this musical and was not cast. It is my firm belief that only a narcissistic ass would allow something like that to color their review.

(Boston) The men who wrote the Bible (believe what you may, it was Man that compiled and interpreted the word of God) made it pretty clear that God loves us all. Jesus tried his darnedest to teach the masses that God loves us equally. Yet, despite these truths, the Westboro Baptist Church (WBC) actively refutes this. In fact, they go out of their way to tell anyone who will listen that, unless you repent, they are damned to Hell. The WBC pickets funerals and other events to convey their message. They believe that they spread their core message,“God hates fags,” out of love. Pull the other one. Continue reading

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Aug 12

Here the Rodents Reign Supreme: “The Annotated History of the American Muskrat”

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Presented by The Circuit Theatre Company
Written by John Kuntz
Directed by Skylar Fox

August 2 – 16, 2014
The Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Circuit Theatre on Facebook

Review by Kitty Drexel

(Boston, MA) My parents were in town this weekend and, in the interest of involving them in my life, I asked them to attend The Annotated History of the American Muskrat with me. My conservative Dad’s immediate response was to ask, “is it weird?” At the time he asked I couldn’t give a definitive answer but, after attending Sunday’s matinee performance,  I can honestly answer that, yes, this show is weird. Yet, “weird” doesn’t scratch the surface of what it is. It is also intensely powerful (reviewers use these words a lot. This show is actually powerful and intense versus a “powerful” and “intense” production of, say, The Cherry Orchard.) in ways that cause the viewer to question how Americans process the life we consume. It’s a bad trip on the best acid. It’s about everything and nothing. It is not for the weak. Continue reading

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Aug 04

Theatre@First Presents Shakespeare’s “Henry the IV”

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henry_4th_logo

Presented by Theatre@First
by William Shakespeare
directed by Shelley MacAskill

After seizing the throne, King Henry IV rebuilds his kingdom and despairs over his heir’s dissipated life in the London slums. Prince Hal spends his time carousing with the bawdy Joan Falstaff and her gang of thieves and misfits, but he is far more than the scoundrel he seems. When the king’s former allies rebel against him, Hal plans to redeem himself in his father’s eyes. Facing the rebel leader, Hotspur – England’s greatest and noblest warrior – Hal has a chance to prove his worth, but will redemption bring more pain than Hal could imagine?

Theatre@First’s Henry the 4th combines two of Shakespeare’s greatest history plays in one thrilling night of theatre!

Director: Shelley MacAskill has been involved in thirteen productions with Theatre@First, including directing Harriet IV – a gender-swapped one-act version of Henry IV – for Festival@First 7: Shaken Up Shakespeare. She has also produced two plays (The Lady’s Not for Burning and Bent), been Technical Director for another (Equus), and been stage manager, rehearsal assistant, and light board operator for more than she can readily recall. This is her first time directing a full-length play.

PERFORMANCE SCHEDULE
​​8pm evening shows:
Thursday, August 21
Friday, August 22
Saturday, August 23
Wednesday, August 27
Thursday, August 28
Friday, August 29

4pm matinee show:
Saturday August 30

PERFORMANCE SPACE
Unity Somerville
6 William St, Somerville
unitysomerville.org

TICKETS: $15 for adults
$12 for students/seniors.
Group discounts available.
theatreatfirst.org
brownpapertickets.com
goldstar.com

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Jul 29

Still Enjoyable ‘At the End of the Day’: LES MISERABLES

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Presented by The Company Theatre Center for the Arts
based on the novel by Victor Hugo
Music by Claude-Michel Schonberg
Lyrics by Herbert Kretzmer
Original French text by Alain Boubil and Jean-Marc Natel
Additional material by James Fenton
Orchestrations by James Cameron
Directed by Zoe Bradford and Jordie Saucerman
Staging and choreography by Sally Ashton Forrest
Music direction by Michael V. Joseph

July 24 – August 17, 2014
30 Accord Park Dr.
Norwell, MA 02061
Company Theatre on Facebook

Review by Kitty Drexel

(Norwell, MA) Les Mis is an overwhelming show; its complications can make preparation for performance seem insurmountable. Yet, it is beloved to its devoted fans who care more that its being performed and less about the intricacies of the performance. Such people will highly enjoy the Company Theatre’s production running through August 17. Theatre geeks, such as me, may still enjoy themselves but will likely get hung up on artistic details. Continue reading

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Jul 25

Beware the Uffish Jabberwock: FORTUNE’S FAVORED

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Courtesy of Paul Cantillon, LIDEC Photo

Courtesy of Paul Cantillon, LIDEC Photo. Stitch is my favorite.

Presented by Vagabond Theatre Group
By Lesley Anne Moreau
Directed by Zach Winston

July 11 – 26, 2014
The Factory Theater
Boston, MA
Vagabond on Facebook

Review by Kitty Drexel

(Boston) Fortune’s Favored almost works as theatre. It is so close to being a very well-written, sensitively acted play that it is devastating that it doesn’t achieve the success it’s capable of. The premise is quite clever, the small cast is capable and Zach Winston’s direction is sympathetic to the actors’ needs but the combination of the elements is mismatched. They are crafted pieces from three different puzzles. They don’t fit.

Eudora Redden (Annie Hochheiser) is running the Redden Arcade in Big Ugly, West Virginia for her drunk father. It’s been the family business for three generations. Her cousin Luann O’Hare (Lauren Robinson) has recently crawled home with her tail between her legs from Washington, DC after getting involved with a political scandal. They both meet Davis Milford (Conor Walsh) when he expresses interest in purchasing the business centerpiece, the fortune teller game, and in getting to know Eudora better. Things go south when business and family tangle over the potential sale. Mikey DiLoreto is the recorded voice of John Barrymore. Continue reading

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Jul 14

Gubernatorial Forum on Arts, Culture, and Creativity

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MASSCreative

Create the Vote, a coalition of artists and arts, cultural, and creative institutions based throughout Massachusetts, will host the Gubernatorial Forum on Arts, Culture, and Creativity.

Moderated by arts critic Joyce Kulhawik, the forum will foster discussion of the gubernatorial candidates’ vision for the arts and culture in Massachusetts. Please join us at 4:30 for the reception preceding the forum.

Plan your trip with our transportation page.

*We’re securing rental buses to bring folks to the event from Boston and Somerville. If you’re interested in taking a bus, let us know by filling out this form and reserving your seat!

WHEN
July 15, 2014 at 6pm – 7:30pm

WHERE
The Hanover Theatre for the Performing Arts
2 Southbridge St
Worcester, MA 01608
United States
Google map and directions

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