Jan 23

They Will Try to Tell You that Fighting Is Pointless: INCIDENT AT VICY

Photography by Alex Aroyan — with Alexander Castillo-Nuñez, Jake Athyal, Danny Mourino, Nathan Johnson, Floyd Richardson, Steve Auger.

Presented by Praxis Stage
An Anti-Inaugural Event
Written by Arthur Miller
Directed by Hatem Adel and Daniel Boudreau
Fight choreography by Nathan Johnson

Jan. 19 – 27, 2017
Inner Sanctum
1127 Harrison Ave MA
Boston, Massachusetts 02119
Praxis Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Praxis Stage perfectly sums up what it is we liberals are so damned scared of in Incident at Vichy. This incredibly quotable, direly prescient play by Arthur Miller engages intelligent, easily transferable dialogue to summarize the Holocaust. Adel and Boudreau’s production make the events of Incident at Vichy alarmingly apparent that Trump’s American is bound to repeat history’s atrocities.    Continue reading

Jan 20

“Better Out Than In”: A DOLL’S HOUSE

Nael Nacer and Andrea Syglowski in “A Doll’s House;” Photo: T. Charles Erickson. Sh!t is about to get real.

Presented by Huntington Theatre Company
Written by Henrik Ibsen
Adapted by Bryony Lavery
Directed by Melia Benussen

Jan. 6 – Feb. 5, 2017
Avenue of the Arts
BU Theatre
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

“If your laws don’t include me, well then, they don’t apply to me either.”
Anita Crown, Bad Girls

(Boston, MA) A Doll’s House (AHD) is a classic tragedy of manners. It features a female protagonist, and has feminist themes. On paper, it’s a strong educational tool. Its presentation on the stage is another matter entirely. ADH is a show with chatty dialogue that wiggles around its points like a Mexican jumping bean. The Huntington’s modernized production with updated script drags from the emotional constipation of its characters. Not even Bryony Lavery could salvage this one.   Continue reading

Jan 19

THE GHOSTLIGHT PROJECT: January 19 @ 5:30 Across the Nation

Image from The Ghostlight Project website.

TODAY
January 19, 2017 @ 5:30PM
Theaters near you
USA
Ghostlight on Facebook
Ghostlight on Twitter

If you need a place to be, to be with artists who desire to create safe havens for and with artists, and you are free this evening, please consider joining us as we gather for “THE GHOSTLIGHT PROJECT.”

Quoted from the Ghostlight Project Event Page:
“ON JANUARY 19TH, 2017 AT 5:30PM IN EACH TIME ZONE ACROSS THE COUNTRY, WE WILL GATHER OUTSIDE OF THEATERS TO CREATE A “LIGHT” FOR DARK TIMES AHEAD.

While the national event is simultaneous and collective, the particular event is yours. And here’s the thing: you’re theater people – you know how to create an event. We have suggestions and inspirations but the event is really for YOU to make. Be creative. Go deep. Get crazy.”

 

Continue reading

Jan 09

Son of a Biscuit: HAND TO GOD

It starts so innocently. It always does. Eliot Purcell and Josephine Elwood; Photo by Glenn Perry Photography

Presented by SpeakEasy Stage Company
Written by Robert Askins
Directed by David R. Gammons
Puppetry direction by Roxanna Myhrum
Fight direction by Ted Hewlett

Jan. 6 – Feb. 4, 2017
Calderwood Pavilion at the BCA
527 Tremont St
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

Trigger warning: Devil references, supernatural activity, gore, violence, implied sex with a minor, graphic puppetry

(Boston, MA) Horror gets nastier when it employs kid’s toys. Personally speaking, dolls are the worst, but cinematic history has proved that puppets can be just as creepy. They can be really, super, frickin’ creepy. SpeakEasy’s Hand to God has a puppet. Like the previously referenced horror movies, it gets creepy and weird. Like, Evil Dead chainsaw hand meets Avenue Q levels of weird. It’s awesome.   Continue reading

Jan 02

Geeks Read Books: “Ode to Joy” by Craig Lucas

Ode to Joy
Craig Lucas
Theatre Communications Group (TCG)
New York, NY (2016)
$14.95

