May 30

Don’t Trust the Process: THE SUBMISSION

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Photo via Zeitgeist Facebook page

Presented by Zeitgeist Stage Co.
by Jeff Talbott
Directed by David J. Miller

May 5 – 30, 2015
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MA) Let me preface this review with the following: It is near impossible to have a frank discussion about institutional oppression and personal culpability/responsibility without becoming defensive or offended. If you are a white person who hasn’t closely examined your personal involvement as either an actual or potential racist, it is highly likely that you engage in racist behavior and don’t even know it. If you think it’s OK to affect a lisp and ridicule gay people because you “have gay friends,” you’re likely a homophobe. If you treat either gay people and/or people of color as not “normal,” you’re probably one, the other, or both. Casual racism/homophobia isn’t a POC/LGBTQ+ issue. It’s a failing of the white/hetero, cis members of society convinced that the fight against oppression ends when it becomes inconvenient to fight. It is possible to consider yourself a good person and still be rotten with racism or homophobia. Continue reading

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May 27

From You, OK. I Learned It From Watching You: PEDR SOLIS

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Brian Church, Baritone in the title role of Pedr Solis. Photo by Liz Linder Photography.

Brian Church, Baritone in the title role of Pedr Solis. Photo by Liz Linder Photography.

Presented by Guerilla Opera and The Boston Conservatory
Music by Per Bloland
Libretto by Paul Schick
Directed by Laine Rettmer

May 15 – 23, 2015
The Zack Box
8 The Fenway
Boston, MA
Guerilla Opera on Facebook

Review by Kitty Drexel

(Boston, MA) Pedr Solis is an avant garde (i.e. strange), dark, messy beast of a prog rock opera. It’s set, props, and libretto are highly conceptualized and feature the most abstract of metaphors. The staging is full-contact. It should be a complete mess but it isn’t. Rather, as a logical, relatively objective reviewer I found it quite entertaining. As an over-educated audience member relying on her emotions to determine if she had a good time, I found my experience less than satisfying.   Continue reading

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May 25

ADDENDUM! – The Last Two People on Earth: An Apocalyptic Vaudeville

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Dearest Readers,

Should you need a better explanation of The Last Two People on Earth: An Apocalyptic Vaudeville that Danielle Rosvally’s review provides, the good people at the A.R.T. sent us this slightly insightful, mostly cryptic email with a link from The New York Times. Their helpful email and link are included (word for word) below for posterity. Non-Geek names have been removed to protect the “innocent.”

With love,
The Queen Geek

“From: “********, *******” <****_*******@harvard.edu>
Date: May 25, 2015 at 10:05:40 AM EDT
To: Danielle Rosvally
Subject: “Last two people” explained to you….

http://www.nytimes.com/2015/05/25/theater/review-the-last-two-people-on-earth-offers-soft-shoe-apres-deluge.html?_r=0

****** *******
******* Press and Public Relations
American Repertory Theater
64 Brattle Street, Cambridge, MA 02138
****_********@harvard.edu
617-496-****”

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May 12

The Power of Shame: THE VOICES OF WE

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Presented by 333 Productions and the Boston Playwrights’ Theatre
Written by Robbi D’Allessandro
Directed by Shana Gogansky

April 25 – May 9, 2015
Boston Playwrights’ Theatre
Boston, MA
Voices of We on Facebook

Review by Kitty Drexel

Trigger warnings: domestic abuse, gun shots, political satire, kickass feminism

(Boston, MA) Trigger warnings abounded for The Voices of We. They were plentiful because the writing was effective and the acting was very good. The stories in Voices aren’t necessarily true to life but they could be true for someone. The point is that these stories are true enough to appear realistic in performance. In the case of the scenes with the most abundant triggers, the inherent realism should serve as a warning to audience members that we, as a society living these stories, have a long way to go.   Continue reading

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May 07

Hate the Player, Not the Game: DON GIOVANNI

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Costume Designer Tilly Grimes, © T Charles Erickson Photography, Set Designer Laura Jellinek, Each ticket holder receives free admission to Rock’s Gun Show.

Presented by Boston Lyric Opera
Music by Wolfgang Amadeus Mozart
Libretto by Lorenzo Da Ponte
Sung in Italian with English supertitles
Conducted by David Angus
Stage Directed by Emma Griffin
Fight direction by Andrew Kenneth Moss
BLO Concertmaster: Sandra Kott
BLO Chorusmaster: Michelle Alexander

May 1 – 10, 2015
Boston Lyric Opera
The Shubert Theater
Boston, MA
BLO on Facebook

Review by Kitty Drexel

(Boston, MA) Opera singers are gifts that keep on giving. Along with my usual attendance of BLO’s Don Giovanni, I had the pleasure of experiencing a bonus adventure the Friday evening before while out with my wife. She and I were supposed to be on a romantic date. We did not count on a cameo by a premier performer. I was to be well-compensated for my diverted attention. Continue reading

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May 06

A Different Cup of Tea: BOXER SHORTS

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Photo credit: Brown Box Theatre Project

Photo credit: Brown Box Theatre Project, “Play”

Presented by Brown Box Theatre Project
Works by Samuel Beckett, Harold Pinter, Tenessee Williams, Diana Raznovich
Works directed by Darren Evans, Kyler Tausin, Anna Trachtman
Performed by Cameron Gosselin, Meredith Stypinski, Lizzie Milanovich, Johnny Quinones, Janelle Mills

Boston: April 24 – May 3, 2015
Atlantic Wharf
290 Congress St

Delmarva: May 8 – 11, 2015
Ocean City Center for the Arts
Ocean City, MD
Brown Box on Facebook

Review by Kitty Drexel

(Boston, MA) Brown Box Theatre’s mission involves bringing accessible theatre to uncommonly accessible spaces. They’ve made a home on Atlantic Wharf and Delmarva (MD). Their current production Boxer Shorts: an evening of short plays brings many genres to the same stage. In one sitting, the audience experiences a range of theatre from the mundane to the absurd. The result is an interesting evening of entertainment with varying levels of success. Continue reading

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May 04

High Velocity Surrealism or, Buckle Up, It’s Going To Be A Bumpy Night: “The Grand Parade (of the 20th Century)”

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This video has been slowed down considerably to protect the innocent.

