Feb 17

Elvis Doesn’t Waltz: DON’T GIVE UP THE SHIP

Photo by Emma Young; a tense moment for Commodore Perry and family.

Presented by Fresh Ink Theatre Company
Written by Laura Neill
Directed by Joshua Glenn-Kayden
Dramatugy by Jessica Foster

February 10-25, 2017
Boston Center for the Arts
539 Tremont St., Boston, MA 02116
Fresh Ink on Facebook

Review by Kitty Drexel

(Boston, MA) Fresh Ink Theatre Company serves its community by developing the works of currently living, local-ish playwrights. They do awesome work. Don’t Give Up the Ship is the first show in their 2016/2017 season. Please vote for the arts with your attendance.    Continue reading

Feb 14

Deja Vu All Over Again: “I, Snowflake”

The cast; photo discovered on Anthem Theatre Co’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook

Review by Kitty Drexel

Trigger Warnings: Adult themes, gunshot sound effect, feminism

(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.”  The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading

Feb 07

In Homage to the Bastard: “Brecht on Brecht”

Matthew Stern (piano), Carla Martinez, Brad Daniel Peloquin, Jake Murphy, Christine Hamel
in “Brecht on Brecht”   (photo: Andrew Brilliant/Brilliant Pictures)

Presented by New Rep Theatre
Prophetic Portraits: Exploring history at the level of the individual
By Bertolt Brecht
Arranged by George Tabori from various translations
Co-Produced with Boston Center for American Performance
Directed by Jim Petosa
Music direction by Matthew Stern

Feb. 4 – March 5, 2017
Mosesian Center for the Arts
321 Arsenal St
Watertown, MA
New Rep on Facebook

90 minutes with no intermission

Review by Kitty Drexel

(Watertown, MABertolt Brecht was a selfish, arrogant, exceedingly charismatic dick. He was also a “genius” thanks to the help of collaborators such as Elisabeth Hauptmann and Kurt Weill. Brecht did not support them. He could turn a phrase, though. 
Continue reading

Feb 07

Geeks Read Books: “Mary Page Marlowe” & “Night Is A Room”

Two new plays by TCG Mary Page Marlowe and Night is a Room
Reviews by Kitty Drexel

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Begin reviews: 

Mary Page Marlowe
By Tracy Letts
Theatre Communications Group (TCG)
New York, NY 2016
$14.95

Summary from the TCG website: “In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a ‘simple life’.” Continue reading

Feb 03

Pretty is Not an Even Exchange for Powerful : REALLY

Rachel Cognata in REALLY (Photo by Jeremy Fraga)

Presented by Company One Theatre
With Matter & Light Fine Art, SoWa
With support from Gallery Kayafas
Written by Jackie Sibblies Drury
Directed by Shawn LaCount
Dramaturgy by Ilana M Brownstein and Francisca De Silviera

January 25 – March 12, 2017
63 Thayer St
Boston, MA 02118
C1 on Facebook

Review by Kitty Drexel

(SoWa,Boston, MA) Subscribers to American Theatre Magazine will recognize Really from its September 2016 issue. I was excited at the chance to see Company One perform a play I’d only read before. C1 did not disappoint. Still, I had more questions after seeing the show than I did after reading it. Continue reading

Jan 31

Dance Across the Picket Line: BILLY ELLIOT

Photo by Glenn Cook Photography; on the way to boxing class.

Presented by Wheelock Family Theatre
Book & lyrics by Lee Hall
Music by Elton John
Orchestrations by Martin Koch
Based on the Universal Pictures/Studio Canal film Billy Elliot
Directed by Susan Kosoff
Originally directed by Stephen Daldry
Music direction by Jon Goldberg
Choreographed by Laurel Conrad
Sign Performances by Luke Baer, Alvin Haas, Ali Schmalenberger
Audio descriptions by Cori Couture, Ruth Celia Kahn

Jan. 27 – Feb. 26, 2017
ASL performances on Fri, Feb 24 @ 7:30, & Sun, Feb 26, @ 3
All performances are open captioned
The theatre is wheelchair accessible
Wheelock College
200 Riverway
Boston, MA
Wheelock on Facebook

Recommended for ages 8+ for mild violence, occasional references to sexy times by children who don’t understand what they are saying, and English cursing.  

Review by Kitty Drexel

“The arts are essential to any complete national life. The State owes it to itself to sustain and encourage them….Ill fares the race which fails to salute the arts with the reverence and delight which are their due.”
– Winston Churchill (that other quote attributed to Churchill is not something he actually said.)

