(Boston, MA) For as long as there have been uteruses, there have been abortions. For almost as long as there have been abortions, there have been people desiring to control the contents of a uterus that isn’t theirs. Everyone, regardless of gender, deserves to know the capability of their body. Everyone with a uterus deserves to choose what is best for that uterus whether that means ending or beginning a pregnancy. A uterus shouldn’t be political. It is privately owned. No one gets to make decisions about my body but me. I support Planned Parenthoodbecause I believe that everyone else deserves that freedom too.
Company One’s production of Dry Land is about the consequences of abstinence only education, institutionalized ignorance, and socialized body shaming. Amy (Stephanie Recio) is a pregnant teenager. She doesn’t give us any specifics but it’s implied that she had consensual sex with a boy. Unfortunately, Amy lives in Florida. This means a safe, regulated surgical abortion is impossible for her to acquire without a parent’s input because Florida believes a teenager 16 or older is old enough to engage in sexual congress with someone up to seven years their senior but not to make their own decisions regarding the consequences of that sexual activity*. Instead, Amy has engaged Ester (Eva Hughes) to be her confidante in self-administering an at-home abortion. They are acquaintances through the high school swim team. Continue reading →
Cœur de Pirate (French for pirate heart) is the stage name for award-winning French-Canadian singer/songwriter and pianist Béatrice Martin. Her whimsical, magical pop songs blend cabaret music, French lyrics, and playful indie sensibilities. After releasing two albums to international acclaim, Cœur de Pirate returns in 2015 with a new album that finds her boldly expanding her horizons and modernizing her approach, cradling her beloved piano within a swirling ensemble of synthesizers, carefully crafted string arrangements, and layers of dynamic drum sounds. Opening act to be determined.
(Boston, MA) It is fitting that the performances of Salomé coincide with the supermoon lunar eclipse aka Blood Moon. The night’s full moon took a red hue from the shadow cast on it by the Earth. It was a match for the moon image used in the production by Bridge Rep. on Sunday night. As heard through my social network after the performance, both moons were the unhappy source of chicanery on and off the stage. Continue reading →
(Boston, MA) In performance, sometimes it is more important to get a pivotal work onstage than it is to do it perfectly. Zeitgeist’s production of The Boys in the Band is flawed. Its flaws are less important than bringing this historically game-changing play to the stage for new generations to contemplate. Just as it is more important to treat the LGBTQ+ community with the respect and dignity we deserve than to be polite.Continue reading →
(Watertown, MA) It is no wonder that America didn’t suspect that Adolf Hilter was a major threat to Europe, Germany, or the world. His staff lead a campaign that depicted him as a congenial yet private Everyman with a love of children and the outdoors. This branding made Hitler out to be a decent guy, not the Jew, intellectual, and LGBT hating dictator he was. America didn’t recognize Hitler for the power-hungry villain he was until it was almost too late. Marketing works, people. Raw Story has an excellent, rather brief article up. I highly suggest reading it for theatrical and historical perspective.Continue reading →
Presented by Huntington Theatre Company Music & lyrics by Stephen Sondheim Orchestrations by Jonathan Tunick Suggested by a film by Ingmar Bergman Book by Hugh Wheeler Stage directed by Peter DuBois Music directed by Jonathan Mastro Choreographed by Daniel Pelzig
Sept. 11 – Oct. 11, 2015 BU Theatre Boston, MA Huntington on Facebook
Review by Kitty Drexel
(Boston, MA) If you haven’t been dead the past few months, then you’ve heard about Patti LuPone snatching a cell phone an unforgivably rude patron during a no doubt exceptional performance of Shows for Days. Her act is being lauded as bravery in the face of a horrendous etiquette breach. I agree. I also believe that theatre patrons should be shushed by managements for conversing during theatre performances. Rolled up newspapers or spray bottles would suit purposes very well. Continue reading →
(Boston, MA) Fort Point Theatre Channel presented three scenes from Swindell and Warhol’s modern opera Jeanne, the story of a woman last weekend. It was a fully staged and accompanied by Robert Schulz on percussion, and The Boston String Quartet. The vocalists were joined onstage by the agile dancers from Contrapose Dance. Jeanne is not your grandma’s opera. It is more Rice’s The Adding Machine or Blitzstein’s The Cradle Will Rock in style and sound than La Boheme or Traviata. Depending on what you want from opera, it was either very weird or fascinating art. Continue reading →
BCAF FRI 6:30PM: Studio Theater feat. Nancy: Home is Where the Songs Is, Kennedy O’Reily and Matt Geiler
(Cambridge, MA) On Friday evening, I was treated to “Solo/Duo Musical Comedy” at ImprovBoston. It was 90 minutes of awkward and joyful laughter. Drink in hand, it’s one of the best ways to begin or end a night. This performance is one of many featured in the Boston Comedy Arts Festival going on now in Cambridge. Continue reading →
Matt & Ben, a play by Mindy Kaling and Brenda Withers, answers the question every Bostonian has asked themselves at least once; “How did Matt Damon and Ben Affleck write the screenplay for Good Will Hunting?” Answer: It fell from the sky, of course.
Okay, in reality the screenplay might not have appeared right out of thin air, but the play Matt & Ben takes the audience through a fantastic journey of what if it did. Matt and Ben, respectively played by Lauren Robinson and Libby Schap, spend one long Saturday in Somerville fighting, reminiscing, and hallucinating a lot more than normal when confronted with the screenplay they already know will change their lives.
Produced by the LL Production Company, Matt & Ben is one wicked funny show that will make an audience feel like they’re right in the same living room as these young Boston boys (played by girls), and the first play put up at the Riot Theater.
Produced by the LL Production Company
Starring: Lauren Robinson and Libby Schap
Keala Settle, Jessie Mueller, and Jeanna de Waal in Waitress. Photo: Evgenia Eliseeva
Presented by American Repertory Theater Book by Jessie Nelson
Music & lyrics by Sara Bareilles
Based on the motion picture by Adrienne Shelly
Directed by Diane Paulus
Music direction by Nadia DiGiallonardo
Choreography by Chase Brock
August 2, 2015 – September 27, 2015 Loeb Drama Center
ART on Facebook
Review by Kitty Drexel
(Cambridge, MA) Waitress the musical is an interpretation of the 2007 movie written and directed by Adrienne Shelly. It is beloved by a devoted fan base. Appeasing this fan base is a tall order. The A.R.T. does a good job of remaining true to Shelly’s masterwork. There are many hits and only one notable miss. Continue reading →