Review by Kitty Drexel

(NY, NY) I cannot take seriously any play that describes its lead female role as “intimidatingly bright” in its character description. It’s the kind of description that communicates to any intelligent reader that the the playwright has no business writing “strong female characters.” I read the rest, but my heart wasn’t in it. Continue reading

Dec 30

Geeks Read Books: “Here We Go/ Escaped Alone: Two Plays” by Caryl Churchill

 

Here We Go/ Escaped Alone: Two Plays
Caryl Churchill
Theatre Communications Group (TCG)
New York, 2016
$14.95

Review by Kitty Drexel

(New York, NY meets Somerville, MA) As made evident by the title, Here We Go/ Escaped Alone contains two new plays by Caryl Churchill. They are as strange, and pleasantly unsettling as her other works. Churchill takes every opportunity to push buttons, and redefine theatre. Fans will be delighted by these two new scripts. Continue reading

Dec 24

Monkeys On My Mind: JOURNEY TO THE WEST

Presented by The Nora Theatre Company & Underground Railway Theater
Adapted by Mary Zimmerman from the translation by Anthony C. Yu of “Hsi Yu Chi”
Directed by Lee Mikeska Gardner
Choreography by Judith Chaffee
Fight choreography by Andrew Moss
Composition, Percussion & Music Collaborations by Ryan Meyer

Nov. 25 – Dec. 31, 2016
Central Square Theater
Cambridge, MA
Central Square Theater on Facebook

Review by Kitty Drexel

Trigger warnings: gender fluid casting, non-Christian religions that existed before the birth of Christ

(Cambridge, MA) Journey to the West is excellent family theatre. It has joyful storytelling, runs a little long, but delivers an epic myth in child-sized bites. There are bouncing monkeys, kings and queens, educational morals, and integrated behavioral psychology lessons. It has a little something for every intelligent, open-minded liberal.   Continue reading

Dec 21

Directors, Music Directors, and Choreographers Sought!

Arlington Friends of the Drama
22 Academy Street
Arlington, MA 02476
AFD on Facebook

Arlington Friends of the Drama is currently seeking Stage Directors, Music Directors and Choreographers for our 2017-2018 Season. If you are interested in directing for AFD next season, please send a current resume along with a brief paragraph describing your concept for each production you are applying for. You may apply for more than one production. Please respond by January 1, 2017. Interviews are scheduled for Tuesday evening, January 17th and Saturday, morning and afternoon, the 21st at the theater. Interview slots will be confirmed and conducted in 20 minute intervals. Please include a date and time preference when responding to this application form. Continue reading

Dec 10

Tossing Your Cookies, and Having Them Too: Cirque Dreams’ HOLIDAZE

Presented by Cirque Productions
Created and directed by Neil Goldberg
Associate director: Heather Hoffman
Music & lyrics by Jill Winters & David Scott
Additional music by Lance Conque, Tony Aliperti

Shubert Theatre
Boston, MA
Cirque Dreams on Facebook

Review by Kitty Drexel

(Boston, MA) Holidaze is a Cirque du Soleil like production. It’s a “holiday” circus show with Christmas as it’s primary focus. Token nods are thrown briefly at Hanukkah and New Years. The focus is still on Christmas.  Please note: Cirque Dreams is not Cirque du Soleil. It is a production operated by company Cirque Productions, and a direct competitor of Cirque du Soleil. Cirque Productions are more… earthy. Continue reading

Dec 09

The Other Suicide Squad: “Women Writers’ Suicide Club”

15025486_356981481333059_1584655458157023625_o

Presented by Boston Community Collaborative
Written, directed, and produced  by Ingrid Oslund

Dec. 8 – 11, 2016 @ 7:30PM
93 Summer St
Boston, MA
BCC on Facebook

Review by Kitty Drexel

(Boston, MA)  I firmly believe that there is space for all artists, at every stage of their artistry, to create. That can mean creating, and producing art not quite ready for greater public consumption in order to grow. Women Writers’ Suicide Club (WWSC) succeeds in combining many artists to create one show. It succeeds in communicating the frustrations that womanhood places upon artistry. It is not so successful in its execution. Continue reading