(Boston, MA) Wheelock does great work with Billy Elliot:The Musical. The 2000 source movie Billy Elliot, is a sweet and rough story about a working class boy who becomes enchanted with dance while his widower father, and brother are caught up in the coal miners’ strike. They are more worried that Billy might be gay, than they are in monitoring Billy’s daytime whereabouts. The musical, based on the movie, incorporates many points of the movie’s plot. The big distinction is the musical’s Disney-fication. Alter expectations accordingly.    Continue reading

Jan 27

Colors, Flavors and Spices: THE ATHEIST

Photo by Kalman Zabarsky, Georgia Lyman as Augustine Early.

Presented by Boston Playwrights’ Theatre
Written and directed by Ronan Noone
Performed by Georgia Lyman

Jan. 19 – Feb. 5, 2017
BPT
949 Commonwealth Ave
Boston, MA
BPT on Facebook

Trigger warnings: “alternative fact” telling, domestic abuse, discussion of rape, invasion of intimate privacy, crooked politics  

Review by Kitty Drexel

(Boston, MA) It’s as if Ronan Noone timed his production of The Atheist with Kellyanne Conway’s “alternative fact” BS on NBC’s “Meet the Press.” Noone’s Atheist captures the distasteful spirit of dirty tactics to make the untrue plausible. Trump’s team is gaslighting its way into our heads. Noone shows us how. Continue reading

Jan 23

Complaining Grows the Heart: OUR SECRETS

Presented by ArtsEmerson
Co-presentation with: The Baryshnikov Arts Center and Dartmouth’s Hopkins Center
Created by Béla Pintér and Company
Directed and written by Béla Pintér

Jan. 19-22, 2017
Emerson/Paramount Center
Robert J. Orchard Stage
Boston, MA
ArtsEmerson on Facebook

Performed in Hungarian with English supertitles

Review by Noe Kamelamela and Kitty Drexel

(Boston, MAIt is 1980’s Budapest. Communism is the rule of the land (more on this important info is HERE, thanks to the ArtsEmerson blog). Impotent folk musician, István Balla Bán can only get it up for children. He is inconveniently attracted to his step-daughter Timike. At his wife’s request, he sees a therapist to whom he reveals his disgusting secrets. Govt. spies secret record his admission and use the recording to blackmail him. To avoid responsibility for his illness, István spies on his friend who writes an underground, anti-Communist magazine.  Please note, the graphic sexual content in this production involves adult actors playing minors. It is appropriately disturbing. Continue reading

Jan 23

They Will Try to Tell You that Fighting Is Pointless: INCIDENT AT VICY

Photography by Alex Aroyan — with Alexander Castillo-Nuñez, Jake Athyal, Danny Mourino, Nathan Johnson, Floyd Richardson, Steve Auger.

Presented by Praxis Stage
An Anti-Inaugural Event
Written by Arthur Miller
Directed by Hatem Adell and Daniel Boudreau
Fight choreography by Nathan Johnson

Jan. 19 – 27, 2017
Inner Sanctum
1127 Harrison Ave MA
Boston, Massachusetts 02119
Praxis Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Praxis Stage perfectly sums up what it is we liberals are so damned scared of in Incident at Vichy. This incredibly quotable, direly prescient play by Arthur Miller engages intelligent, easily transferable dialogue to summarize the Holocaust. Adell and Boudreau’s production make the events of Incident at Vichy alarmingly apparent that Trump’s American is bound to repeat history’s atrocities.    Continue reading

Jan 20

Better Out Than In: A DOLL’S HOUSE

Nael Nacer and Andrea Syglowski in “A Doll’s House;” Photo: T. Charles Erickson. Sh!t is about to get real.

Presented by Huntington Theatre Company
Written by Henrik Ibsen
Adapted by Bryony Lavery
Directed by Melia Benussen

Jan. 6 – Feb. 5, 2017
Avenue of the Arts
BU Theatre
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

“If your laws don’t include me, well then, they don’t apply to me either.”
Anita Crown, Bad Girls

(Boston, MA) A Doll’s House (AHD) is a classic tragedy of manners. It features a female protagonist, and has feminist themes. On paper, it’s a strong educational tool. Its presentation on the stage is another matter entirely. ADH is a show with chatty dialogue that wiggles around its points like a Mexican jumping bean. The Huntington’s modernized production with updated script drags from the emotional constipation of its characters. Not even Bryony Lavery could salvage this one.   Continue reading