Presented by ArtsEmerson
Produced by Double Edge Theatre
Conceived, designed, and directed by Stacy Klein
Composed by Alexander Bakshi
Music and vocal direction by Lyudmila Bakshi

April 30 – May 3, 2015
Emerson/Paramount Center Mainstage
Boston, MA
ArtsEmerson on Facebook

Review by Kitty Drexel

Trigger warning: Strobe effect, Gunshots

One hour with no intermission.

(Boston, MAStacy Klein writes in her director’s note that Grand Parade (of the 20th Century) pairs the dream-like works of Marc Chagall with the “extreme conflicts” of the twentieth century. Images from his paintings are reflected in the troupes’ depiction of significant events in American history. Her intention as designer, director and co-creator was to “(reflect) history through (the creators’) own eyes” as “the only way to speak to (their) desires for the future.” If what Klein and Double Edge presented is their vision of the future, we are doomed; Grand Parade is a hot mess. Continue reading

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Apr 28

The Voices of We @ Boston Playwrights’ Theatre

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The Voices of We
A New Play by Robbi D’Allessandro
Directed by Shana Gozansky
April 25th – May 9th
Presented by 333 Productions
Boston Playwrights’ Theatre
Purchase Tickets

THE VOICES OF WE EXPLORES MANY FACES OF “SHAME”
Award-winning writer Robbi D’Allessandro donates all production proceeds to women’s charities.
Boston, Mass… (April 24, 2015) – Award-winning Boston area stage and screenwriter, Robbi D’Allessandro, explores the many faces of shame as 333 Productions presents the World Premiere of her original play, The Voices of We, at the Boston Playwrights’ Theatre from April 25 to May 9.

The Voices of We is a new full-length play that explores the challenges women face in today’s sociopolitical and economic climate. The diverse characters in The Voices of We, face the daunting challenges inherent in the fight against domestic violence, and struggles for reproductive rights, self- defined gender identity and sexual orientation, motherhood, positive body image, and more. We are proud to announce that all proceeds from each performance goes to non-profit women’s organizations, that in part or whole, benefit women in need.

For more information about Robbi D’Allessandro, please visit www.sandsplays.com.

PERFORMANCE SCHEDULE and BENEFIT CHARITY:
Sunday, April 26 at 2:00 p.m. – MassNOW – Talkback Moderator Chelsea Norman
Thursday, April 30th at 7:30 p.m. – Mass NOW
Friday, May 1st at 8:00 p.m. – MassNOW
Saturday, May 2nd at 8:00 p.m. – Our Bodies Ourselves – Talkback Moderator Judy Norsigian
Sunday, May 3, 2015 at 2:00 p.m. – Our Bodies Ourselves
Wednesday, May 6th at 7:30 p.m. – NARAL Pro-Choice of MA
Thursday, May 7th at 7:30 p.m. – GLAD
Friday, May 8th at 8:00 p.m. – Casa Myrna
Saturday, May 9th at 8:00 p.m. – The Women’s Center

Continue reading

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Apr 25

Integrity Sells for So Little: CITY OF ANGELS

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Photo by Mark S. Howard

Photo by Mark S. Howard

Presented by Lyric Stage Co. of Boston
Book by Larry Gelbart
Music by Cy Coleman
Lyrics by David Zippel
Vocal arrangements by Cy Coleman and Yaron Gershovsky
Directed by Spiro Veloudos
Music direction by Catherine Stornetta
Choreography & musical staging by Rachel Bertone

March 27 – May 2, 2015
Boston, MA
Lyric on Facebook

Review by Kitty Drexel

(Boston, MA) City of Angels pays homage to film noir with tongue firmly in cheek sexual innuendo and integrated design film tropes. The Lyric Stage Co. of Boston brings life to this beloved musical with panache and two shakes of wit with inspired clever projection design by Jonathan Carr and zippy choreography by Rachel Bertone. This production is great fun. The book and lyrics are clever. The score, vocal and instrumental, is inherently singable. The artistic upsides far outweigh the downsides. An evening spent at COA is one well spent. Continue reading

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Apr 14

First Few Rows Will Not Get Wet: THE CLYTEMNESTRIAD

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Photo credit: Fresh Ink Theatre, Jade Guerra tearing it up at Clytemnestra.

Photo credit: Fresh Ink Theatre, Jade Guerra tearing it up as Clytemnestra.

Presented by Fresh Ink Theatre
Written by A. Nora Long
Directed by Caitlin Lowans
Dramaturgy by Ramona Ostrowski

April 10 – 18, 2015
The Hale Chapel at First Church
Boston, MA
Fresh Ink on Facebook

Review by Kitty Drexel

Trigger Warning: Strobe effect

(Boston, MA) Homer’s Iliad tells us that Agamemnon fought bravely at Troy for ten years to reunite Helen and Menelaus. Greek myth tells us that when Agamemnon returned from the Trojan War, his wife Clytemnestra murdered him in the bath. Depending on the myth the particulars of who, why and how differ. What is evident is Clytemnestra’s retention of power and eventual murder at the hands of her children after the fact. A. Nora Long’s The Clytemnestriad follows the events leading up to and after Agamemnon’s death from the perspective of his wife, Clytemnestra. Continue reading

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